The popular veneration of the titular Christ is linked to a deadly plague epidemic that devastated the town in 1833, which subsided after residents agreed to carry the image of the Crucified Christ in procession, after which the epidemic receded and the sick recovered. In thanksgiving, the hermitage was remodelled, its features of interest being the ashlar semicircular-arched doorway and the single-tier bell gable, and the dedication of its titular image was changed.

Francisco Cerezo was a figurative painter and one of the finest contemporary still-life painters. The exhibition also features the La Granja Glass Collection, the most important of its kind after that of the La Granja de San Ildefonso Museum itself, in Segovia. A highly prolific painter, towards the end of his life he still owned a large amount of his own work, at which point he offered his entire collection to the town of Villargordo on condition that a permanent exhibition be set up. The museum has five rooms, two on the ground floor and three on the first floor. One of the rooms is dedicated to other painters from Jaén, displaying works by several generations of artists, all connected to the museum's namesake. The other rooms are devoted to landscape, portraiture, still life, and to Segura de la Sierra, a town in Jaén where Francisco Cerezo studied and produced much of his work, especially mountain landscapes and miniature panel paintings reminiscent of the early Flemish masters. Display cases in the rooms hold an important collection of La Granja de San Ildefonso glassware, likewise owned by the painter, of great significance both in quantity and in the quality of the pieces.

Location: North-east of the town, close by. Distance: 5 km. Means of access: By car, by bicycle or on foot. Access route: Directly from the town, leaving via the JV-2.334 towards Fuerte del Rey.

Around the 18th century, the hermitage of the Virgen de Atocha was built over the remains of a cemetery. We do not know exactly the date or year of her apparition, but it is linked to the apparition of the Virgen de Atocha of Madrid, as both refer to the same Virgin. The story goes back a long way, as oral tradition holds that one day the great Lady appeared where her hermitage now stands. Seeing that it was the same Virgen de Atocha venerated in Madrid, people decided to return her to the Spanish capital. She appeared again at the same spot, and once again they took her to Madrid, and so on, until they decided to leave her here, as she seemed unwilling to leave Villardompardo — and so it was, once her hermitage was built. Over the years, all the people of Villardompardo came to worship her and hold great faith in her.

In the area where the castle stands, dwelling and storage structures (a hydraulic feature, silos and hut floors) belonging to a Copper Age settlement have been documented. Of the Roman settlement, a double walled enclosure can be identified, protected by a moat on the northern side that reinforced its defences. It was probably organised around a tower located to the south-west, to which the large-sized masonry blocks forming the foundations of the medieval tower would correspond. Inside, buildings would have stood, of which few traces remain, with storage structures for agricultural produce and water. The medieval fortress, built between the 13th and 14th centuries making use of Roman-period remains, consisted of a walled enclosure in the shape of an irregular trapezoid, with four towers, of which three survive today: a large rectangular tower occupying the south-western corner; a small, circular one to the north-west, of which only the base survives; and another rectangular, solid one to the north-east, which defended the castle gate. A fourth tower once stood at the south-eastern corner, lost in the 19th century. The complex is built of masonry, except for the southern wall, which is built in rammed earth. The south-western tower, or keep, is divided into three floors plus a ground floor, occupied by a cistern. In some parts of the keep, traces can still be seen of the original decoration that would have covered the walls of the fortification — a pattern of leaves or drops using sgraffito techniques, decoration that would also have covered the walls and the solid tower. The tower's original door was heavily defended, double-leaved, and would have had a machicolation-like opening for pouring liquids or stones onto attackers, as well as a portcullis. This access was sealed off when a cistern was built inside the tower, occupying almost the entire ground floor. The vaulted roof of the cistern has disappeared, but two related elements survive: a settling structure and a well for drawing water. The archaeological excavations that uncovered this water tank also recovered the original staircase embedded in the tower's north wall. Both can be seen during a visit, and it is possible to walk over the cistern. The climb up the tower ends at the terrace, which offers wide visual control of the surrounding territory, with views of sites such as El Berrueco, Andújar, Arjona and Martos — explaining why this location was chosen for the fortification. Its position on a steep slope acted as a natural defence, but the northern and western sides, being more accessible, were protected by a wide moat around 7 m across and up to 2.10 m deep, hidden until it was uncovered during recent archaeological work. The moat ran between two towers reinforced with scarps that are still visible. From the 16th century onwards, a new door was opened in the western wall, with a Renaissance doorway carved in ashlar stone that survives today. It consists of two sections: the lower one with a semicircular arch on pilasters, and the second with a large rectangular panel at its centre, bearing the coat of arms of Don Fernando de Torres and his first wife, Doña Francisca de Carvajal y Osorio. The greatest transformation was the construction of wings attached to the walls, forming a large residential space. The Keep and the southern wall retain openings that would have connected them. Today, the ground floors of these structures can still be identified, although they would originally have reached two or three storeys in height. These wings housed the palace's "privileged space" — that is, the rooms of the Count and Countess, the chapel, the crypt, the entrance hall and a gallery-corridor or atrium, in the western wing — while in the southern building, the ground floor was used for storage, with the first floor reserved for the palace's main representative space, a large hall with a fireplace carved into the tower's façade. The structures to the north and east would have been dedicated mainly to service functions, including stables, kitchens and a cellar. Archaeological work confirmed the existence of a prehistoric, Copper Age settlement on the hill where the castle now stands. The presence of sickle teeth, mills and storage silos points to an agricultural economy based on cereal farming. A hydraulic structure, underground dwelling features and post-hole structures have also been found. There does not appear to have been continuous occupation of the site, suggesting the settlement must have been temporarily abandoned. From the early 1st century BC to the 2nd century AD, there was an increase in agricultural settlements devoted to cereal farming across the countryside. During this period, the site was reoccupied as a fortified settlement, reaching its peak between the first quarter of the 1st century and the 2nd century AD, after which it was abandoned once again. In the late Middle Ages, the term "villar" identified a place with the remains of an abandoned ancient settlement. Following the conquest of the territory, the Castilians settled here while Roman structures were still visible, choosing to reuse some of them, along with building material, to construct the castle. The hamlet of El Villar de Don Pardo is already mentioned in sources in 1251, but the castle was not built until the late 13th or early 14th century, with the fortification first referred to in 1416, as a place still belonging to the Council of Jaén. Fernando Ruiz de Torres later obtained the cession of the hamlet. In the second half of the 15th century, with Teresa de Torres — married to the Constable of Castile, Miguel Lucas de Iranzo — as lady of the estate, Villardompardo became one of the defensive lines of the supporters of Henry IV against the rebellious nobility, led in the area by the Order of Calatrava. The death of her son without heirs passed the lordship to a side branch of the Torres family, which married into the family of Peter I of Portugal. Philip II made it the seat of a county when he named Don Fernando de Torres y Portugal Count of Villardompardo in 1576. Between the late 16th and early 17th centuries, the castle was converted into a palace, serving as the usual residence of the counts. Their successors, however, settled at Court in Madrid, which began a process of decline through lack of maintenance. The abolition of entailed estates under the reign of Ferdinand VII forced the inheritance to be divided, separating Villardompardo Castle from the main noble line. In the late 19th or early 20th century, the 16th-century buildings were demolished, leaving only the perimeter walls, levelling the surface and carving steps into the northern wall to temporarily turn the enclosure into a bullring. The castle has undergone various emergency consolidation works, archaeological excavations and restoration between 2012 and 2023.