The Hermitage of San Roque is from the 16th century, of Baroque style, of ecclesiastical property. The façade has a vanity with a half-point arc, on the top it has a circular vanity as a roseton, it covers two waters. In the Hermitage there is a Sacred Heart, a replica of a crucified christ of Velázquez, a picture donated by a family of Lopera, another picture of the Aimes of the Virgin of Carmen and an image of the Virgin of Beautiful Love.

Although it dates from the second half of the 16th century, its last remodeling, in 1990, the work of Luis Alonso Salcedo, ended up making it a tribute to the Sevillian regionalism of the early 20th century, both for the composition and ornamentation of the facade, and for the triple brick and tile arch that precedes it.

Located on S. Marcos Street, it was moved from its site in the mid-1980s and its place is currently occupied by a public square next to the present hermitage.
From its previous structure, only the entrance arc and the small stone swordsman, topped by a cross of the same material, have been maintained. Modified in the same period as the previous one, it has a small swordsman with a small bell with a half-point bow at the entrance and flanked by two windows.

It is located at the exit of the village on the roads of Ubeda and Torreperogil.

It was ordered to be built by Felipe Martínez Garrido, a rich owner of Jamilena, in the 1910's. It is a voluminous building, whose cover and layout are inspired by the late Spanish-American baroque. Its architecture takes as main references some constructions made in the city of Andújar during the first third of the 20th century. Within it, several high-value canvases are kept, among them a 17th-century picture where the Franciscan San Francisco Solano is represented. This painting is the only canvas on this holy cordobis found in the province of Jaén.

In 1437 he was a priori of the Order of Calatrava after the conquest of Porcella in 1240 and Benedictine monastery. This Gothic church faithfully synthesizes the cistercian spirit of the order and integrates romanic, Gothic, baroque and neoclassical elements well different from each other. It consists of two ships in the form of "L," the main one with arqueria and capitals with plant motifs. Outside it exhibits a baroque cover and a bell tower with 18th century cover. It has been declared a Good of Cultural Interest since 2003.

Church that was from San Sebastián, presents a Latin cross plant covered with canyon vault. It also has a remarkable altarpiece with cookie tips and asymmetric composition, and baroque baroque shrimp in the rock, from the 18th century. The exterior is a simple baroque cover, crowned with a swordsman.

Data from the S. XVIII. It has a rectangular plant in which two spaces can be distinguished: one the presbyterium covered with a half-barrel vault and another second body covered with a half-orange vault on four half-point arches that open in double pilasters. Outside the cover is made up of an arch and on the roof a gola mould overlooks the outer set, which can only be seen on one side. It stands out for its reddish color and houses the image of Our Father Jesus Nazarene.

Outside the village on the way to Albanchez, at the foot of the saw, in Cánava, between palm trees, and with a strip and a fountain of seven years, the hermitage of Our Lady of the Remedies rises. It is a temple of small dimensions and harmonious architecture, a plant in the form of a Latin cross and shrimp for the patron, built in 1910.

The hermitage of the Virgin of Fuensanta, located in the heart of Sierra Magina, has always been an isolated place. It was even more so in past centuries when only roads and paths could be accessed. This, together with its sacred character, made this hermitage an ideal place for the withdrawal of those who in search of God, abandoned their social environment.