• Church of Santo Domingo de Guzmán: It is found in a steep terrain, sustained by contrasts that draw eight arches of stone seen. The Renaissance church was built between the 16th and 17th centuries. Inside it extends into a single ship divided into three sections, covered by vaulted vaults. There is a chorus at the feet and chapels of baroque tardo style with venerated images at local Holy Week. One of the baptismal batteries of the temple is of Mudejar Gothic style.

• The Palace of the Cobos: The call of the Marquis de Camarasa was built in the 16th century, the works were to be completed in 1565, as it appears in the inscription of the friso on the cover. Renaissance style, remember the splendor that the people lived from the moment Carlos I sells it to his secretary D. Francisco de los Cobos. The cover is divided into two bodies by an injunction. At the bottom is a half-point arc with acanto highlighted key and framed by acanto pilasters. The upper body is crowned laterally by two vases on pedestal and in the center a shield with a dome and cross of Santiago between columns decorated with reliefs. In 1997 it was included in the catalogue General of the Historical Heritage of Andalusia.

• The Church of the Holy One: It is made up of stone and built in the 20th century and consists of a single ship with presbytery on steps and chorus at the feet. The exterior is very simple and the main facade finished in hastial. Of this Church we are interested in its interior where it is preserved an oil on canvas with the iconography of Ecce Homo of the 17th century: a sitting Christ that responds to the baroque aesthetics of the dark, another 18th century oil of the Divine Pastor of popular theme and great chromatic contrast and of the 20th century, a wooden size of a Crucified, with careful anatomical study.

• The Cave of the Morron: It is one of the great Paleolithic-era rock sanctuaries they are located in the Alto Guadalquivir. The paintings are in a small room in the Cave. These are two different chromatism, one red and one black. It is very likely that we are facing a sanctuary in which the paintings have a magical propitiatory purpose for hunting, which was the main means of life of the surrounding populations. These rock paintings have been declared Good for Cultural Interest.

On the outskirts is "The Bridge" which is as popularly known the bridge that Andrés Vandelvira built in 1565, on behalf of Maria de Mendoza.

• Dark Towers: They are the most representative element of the urban complex of Torreperogil. They were part of the old castle - a fortress built in the 13th century, between 1230 and 1240 and which gave rise to the villa that was built after the battle of the Navas de Tolosa. At the end of the 19th century there were four towers, but at present only two are preserved. One of them is a square floor, it is accessed inside by an intellized door. It has a single floor covered by a pointed vault and it has aspillers in its paraments. The other, known as the ochavada tower, has an octagonal plant, is built of thick armchair and crowned with powerful shoes for the support of the matacans. To access its interior, it has a narrow warhead door and is given light by small saetera windows. They have been rehabilitated in recent years of the 20th century how Municipal Auditorium.The Ochavado Torreon and the Square Torreon eThey are declared a Historical Monument.

• Church Santa Maria la Mayor, also known as the Assumption, dates from the first decades of the 16th century. It is a work of Gothic tracewith a single, slender polygonal headboard, divided into three sections with starry and very high Gothic vaults. It's proven that The main vault is work of Andrés de Vandelvira, which was decorated with Renaissance paintings of the seven virtues. On the outside four powerful counterforces. It has two covers, one of them works by Diego de Alcázar, disciple of Vandelvira, It shows on the bow and central space a hornant with the stone image of Our Lady of the Assumption with the Child in arms. The main cover is attractive and great. The access with a refined double arch and on it, stone images of Santa María la Mayor and San Juan Evangelista. Inside, a magnificent altarpiece, dated 1571, known as the "Stone Altar ", the work of Alonso de Vandelvira, with a high relief that represents the Descending Christ on the Cross and the city of Jerusalem at the bottom. The altar bank conserves the 16th century Sevillian tile and on it the figure of the lying Christ. It has been declared Good of Cultural Interest with the type of monument, in 2010.

• Hermitage of the Vthe irgen of Mercy: Built between 1593 and 1634. Inside it is a rectangular-floor ship, which has been restored in 1960, covered with a half-barrel vault with lunetes and articulated with five hornant chapels on each side. The presbyterium is covered with half orange on pechines and communicates with the shrimp by means of a half-point arc on double mends. The Camarín, with baroque bills, with 18th-century gypsies, stands out. The main façade was built between 1960 and 1965, while the southern cover, of Renaissance style, was from the 16th century. The image of the Virgin of Mercy, patron of Torreperogil is an anonymous author and was sculpted in 1939, although it was restored in 1960.

Old Jail and Cabildo. Building built in the 16th century, considered a masterpiece of Spanish mannerism. It is currently the City Hall of the city.

In his spectacular main façade We can highlight the huge, dogrous columns with piled armchairs, the sculptures of Justice and Prudence, (both were beheaded), the great doors and their bronze aldabones and a great shield of the Austrians crowning the whole. It was declared a National Historical Monument in 1931. Below the City Hall, the Convent of the Trinitarian, work of the late 16th century, and on the same street, but in the opposite sense the Hospital of San Juan de Dios, of baroque bill of the 18th century. All this high part of the intramurous historical centre is of great quaint and from it you can enjoy beautiful panoramic.

• Santa Marta Parish Church. It rose in the 13th century, in the years following the taking of the city by Fernando III the Holy, on an Arab mosque. It is consecrated to the patron of the city and has the title of Real since 1617. Gothic Mudejar style. The Baptisterium, the Major Chapel, was later built and embellished with the slate-cross vaults and a large cover of the isabelin Gothic. In the 16th century the interior is expanded and remodeled, raising large columns of Tuscan order and building the original Bell Tower with three bodies.

• Pilar of the New Source. Ornamental source located in the Manuel Carrasco Municipal Park. It was built in the 16th century, reflecting the most new and outstanding aspects of the Manier architecture. The set stands out for its monumental beauty and austerity. It consists of an abrevadero pillar and a smaller one in which two lions make water pipes. In the center is the Austrian shield, and on the sides is the shield of Martos and that of Governor Aboz Enríquez.

• The hermitage of San Bartolomé. Located in the skirts of the Peña de Martos, dates from the 14th century and houses the venerated image of Mary Most Holy of the Victory, Queen and Lady of the Peña.

• Roman Bridge of Martos. Important engineering work, built in the Roman era on the Salado stream in the vicinity of Martos to facilitate the passage between the two shores.

• Sanctuary of Mary Most Holy of the Villa. Temple in which Mary Most Holy of the Villa, known as "La Labradora," is sold. It was built on dates near the delivery of Martos to the Kingdom of Castilla. In the 16th century the temple was remodeled and a bell tower was built. This sanctuary was burned and destroyed during the Spanish Civil War. The current was rebuilt in the 1940s of the last century, in a Neobaroque style. The Torre-Campanario dates from the 16th century, is separated from the main building and is the only original element of the ancient Sanctuary. It has a square floor with half-point arches.
  

• The ruins of Castillo de la Peña which we know today are not those built by Muslims but correspond to the strength that the Calatravos built from 1340. The floor of the castle is trapezoidal adapted to the surface of the plateau on which it sits and its entrance, for security reasons, marked a zigzag drawing. The compound was divided into alcázar and a courtyard of weapons protected by a walled enclosure. The alcázar, where the tower of tribute is raised, takes advantage of a natural podium that lifts it about three meters above the courtyard of weapons, separated by a wide, also natural.
  

• Castle of the Villa. It was an alcazaba or citadel surrounded by canvases of almenada wall, as well as passageways and towers, leaving the central space for the construction of administrative and religious buildings: church of Santa Catalina, headquarters of the governorate, cavalries, tahonas, lagores, aljibes, etc. According to evidence from an inspection carried out by the Visitors of the Order of Calatrava in the 16th century in order to repair the deficiencies of the Lower Fortress.