It has a single body, with a small furnace in the center with a half-point arch, in which the Christ of the Humiliadero appears. Everything is decorated with motifs of chromed poly wood, in the upper furnace is the Virgin of Pilar.
The Humiliadero Christ arrived in Lopera in 1941 and is the work of the Valencian imaginary Amadeo Ruiz Olmos. The hermitage is kept almost closed all year round, the loperans and visitors who close to it, make their prayers through a small window. In 1761 the soldadesque of the Most Holy Christ of the Humiliadero is founded, it is characteristic of this soldadesque, the fluttering of flags during the processing of his Christ and the shooting of arrows. The fair and festivities of the Christos in honor of the Christ of the Veracruz and Christ of the Humilladero has been held since 1628. The processional cross of Christ is a replica, the original one is found in the sacristy of the parish, was donated by the Pelaez family.

The story of the Hermitage of Saint Lucia dates back to 1858, when after several years of collection of alms of devotees passing through Puerta de Arenas and stopping to pray before the Holy one, represented, in the beginning, in a picture placed on one of the walls of the rock and then by the first image placed on a small furnace, next to the tunnel, opened in 1840. Once enough donations were gathered, the first hermitage was raised. The blessing was attended by local authorities and more than 2000 devotees from all over the region. That first hermitage of popular architecture, very tasteful of the time, was deteriorating with the passage of time, and its restoration was necessary on several occasions. The first reform was made in 1956 for finding the hermitage in a ruinous state. In 1973, it had to be restored again, leaving its architecture, both outside and inside, very modified, completely losing its original appearance. The hermitage was designed for three bells and dome over the presbytery. The roof is covered by a rich wooden handicraft, as well as the Altar Mayor, where the image of Saint Lucia is located. The soletry and socket are made of quality materials and the interior is illuminated by two beautiful wrought iron lamps. The façade is surrounded by a strong stone socket, as well as its windows and main door. In the late 1990s, the "Sand Gate Recreation Area" was built that offers different activities; bird observation, botanical garden, hiking, road and recreational area.

During the civil war all the images of the hermitage were burned except for the image of the Virgin of Beautiful Love who only burned from waist down, an arm and something of the face. This image was rescued by Adolfo Calvo Peralta, City Council councillor and taken home. His heirs decided that the image would return to its place of origin, Lopera. The image was still burned so it had to be restored.

Dedicated to the village master. It has a half-point and triangular front cover.

The present 18th century hermitage was inaugurated in 1763. This is raised on a previous one, raised by the Arabs themselves in the 12th century, devotees of this saint.

This hermitage is in charge of the new plant of Don José Gallego and Oviedo del Portal, master of the work of the Cathedral of Jaén. The economic contribution of the Council and contributions of the faithful were needed for its construction.

At present the hermitage has the shrimp of the Patron, which is of the square floor, raises four arcosols that form the pechines on which the vault is raised, covering all the surfaces (eardrums, transdotes and intrados of arches and intrados of the vault) with paintings to the fresco where the main element is the sinuous and undulant stem on which the vault is raised, whether it is masking funds with the figures of the Evangelists in the pechines, or the musical angels in the vault; this pictorial jewel is due to the Pants.

In addition to the shrimp, there are six magnificent altarpieces in which different saints are located.