As a passion for the crafts, Ascension began to manufacture Tiffany lamps by hobby. Very soon he began to familiarize himself with the production of glass windows and thus discovered a passion that some years ago became his trade.
From its workshop, also shop and exhibition, it makes windows and Tiffany lamps, as well as custom gifts and glass decoration objects, always made in a completely artisan way.
Starting from a sketch to real size and drawn by hand, it creates the window or object until the desired design and design. Among its techniques, the famous Tiffany, grisalla, fusing, resin, vitrofusion, among others, obtaining flat glass windows, plumbed, smooth glass or decorative objects and utensils for the home. They highlight the windows, domes, heraldic shields, mirrors, etc. A multitude of fully exclusive and customised works to their customers, many of them international.

It begins to become familiar with the carpentry trade and to appreciate the most traditional, cultural and historical aspects of this artisan work since very small. After completing his training in Fine Arts at the "Alonso Cano" faculty in Granada, he continues to carry out numerous courses to train and investigate all the entrenches of his artisan activity, specializing in mudejar crafts and thus becoming a national and international reference in the field of historical wooden decks.
After founding Mudéjares Crafts in 2000, he is appointed Master Crafts by the Board of Tourism, Trade and Sport of Andalusia in 2011. He has been able to transmit his knowledge and experience in the field of research and restoration through different courses and conferences, advice to architectural studies, as well as his teaching work as a teacher of mudejar carpentry at the Albayzin Centre in Granada. Their respect for the environment, a scrupulous selection of wood, as well as their deep knowledge and experience in this trade, make each of their creations truly exclusive and of the highest quality, hand-carved and impregnated by the personality of their author. Circumstances that have led to the opening of important branches of Mudéjar Crafts in America or the Middle East, as well as to obtain numerous awards and mentions.
Among his works are the manufacture of the craftsmen of the Alcázar de Toledo or the Old Station of Córdoba in Seville, the construction of the Mudejar sonados for the Museum of Historical Memory, the restoration of the craftsmen of the Church of Santa María de Vélez Málaga or the Colegiata de Santa María de los Reales Alcázares de Úbeda, as well as other works of a particular nature carried out in mansions of the United States or Spain, or for hotels and restaurants of the world.

In a very marked and personal style, in 2012, the Junta de Andalucía gave him the letter of Master Artesano, and is that his constancy to keep almost intact a trade of old, as well as his commitment to the production of artworks of great value, have made his artistic manifestations a great national and international recognition. He works with his brother Paco, also artisan and with a dilat and successful experience, with whom he creates excellent synergies from which his most valued articles emerge.
They are the sixth generation dedicated to the craft of the artistic forge and they treasure a workshop that has been declared by the Junta de Andalucía as Punto de Interés Artesanal, a space that hosts various activities related to the forge, a magnificent tourist option for the visitors of the town and an excellent teaching alternative for the students of the area.
Pepe and Paco still retain the most traditional techniques in the preparation of their articles, although without losing the current trend. Its designs, all of their own and exclusive, stand out for their personality, originality and quality, as well as for being unique parts in the market. They have collaborated with numerous exhibitions and exhibitions of crafts, reaching to perform outstanding works at national and international level such as the National Paradores of Cambados, Carmona, Granada, Jaén, Plasencia or Cádiz or other collaborations in Brussels, Ireland, Japan, Nice or New Mexico. These artisan brothers, with a strong Renaissance tendency, also actively collaborate in the conservation of the cultural heritage of Andalusia with many works of restoration of great prestige.

In a workshop whose history is closely related to the ubetense pottery and declared by the Junta de Andalucía as Punto de Interés Artesanal, Alfonso develops his work as a craftsman creating pieces of high artistic quality. In its effort to cherish this family legacy, in its work space it still retains an Arab oven as well as original objects and with years of history, in addition to the utensils used for its elaboration, which can be enjoyed through a programme of guided routes the city.

Its creations, with a clear traditional influence, are made in a artisanal but adapted way, in terms of color, decoration and design, to modern currents, incorporating new techniques such as high temperature, crystallization or raku, as well as new materials such as gress or porcelain. A complex fusion between the past and the present that results in artistic work of great value.

Pablo TITO is the third generation of artisan potters in his family. His desire to learn led him from a very small point of view to become familiar with a trade that has now become his livelihood. In its workshop, located in a unique building whose origins go back to the XV-XVI centuries and declared by the Junta de Andalucía Punto de Interés Artesanal, is the Museo de la Alfarería Paco Tito Memorio de lo Cotidiano, where it exposes some of the clay creations that grow in its Arab oven, perfectly preserved and in use, being one of the few that exist in Spain in operation. It works the traditional ubetense ceramics, producing fully artisan products such as alcuzas, dishes, lebrellos, etc., in addition to other decorative objects such as sculptures in real size or exclusive pieces created from the synergy between different materials such as mud, silver or bronze, and which have led it to create together with the well-known Ferrádiz jewelers their own signature of accessories "De Barro and Plata."
It works closely with other artisans or designers. Many of his decorative or restoration works look in restaurants in Cancun or London.

After completing his design studies at the School of Art in Granada, Melchor decided to join, together with his father, the family pottery workshop located on the mythical street Valencia de Ubeda, artisan area and pottery. A workshop that dates from the Arab time of the city (before 1234) and is now almost the same, even with the three impressive Spanish-Arab ovens. One of them, the one used by Melchor Tito for the cooking of its most special creations, may be the oldest and largest operating oven in all of southern Europe, as it is prior to the year 1234.
It brings together a pottery of the most traditional, respecting the techniques and forms of its ancestors and with a clear Arab influence in terms of design, colors and finishes. Of the highest quality, its pieces are unique and exclusive, thus ensuring the authenticity of Melchor Tito's pottery.

More known as Tito, Juan Pablo works in the family workshop dating from 1965 and declared by the Junta de Andalucía Punto de Interés Artesanal. It is a space open to the public in which you can visit the great exhibition of ceramic pieces of the late 19th and early 20th century. His father's heritage is the most contemporary vision of the trade, which, while being artisan, has evolved to perform a more decorative and aesthetic function.
Tito takes the reins of the workshop by bringing a new modernist approach and reinventing the use of ceramic objects. From replicas of the traditional Ibera ceramic, to the items of hospitality, jewelry, decoration or urban art, many of its collaborations in cinema, theatre or with great fashion designers. All of its pieces, designed and made in a completely artisanal way, are characterized by their great originality and quality.

With more than a century of history, Alberto and Francisco rule this family pottery with the clear objective of keeping the history and customs of their ancestors alive. While respecting all the details in the making of the most traditional pieces, these brothers have introduced new techniques and materials that allow them to be at the forefront in design and decoration. From monocotion to metal reflex, raku, low and overcover, dry rope or the application of different types of enamel that lead them to create unique pieces, of great personality and quality. Utilitarian or decorative parts, objects intended for ornamentation or the most traditional pieces of ubetense ceramic. But also, and for their interest in collaborating with the maintenance and survival of this trade, they also collaborate in the restoration and manufacture of ceramic tiles, tiles, heraldic shields, pliers or religious imagery.

They learned the trade with their father, a artisan carpenter with a lifetime of experience. Juan Antonio and Nicolás attended the familair workshop every day, soaking from very small of the trade's entresijos.

They use high quality materials, exclusive and selected wood for each of their orders; oak, pine, beech, walnut, and even olive, which work exclusively manually for the production of their products, all original and unique, made to the customer's taste and to the customer.

They therefore combine the most artisanal techniques, with traditional materials or other more avant-garde, always respecting the origin of their trade and printing of a certain personality and distinction each of their carpentry pieces.

Become the sixth generation of craftsmen of the spartum of his family, Peter is a complete connoisseur of the history of this trade and of the changes he has suffered over the years. He works with the spartum of Sierra Mágina making the famous 11th century Ubeda carpets, typical of the Ubeda area and whose manufacture his grandfather rescued after many years in oblivion. In addition, Pedro recovers other products and the artisanal manufacture of them to work this vegetable fiber by hand, being its production completely organic; Bags, jewelry items, pamelas, leftovers, blinds, baskets and other objects for decorative use such as the animals made in pita and in real size.

For his creations he uses raw spartum, crushed spartum, as well as other materials and techniques such as pita / sisal, jute, rafia or wool, which allows him to customize to the maximum both the items we find in his shop and those pieces he makes on request. An old trade that has been able to reconvert it into a very visible place on the national scene, getting great awards and awards like that of Richard H. Driehaus, Construction Arts Awards in the category Finished and other Traditional Construction Works. Pedro Antonio Blanco has also been present at the Cibeles 2018 and Fashion Week parades in Paris in 1919 by the jiennese designer Leandro Cano and his collection of clothes and accessories made of vegetable fiber.