This natural handicraft from Ubeda, grew in a creative environment that led to its development in different artistic forms until it discovered its vocation for artisan jewelry in Hamburg, where it began to manufacture its first pieces. On his return to Spain, he was formed as a superior technique in goldsmiths and artistic silver in the city of Córdoba.

It has a trajectory dedicated to the creation of jewels with various materials and metals, including silver and natural semi-precious stones. Isabel has her workshop in Ubeda and collaborates with different designers and craftsmen from both her location and at the national level. In turn, the artisan inspires her creations in other forms of art such as music or cinema.

Pedro Góngora is a craftsman from the town of Ubeda who has continued with the family tradition of five generations. The Góngora family started making ceramic pieces decorated in white and brown green tones, and today they continue to preserve the same procedures, tools and materials of good making of their ancestors, thus developing a wide range of traditional and own products as creative, so that it adapts to the tastes and trends of our time but of course without losing that special touch that represents the roots of their family and their land.

At present Alfarería Pedro Góngora represents its ceramics at different fairs of the national geography and has been awarded with different national recognition.

Pontearte is a brand of jewelry and ceramic accessories, created by Lucía Jiménez Torres in 2011 with the aim of developing as a designer and artisan in a new way of understanding the ceramic production beyond its decorative or utilitarian facet of the home, its character and traditional use.

The designs of Pontearte are characterized by being attractive ceramic pieces of simple shapes full of personality, light and color, very studied in order to achieve unique, original, comfortable to carry and quality pieces at an affordable price. For design and exclusivity to be not only within reach of a few, Pontearte is intended to be for all, because each of us is unique.

He learned the trade from the hand of different blacksmiths who inculcated the value of the artisanal and authentic, also showing him the secrets of a trade that, although highly valued in the past, began to fall into oblivion. With the passing of the years and the experience gained, Ignacio has specialized in the artistic forging and metal carpentry, developing great skills with metal. Its ability to innovate and strive to keep almost intact the most artisanal production of its parts, allow it to work with different materials and techniques that make its articles unrepeatable. Tables, chairs, bottling, medals, swords, etc. Exclusive designs that with their handcrafted hands turn into real collector articles.

After several years of working for the private company, Ana accidentally introduced herself to the textile sector, falling in love with a trade that allowed her to change her way of life to become an expert weaver.

It offers all types of accessories made in a handmade way with a low loom loom that it itself moves with feet and hands. For the creation of its articles, such as scarves, mackerel, bags, carpets or even baby clothes, it uses natural fibres of animal or vegetable origin such as cotton, mohair, wool or linen among others, and even certified organic cotton indicated for those with allergies or certain skin pathologies. Its unique and exclusive parts, both in design and in preparation, can be purchased on request or in its own exhibition shop, of great tourist interest and declared by the Junta de Andalucía Punto de Interés Artesanal de Jaén, being able to visit for free and even to choose to carry out courses and workshops that promote the survival of this trade.

The Akan workshop works every single piece. Simplicity and practical sense usually appear, as one of the main values also giving importance to originality. The style is of a simple aesthetic, but it lasts and aims to reach all audiences. Carmen Marín always seeks inspiration in fashion, trying to select products that transmit authenticity.

The workshop focuses on reusing leather slices and making simple, durable and quality products.

It uses materials with a sense of durability, sustainability, and comfort.

Following a style with simple and basic lines, it pursues the return to simplicity using super natural materials.

His creativity and desire to overcome, after several generations, are his signs of identity. Juan makes all kinds of decorative and gardening pieces in a artisanal way, although innovating in forms, designs and finishes that are adapted to the current demand. It works with red and blond mud, the most characteristic of the area of Bailén, applying ceramic enamels to the taste of its customers. It offers vases, orzas, leclels or pitchers, which, because of its completely artisan development, acquire a natural beauty that makes them unique.
This need to continue to make progress in order to offer the best of itself, makes it enter the world of restoration, participating in different works on roofs of buildings and churches, restoring old ceramic tiles or designing and manufacturing replicas of those that already existed.

The long work of Juan Carlos García is a vigorous and lucid formulation of religious expression through art. The first steps of this artist's formation are found in Ubeda, where he begins to form as a Technician of Plastic Arts and Artistic Ebanisterium Design. He then began to work with the sculptor Toresano, Manuel López Pérez, where he not only formed as a tallist but also acquired knowledge of theory, vision of space, drawing, perspective, sculpture and instruction of new artistic techniques.

Juan Carlos García, has not stopped reading himself and looking for a personal seal that impresses in his works a character different from any imaginer or contemporary tallist. Names like Borromini, Grinling Gibbons, Serlio, Palladio, Andrea Pozzo or Bernini among others, are their sources of inspiration. Plasticity, character and movement go through the work of this young artist who, as time passes, is forged as a tireless model of recovery of the forms of the past by transferring a theological and artistic language to the sacred images that raise, even more so if it fits religious images.

Miguel Ángel López Segado is a graduate in Art History and a potter craftsman in his native town, Arjonilla. He began his facet as a plastic artist adapting his knowledge in this matter to recover the profession of potter of extensive tradition in the town.

He was formed by great potters such as Manuel Bejarano Zafra, author of many of the replicas that are at the Ibero Museum of Jaén and Francisco Cano López, who has been related to the ceramic industry for more than 30 years and introduced him to the techniques of painting and enamel. Its pottery pieces are born from the desire to preserve the ceramic tradition along with the search for an exclusive decoration.

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From generation to generation, and based on continuous renewal in terms of techniques, finishes and materials, Celestino has become a potter craftsman with a long and successful trajectory. His work, completely artisan and in which his hands as a specialized tornado are shaping the pieces of mud, has been adapting to the needs and tastes of his customers, decorative tendencies or demands of his own imagination. It offers an extensive report of pieces and ceramic items such as menaje, lamps, tiles, typical items of the Ibera or Andújar ceramic, never leaving aside one of its great hobbies; the restoration and development of religious imagery.