Its artistic heritage includes:

• Church of San Miguel Archangel, This church dates back to the last third of the 16th century. The main cover is simple and with a half-point arch. It appears decorated with a stone shield made of quarry, typical of the Renaissance and Spanish mannerism. On a side it has a cover with a tile image of the Virgin of the Castle. The tower is of rectangular floor, which is unusual, and with relief decoration of the bell tower, similar to work in brick. The interior is one-ship and at the bottom is a half-barrel vault with the arms shields of Bishop Calderón. The majestic baroque altarpiece of the 18th century, the work of sculptor Diego de Briones, the chapel in which the so-called "trophies" of the battle of the Navas de Tolosa are kept (1212) and, in another chapel, a canvas of the Final Judgment are kept.

• Ermita- shrine of the Virgin of the CastleHe rose in the 18th century on the ancient church of Santiago, at the top of the hill of the castle. It houses the image of the patron of Vilches, who every August 14, on the occasion of the holidays in his honor, is brought down in procession to the parish of San Miguel.

• Vilches Castlelocated on a high hill to which it gives name and from where you can enjoy a wonderful view, is the castle of Vilches. A fortress castle that played a very important role as a point of defense of the high Guadalquivir, served as a refuge for the inhabitants of the environment in the face of the advance of Christian troops during the Reconquest and starred in famous war episodes, in the Middle Ages, between Arabs and Christians. Although we know that the hill has been populated since the time of the Iberians, the origins of the castle are uncertain. There are only a few remains of the fortress: a esquinero turret, known as "Cube de la Villa," part of another turret and a passage with a slightly pointed vault of armchair. With the passage of the years and the consolidation of Christian culture, much of the towers and parts of the walls of the castles were used to build small churches and hermitage. In the courtyard of arms the church of Santiago was built, on which the hermitage of the Virgin of the Castle was later built. It was declared Good of Cultural Interest in 1985.

• Archaeological site of Giribola. It is an archaeological site of great importance located in the confluence of the Guadalimar and Guadalén rivers, from where you can enjoy excellent panoramic surroundings. From what has been known so far, it is known that it was home to an Iberian city, which some scholars associate with Orisia, which was destroyed in the Second Punio War, a prehistoric sanctuary, a Paleocrist or Visigode cenobium and a Almohad castle built after the battle of the Tolosa Navas.

Ibero site of White Crow

The pale tone of its rocks gives meaning to the name of this small hill located two and a half kilometres from the urban core of Porcra: White Crow.

Archeologically involved during the 1970s of the last century, the process of human use of the field is delimited in three moments.

First, during the tartesic period, there is a distinction between an inhumation necropolis dated around the 7th century BC. There are twenty-four individual graves and a double-chamber grave.

From a second epoch, around the 5th century BC, is the largest Iberian sculptural ensemble of the national territory. A thousand three hundred fragments among which are more than thirty sculptures. The warrior of double armor, symbol by anthonomasia of the Iberian world in general, stands out.

Finally, necropolis continued to be used for such purposes from the 5th century BC to the 1st century BC, changing the first rite of imhumation to the rite of incineration.

Roman Amphitheatre of Obulco

The Roman Amphitheatre of Obulco was one of the largest show buildings of the Roman Hispania, an example of the enormous magnitude of the ancient Ibolca-Obulco police. It was the largest of the cities of the Protohistoric and Roman Iberia in the time of Julius Caesar.

This amphitheater shows the imposing archaeological reality of Municipality Pontificensis Obulconensis in the 1st century BC, when it was raised about five hundred meters from the walls.

After the last great intervention of this colossal amphitheatre, its monumental remains, of more than one hectare of surface, have been managed to size and integrate in harmony with the existing neighborhood, allowing its visitors to walk through a large section of the southern façade with its imposing counterstrong of piled chairs in the Hellenistic style, see the doors and volitories, the outer access routes and the large falls of cyclopeia blocks, then be able to enter the cavies or steps, and come down from the wall of the podium to the space of the sand and carcerwhere to appreciate the dimensions and panorama that the old gladiators who fought in the seaweed or games.

Cisterna Romana de La Calderona

The Roman Cistera de La Calderona is a colossal underground hydraulic complex of the Pontifical Municipality of Obulco, intended to store water, which has been in use for more than two millennia and has arrived to this day in exceptional state of conservation.

It was accidentally rediscovered by one of the neighbors of the three contemporary houses that are available over it and intended for air-raid in the Spanish War of 1936. It was originally a large public water tank with several years of rainwater collection and three catchment wells.

The project has been completed by building a contemporary building of access through ramps to the complex and with the excavation of approximately 500 m ² of the large Roman neighborhood of the poniente, where part of a cross-sectional enlisted street have been exhumed, three houses organized around patios, a shop and a butcher-carnage, which allow to qualify this block of the neighborhood as a handicraft and commercial sector of the city.

Boabdil Tower

In an era of invasions and conquests, during the Middle Ages, two names express the same reality. The Muslim Bulkūna and the Christian Porcella live together and share the same territory.

On the remains of an Andalusian bulwark, which in turn was erected on Roman vestiges, the Castle of Porcra is fortified with new defenses to become a Christian alcazar.

Ten are the towers that make up the castle's walled enclosure and one of them, the last to be built, which is maintained until today. The New Tower was raised during the first half of the 15th century by the precept of the Calatravo gentleman Don Luis de Guzmán.

It is also called the Tower of Boabdil for what happened in 1483 when the last sultanate of the Nazarí Kingdom of Granada, Boabdil, was taken as a prisoner to that tower after being arrested in the Battle of Lucena.

The tower is octagonal base, is 28 meters high and has an ochavada shape. Its interior, of two floors and a terrace, will house the medieval rooms of the Archaeological Museum Municipal Obulco.

Church of Santa Ana

The first data that are held from the hermitage of Santa Ana are from the late 15th century although its exact origin is unknown, being able to be reassembled at the end of the 13th century.

Santa Ana is drawn like a hermitage of a ship, with several adjacent dependencies such as the house of the santera and some corrals. During the later centuries the whole is spread and consolidated until in the 19th century it is closed to worship. In the 20th century, the property is sold to the Juárez family for use as a bread oven.

The recent intervention carried out by the City of Porcra has involved the restoration and recovery of the original building. These works have brought to light important findings: unique pavements, numerous burial or wall paintings in the altar area.

Today, the ancient church of Santa Ana has become the Visitors' Reception Centre.

Royal meat stores

This is one of the most modest buildings, which was mentioned in the 15th century, next to the organization of the square: the carnage of the villa, the Church Mayor and the Cabildo.

The Royal Carniceries, called for the Crown's control over meat, supplied the population with beef and sheep for more than five hundred years, from the Middle Ages to the Second Republic.

From this moment on, the city's library is located in the building and, in addition, the work-bag functions are performed there, to be, before its restoration, the Comarcal Court.

In 2015 this space was opened after the rehabilitation and value that the City Council of Porcilla carried out, hosting, there, the municipal services of Historical Archives and Tourist Information Office.

There are some of the vestiges that can be seen inside the building. It is also worth the attention to stop and observe its inclinated facade witness to the Lisbon earthquake of 1755.

The Royal Posite of Charles IV. City Council

In the square of Andalusia was built in the Enlightenment of the King Charles IV in 1798 the Royal Po'sito, that is, a public warehouse of grain for consumption and sowing. It is a functional building offacade of silleri ́ a with beautiful classic cover, which consistsof three ships, one main and two lateral, separated by stone arches on which the deck rests. The building is accessed after climbing a step, an element that allows to generate a lower level or ventilation gallery.

After the Civil War contest, the building was ruined and a major reform had to be made.Although the works were directed by Ramón Pajares Pardo, the project is due to the architect and National Architecture Prize José Luis Fernández del amo, the first project he signed.

The building currently houses the headquarters of the City of Porcra. The large "glass yard" is a bright space that acts as a distributor of the entire ground floor and also functions as a main public service room.

Galleries of the Royal Posite of Carlos IV. Municipal Archaeological Museum of Porcilla

This is abouta space located under the building of the Royal Posite, current City Hall.In its day were the ventilation galleries and prevented the moisture from reaching the grain store. In origin they had no direct access from the outside, only one registration trap. Over time, several entry doors were opened, allowing this place to take different uses, from construction materials storage to dungeon or hardware shop.

Following the major reform in 2017, the space was restored and opened to the public. During the intervention, archaeological remains of Roman and medieval times, now integrated into the journey, came to light. The vaults system used in its construction is particularly noteworthy.

In 2023, two museum rooms were incorporated into the whole, which greatly enrich the understanding of the past of Porcra: one dedicated to the world of the Turdulum and the other to the Roman period. Both offer a clear and accessible journey through the cultures that left a deep mark on the ancient Obulco.

Ntra Parish. Sra. de la Asunción

The Parish Church of Our Lady of the Assumption of Porcilla, concluded in the early 20th century thanks to a popular subscription, rises on the site of the ancient Church of Santa Maria la Mayor. The building, wide and bright, has a Neo-Byzantine style and is articulated in three ships covered with cross vaults. The sacristy, attached to the head, belongs to the temple of the 17th century and is connected to the rectoral house, which houses the residence of the parish priest, the archive, the office and the parish hall.

After the construction of the new temple, Julio Romero de Torres was commissioned to paint the vault of the apse, where the artist represented the Assumption of the Virgin, surrounded by a chorus of angels. The work was so impressed that he was asked for two new murals for the capels of the cruise. In one of them he made the Holy Supper, showing the apostles attentive to the moment when Jesus instituted the Eucharist. On the other, he represented The Holy Family in a serene sunset, with the Child Jesus in Mary's arms and the silent presence of St. Joseph. In addition, the temple retains five more works of the painter: an oil of St. John the Baptist in prayer and four canvases of the evangelists located in the pechines of the cruise.

House of the Stone

Summary of the millennial craftsmanship of the stone in Porcra. The bartender and marmolist Antonio Aguilera Ruedas (1896-1980) built it in the middle of the 20th century for 30 years with considerable personal effort and firm mastery.

Its extravagant and eclectic combination of solutions, techniques and decorations exalt the work of the stone. Their personal and unusual explanations that portray in an unusual way the complex parallel trajectory between building and author draw attention.

In August 2018 it was reopened following the reforms that the City Council of Porcilla made. After an important work of cleaning and restoring the stone a sophisticated lighting system is chosen to bring all the beauty to the craftsmanship of the stone. At the same time, an extensive set of ramps, built in marble concrete, gives access to a glass elevator, a unique dissonant element but that will allow access to the entire building.

• The Toya House. Discovered in the early 20th century, it is one of the most important funeral monuments of Iberian culture on the Peninsula, not only because of its conservation status, but also because of the monument itself. Some consider it the first great architectural work of the Iberian Peninsula. This is a underground burial chamber built with large "in situ" carved stones, placed one on the other without any type of argamase. The interior impacts, because it is a three-ship enclosure, the sides in turn, divided into two, made of carved chairs to fit perfectly on each other. Banks, bakers and a table appear. The roof is also closed with stone slabs. The construction work of the camera is very interesting for its high level of execution. The "Toya's jousting." It is characteristic of an Iberian prince and his family, of it we highlight: the wheels of a warrior car, dishes, vessels, remains of a sword, an iron helmet, beads of silver necklace, glass of marine blue and yellow....Declared Historical Artistic Monument in 1918.

• The Clock Tower:In the heart of the urban core are two towers that formed part of an ancient medieval fortress, One of them, The Clock Tower raised at the end of the 14th century, sits on a stone socket, is quadrangular, of silery not always regular. It is internally distributed on four levels, maintains the almenate and also on two sides of its matacan-function balconies, in the third, matacan menulas, and in the latter a watch that gives it name has been placed.Declared Good of Cultural Interest in 1985.

• The Mocha Tower: It is about the second tower of the fortress Medieval, it is of masonry concerted in some of its parts has corners reinforced to rope and sawn and topped with skimmed canes. It must have been built between the 13th and 14th centuries, it was restored at the end of the last century.It has been declared Good. of Cultural Interest in 1985. Among the towers is a wide space, in which an Auditorium has been established, for the celebration of cultural and playful activities in the open air.

• The Castle of Toya: In Toya, near the Iberian tomb, an impressive tower of the Toya castle is maintained. It has a square floor, it is demochada and in its interior are preserved half-barrel vaults that covered the rooms and on its outside the arrangement of the masonry goes to soga and tizon, also showing structure of calicanto. It has been declared Good of Cultural Interest since 1949.

• Aqueduct of Peal Furnaces: In this pedany, there is an old and damaged aqueduct, considered as of Roman construction. It defies the passage of time and erosion caused by the river that crosses it below.

• Mengibar Tower, is the tower of homage of the old castle of Mengibar raised in the 13th century, being the only thing that has been preserved from it. It was restored in 1982. Its height is higher than 25 meters and has vaulted rooms inside. In 1985 she was registered as BIC.

• Arc de Jano Augusto (Ianus Augustus), a milestone in the landscape, which marked the border between the Roman provinces Betica and Tarraconense. Declared Good of Cultural Interest, the Arc de Jano Augusto (1st century BC and 1st century AD) had dimensions of 14.80 meters in length, almost 5 meters in width and a single central vain of 5.15 meters. The arc was the starting point of the Augusta Way in the Betica. It has been BIC since 2019.

• House of Inquisition, property that is included in the General Catalogue of the Andalusian Historical Heritage. Located on Jaén Street, there is a very late classic cover dating back to the second half of the 17th century. The most important thing about the building is the main two-storey facade. It's interesting your forging grate.

• Hydroelectric Central and dam on the Guadalquivir River, the work of the architect Antonio Palacios, represents a remarkable exhibition of industrial architecture. The plant and dam are part of the ambitious project for the development of the Guadalquivir River of the MENGEMOR company.

• Parish Church of Saint Peter the Apostlenear the Tower, an architectural jewel of the Renaissance, despite the reform of 1970. Its main façade is south-facing and built in the first half of the 16th century. The other facade, facing the north, has different dependencies such as the sacristy, chapels and salons throughout the different reforms. It obeys the Vandelvirian model of three-ship temple separated by pillars and vaults. In front of its construction, Francisco del Castillo, the old man, and Alonso Barba, intervened.

• The Hermitage of the Lord of the Rainof small dimensions, it is made up of three narrow ships. The centre is of canyon vault, while the sides are intellized. The ships are separated thanks to two large arches of half-point brick seen. The exterior, with a stone view, has a simple front front cover, as a templet, on which a circular window is located and overlooks a revered bell swordsman. It is the only one in the municipality that is preserved from the 18th century. It is now called "Lord of the Rain," for it is venerated by a crucified Christ whom the Mengibarians have traditionally entrusted in the years and periods of drought.

• The Hermitage of Santa María Magdalena was opened and blessed on 14 July 1990 outside the municipality of Mengibar, very close to the Roman city of Iliturgi. It is located in the Cerro de Machiz, where the ancient 16th century hermitage was erected. It has a simple half-point arch cover with two small side voids, as saetas. At the top we find a hornadine with the image of Mary Magdalena and, on a side, a small body of swordsman. Since its opening, the Romeria de Santa María Magdalena is held annually.

• Oppidum ibero de Iliturgi and archaeological site of the Roman Iliturgi. Since 2016, the University of Jaén and the City of Mengibar have been working together to rescue the past of the municipality. In Cerro de la Muela, the ibero oppidum of Iliturgi (6th and 3rd centuries BC) was located, with an area of more than 14 hectares. Here, many archaeological remains have been found, which have made it possible to document the siege and destruction of the oppidum in 206 BC by the Roman army. After this event Tiberio Sememonio Graco would founded the Roman city of Iliturgi in the area of Maquiz, about 700 metres from the city destroyed. Since the mid-19th century, a large number of remains of the Roman city have been removed, most of which now form the Iliturgi Collection, which is preserved in Casa Palacio.

• Mengibar rolls, picotas and bakers. They are part of the history of their formation as a people with their own jurisdiction. The origin of the rolls was found in 1574, when the villa managed to emancipate itself from the city of Jaén. The title, granted by Philip II, allows him to have full jurisdiction, made symbolized by the presence of rolls and picotas. While the former reflect the new administrative and legal status, picotta is the place where the prisoners were punished. The hornaces, on the other hand, are similar to holes made in walls and crowned by a reduced arc. A votive image was placed in them, thus being a sample of the popular fervor of the municipality.

• The House Palace is a building dating from the 15th century, located in the central area of the historical artistic complex, next to the Torre del Tribute. The property has not always been a single house. From the 13th century, houses are being built very close to the castle wall. It would be a small fortification around the large tower located inside. With the coming of the centuries Casa Palacio has had distinguished owners. It has also been the scene of important historical events. It has also had functions beyond domestic. The building has now become a hotel. One of the first to build their houses on the house occupied by the palace was Mr Pedro Méndez de Sotomayor, Lord of Mengibar and Rider of Jaén, in order to keep the cattle and the cereals of their crops. This has now become the Hotel Palacio de Mengibar, which has a unique spa built in an Arab aljibe and decorated in the style of the Roman era.

• Interactive Museum of Olive Oil and Sustainability Terra Oleum. It offers a modern exhibition space made up of unique architectural spaces, including its Caja Aurea and a natural environment presided over by the olive forest. For the dissemination of knowledge related to olive cultivation, oil production technology and Mediterranean diet. It has been selected as a reference centre by the European Union for the dissemination of the olive oil culture. The Terra Oleum Museum extends over a total area of more than 11,000 square metres. It is the largest area of knowledge planned in the Mediterranean basin for a food product.

Linares has a varied set of buildings (churches, palaces, solariegal houses) of different styles and times, from the simplicity of the Romanesque to the preciosism of the modernist buildings of the 19th and 20th centuries linked to their past of mining splendor.

The Basilica of Santa Maria la Mayorbuilt during the 13th to 15th centuries, with a mixture of Gothic and Renaissance styles, it has a beautiful silver altarpiece.

The city of Cástulo It has a historical trajectory of more than 4000 years, a history in which the presence and influences of Mediterranean cultures have been reflected, which have left their mark on the site and its territory. Cástulo offers us a heritage that we gradually recover from archaeological research, a legacy that we must know and protect.

The city has also not wanted to forget what its past was, good proof of it are the museums we found in it: Archaeological Museumin which the remains of previous civilizations that occupied these lands are preserved, and the Centre for the Interpretation of the Mining Landscapewhere we find samples of the mining works, pieces and videos on the location of the mining heritage in the region. And with the statue of the Miner, the inhabitants want to pay tribute to the generations who laid the foundations of the city that today is Linares.

The Casa - Museum of Andrés Segoviaor Raphael MuseumWe are reminded of illustrious people who took the name of Linares all over the world.

Jaén's architecture bears witness to the many civilisations that have inhabited the city and its surroundings throughout the centuries, resulting in an outstanding monumental heritage that includes both religious and civil buildings. Its historical and artistic legacy showcases a variety of architectural styles, including Gothic, Mudéjar, Renaissance, Baroque, and Neoclassical.

Among its most important monuments are the following:

• Cathedral of the Assumption of the Virgin, a masterpiece by one of the greatest Renaissance architects, Andrés de Vandelvira, and the inspiration for the construction of many cathedrals throughout Latin America. It is regarded as one of the finest examples of Renaissance architecture in Andalusia, which is why the process to obtain UNESCO World Heritage status for the cathedral began several years ago. The city's first cathedral was built on the foundations of the former Great Mosque following the conquest of Jaén by King Ferdinand III of Castile, known as Saint Ferdinand, in 1246. Later, during the 14th century, Bishop Nicolás de Biedma brought to the city the relic of the Holy Face (Santa Faz or Santo Rostro), believed to be one of the three cloths that, according to Christian tradition, Saint Veronica used to wipe the sweat and blood from Jesus' face on his way to Calvary. The presence of this relic in the first Christian cathedral transformed it into an important pilgrimage destination, making its expansion necessary in the Gothic style. Elements of this Gothic phase can still be seen in the apse of the present cathedral. Due to structural problems that arose during the 14th century, a new Renaissance cathedral was commissioned from the architect Andrés de Vandelvira. Although construction continued for nearly three centuries, Vandelvira's original design remained largely faithful throughout the project, resulting in what is considered the most architecturally balanced, harmonious, and proportionate cathedral in Andalusia, with one of the most solemn and majestic interiors in the region.
• Basilica of Saint Ildefonsus. After the Cathedral, it is the largest church in the city. The earliest records of the original building date back to 1248, when it was established as a chapel serving the Cathedral. Two centuries later, in 1430, it became the setting for the famous miracle of the descent of the Virgin Mary to the city of Jaén. Following this event, it became a sanctuary dedicated to the image of the Virgin housed inside, under the title of Our Lady of the Chapel. In the 16th century, the Virgin of the Chapel was proclaimed the patron saint of Jaén. Finally, in 2010, Pope Benedict XVI granted the church the status of Minor Basilica. The building features three entrances: the oldest, in Gothic style, is located at the rear of the church. The side entrance, in Renaissance style, displays a relief depicting the Chasuble Bestowal upon Saint Ildefonsus. The last to be built was the Neoclassical main façade, crowned by a statue of the saint to whom the basilica is dedicated.
• Santa Catalina Castle. An ancient Caliphal fortress stood on the summit of Santa Catalina Hill as early as the 9th century. Centuries later, following the conquest of the city by King Ferdinand III in 1246, the Christian castle that survives today was built. During the 19th century, the castle underwent several modifications to strengthen its defensive structures in response to the Napoleonic invasion. Close to the castle, the building that now houses the National Parador was constructed in the 1960s. From the summit there are spectacular panoramic views of the city and its surroundings, especially from the Cross Viewpoint. The fortress also houses an Interpretation Centre that explores the history of the castle.
• The Arab Baths. They are the largest and best-preserved Arab baths in Spain. Built in the 11th century during the reign of Abd al-Rahman II, they are located beneath the Villardompardo Palace in the heart of the city's historic centre. Covering an area of 450 square metres, they still preserve Almohad decorative elements, suggesting that they were restored towards the end of the 12th century. Between the 14th and 15th centuries, after they ceased functioning as public baths, the rooms were converted into tanneries. Later, at the end of the 16th century, Fernando de Torres y Portugal, Count of Villardompardo and Viceroy of Peru, built his palace above them. At the beginning of the 20th century, together with several adjoining buildings, they became part of a women's hospice. A section of the baths was rediscovered in 1913 and, a few years later, they were declared a National Monument. Today, following a restoration project that received the Europa Nostra Award, they form part of the "Arab Baths" Cultural Centre, which also houses the Museum of Popular Arts and Customs and the International Museum of Naïve Art.
• Chapel of Jesús (Camarín de Jesús). The chapel and the convent church of Saint Joseph are the only surviving remains of the former Convent of Saint Joseph of the Discalced Carmelites, founded in the 16th century. The recently restored church, with its characteristic Carmelite façade featuring a niche, houses both the chapel and the Camarín de Jesús, created in the 17th century to enshrine the celebrated Renaissance sculpture of Nuestro Padre Jesús Nazareno ("El Abuelo"). The image belongs to the brotherhood founded in this very convent in 1588 and is carried in procession during the early hours of Good Friday before thousands of worshippers and pilgrims. The façade is adorned with a beautiful terracotta sculpture of Saint Joseph by the renowned ceramic artist Paco Tito.
• Church of La Magdalena. Originally the city's Great Mosque during the Islamic period, it was converted into a parish church following the Christian conquest. Its main façade and interior are Gothic in style, while one of its towers still preserves the former Arab minaret. The church contains several important works of art, including Calvary by Jacobo Florentino "El Indaco", a panel of Our Lady of the Pillar attributed to Pedro Machuca, the 16th-century Christ of Clemency by Salvador de Cuéllar, and the 18th-century image of Saint Mary Magdalene by Mateo de Medina. The courtyard of the former mosque, with its rectangular ablution pool, served various public purposes during the Christian era and was landscaped with gardens and ornamental fish during the 20th century.
• Church of Saint Bartholomew. It is one of the oldest churches still standing in the province of Jaén. Dating back to the medieval period, this religious monument features a Baroque exterior and a Mudéjar interior. Among its highlights is a green glazed ceramic baptismal font decorated with 15th-century Gothic inscriptions.
• Provincial Council Palace. This palace was built in the mid-19th century by architect Jorge Porrua. Originally, the site was occupied by the Convent of Saint Francis, commissioned by King Ferdinand III in the 13th century. A century later, King Peter I of Castile ("Peter the Cruel") granted it to the Franciscan friars. Following the ecclesiastical confiscations, the building became public property and was eventually converted into the headquarters of the Provincial Council. Today, visitors can explore its central courtyard and the lower galleries.
• Oppidum of Puente Tablas. The fortified Iberian settlement of Puente Tablas is located just 4 kilometres from Jaén. Over more than thirty years of archaeological research, the site has revealed its outstanding historical importance through evidence of continuous human occupation from the Bronze Age to the Islamic period. However, its most significant phase dates from the Iberian period, particularly the 4th century BC. Visitors can discover how the Iberians of the Upper Guadalquivir lived while exploring one of the most impressive defensive systems of the period, with more than 300 metres of preserved walls standing over 5 metres high. Visitors can enter the settlement by following the same route once used by its ancient inhabitants, passing through the famous Sun Gate.