His previous knowledge in history, architecture and art led Pepa to begin to become familiar with the world of pottery. His interest in this trade, as well as in the different uses and destinations that have had the most traditional pieces of mud over the centuries, led him to carry out an important research study along with archeologists specialized in Baezan ceramics, awakening in it a clear vocation to recover and value this legacy.
Since its workshop, which has recently been listed as a point of interest by the Junta de Andalucía, it manufactures all kinds of pieces and objects in a artisanal way, preserving not only the appearance of them, but also the handmade of each of them. Jars, breads, orzas or mortars, a wide catalogue of products for decorative or domestic use whose greatest differentiation are the blue ash and designs of the 17th century.

The world of brotherhood was the starting point for Manuel to enter the embroidery. It is from here when he begins to inquire and attend a workshop where he knows the craft work. From there he marches to Seville to form and begin a path on which he will reap excellent recognition, first at the local and provincial level and later in other provinces with a fraternal tradition.

During this time it has been kept in continuous training, learning new techniques and working with different materials. In his Baezan workshop he makes embroidery in gold, silver or silk in a handmade way. Its good doing is reflected in tunics, berries and garments for sacred images, palms, baccalas, bands or banners of cofradies and hermandades. Manuel maintains the tradition, with a 100% artisan embroidery.

The company was founded in 1987 by the artisan Cayetano Lara, well known in the town of Arjonilla for his career as a ceramist since he was very young. It was not until 2004 that Carmen joined the family business to bring a new vision and business style.
Together, and with the help of their workers, all specialists in different forms and styles make in a completely artisan way the most traditional ceramic of Arjonilla, consisting of dishes, jars and vases, dishes, and other types of utilitarian or decorative pieces, whose hand-finished, involve a thorough and worthy work of a group of skilled and experienced artisans like them.
The material used for the manufacture is no other than red and white clay, which adorn, paint and dye by helping with different enamels and techniques such as the one of engobe, consisting of covering the piece by a fine layer of pasta of different color.

He began his work at the age of 13 and eventually his passion and good work led him to open his own workshop of artistic ceramics, pottery and sugar. Over the years, it has been formed and learned from the artisans around it, coming to offer a full service that includes pottery, press, painting, etc. Tradition is its basis, but innovation is present in all its products.

Your work is adapted to customers' requests and new times. Far away is the time when Arjonilla artisans were known for the pieces in miniatures and pichis that were used of souvenirs and decoration for weddings, communions and roscons of kings. It now makes artisan decoration products, kitchen utensils, tiles, custom cups or photoceramic. A handmade product that is very well valued and has allowed it to reach the United States, Canada, Japan, England, the Netherlands, Italy or France, at the same time as working for other potters.

Fernando Bejarano learned with his father a trade that today has become his way and philosophy of life. From very small development his skills as a metal artisan, creating true works of art with the help of his hands and his inexhaustible ingenuity.

His work has been listed by the Junta de Andalucía as the Inmaterial Heritage of Andalusia, and is that Fernando has collaborated in the manufacture of many of the great sculptures and works of the province, such as the gate of the Sanctuary of the Virgin of the Head. A craftsman who works on request and always adapting to the needs of his customers. In his workshop, where he attends to himself, we can find all kinds of articles such as tables and chairs, mirrors, flyers, trophies, lamps, etc... all made in a traditional way and with top quality materials that ensure the durability of his works. Verges, balconies, bars, metal sculptures, rails, etc. A multitude of possibilities and designs that include any type of iron work.

It began its journey more than 40 years ago when it entered the world of pottery through the School of Ceramics of Arjonilla, the town of Jaén historically and traditionally pottery. He then discovered not only a passion, but also a trade that has become his livelihood, an artistic manifestation of his roots and customs.
Juan makes all kinds of cooking items such as dishes, bowls, jars, salads, etc., which stand out in front of others for the enormous quality of the materials he uses and the unmistakable decoration by hand of each of them, providing them with personality and distinction, although always adapting to the needs and tastes of their customers.

The long work of Juan Carlos García is a vigorous and lucid formulation of religious expression through art. The first steps of this artist's formation are found in Ubeda, where he begins to form as a Technician of Plastic Arts and Artistic Ebanisterium Design. He then began to work with the sculptor Toresano, Manuel López Pérez, where he not only formed as a tallist but also acquired knowledge of theory, vision of space, drawing, perspective, sculpture and instruction of new artistic techniques.

Juan Carlos García, has not stopped reading himself and looking for a personal seal that impresses in his works a character different from any imaginer or contemporary tallist. Names like Borromini, Grinling Gibbons, Serlio, Palladio, Andrea Pozzo or Bernini among others, are their sources of inspiration. Plasticity, character and movement go through the work of this young artist who, as time passes, is forged as a tireless model of recovery of the forms of the past by transferring a theological and artistic language to the sacred images that raise, even more so if it fits religious images.

Miguel Ángel López Segado is a graduate in Art History and a potter craftsman in his native town, Arjonilla. He began his facet as a plastic artist adapting his knowledge in this matter to recover the profession of potter of extensive tradition in the town.

He was formed by great potters such as Manuel Bejarano Zafra, author of many of the replicas that are at the Ibero Museum of Jaén and Francisco Cano López, who has been related to the ceramic industry for more than 30 years and introduced him to the techniques of painting and enamel. Its pottery pieces are born from the desire to preserve the ceramic tradition along with the search for an exclusive decoration.

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In Cerámica Vallejo are professionals of clay art. From the beginning of 1982 to the present, they continue to shape their imagination through ceramics to meet the requirements of the market, betting on design and creativity. Arjonilla is a town with a strong pottery tradition that aims to combine the ancient techniques with a current ceramic conception by enhancing training and research and adapting the new technologies to the craft procedures in order to achieve different artisanal products in both shapes and colors, using any type of pastas, enamels, oxides, dyes, dyes, giving their products excellent quality finishes.

Company founded in 1860 with a long and successful family career. After completing the studies, Juan Carlos decided to follow the tradition and dedicate himself to the office of potter, inheritance of his parents and grandparents. In his workshop, which also became a point of sale, he made hand-made ceramic pieces. It works with top quality materials such as red and white mud using different techniques until the desired finish is achieved. All of its pieces are "Ceramics with a designation of origin," and it is that apart from finding in its workshop pieces of souvenirs or gifts or other ceramic objects, it also makes the typical pieces of Andújar such as water pitchers, grotesque pitcher, toilets, etc.

Their personalized treatment and ability to adapt to the needs of the customer make tradition and success come together in Iliturgitana Muñoz Ceramics.