It was the first, and therefore oldest, to operate in Valdepeñas. It began to ground the day on August 15, 1540 and had two milling stones. Its owner, Juanín LeClerque, called it the Upper Mill of Santa Ana and also built a second mill, called the Bajo of Santa Ana, which also had two stones. Both mills were the only ones in Valdepeñas until the 18th century.

In 1787, the batan, used until then to cast wool, was transformed into a mill, and was built in the area of El Ejido de San Sebastián by Catherine González de Medina.

It is currently dedicated to the museum and divided into three sections: Portal, dedicated to the historical part; Molino, dedicated to the mill, its parts and operation; and Hoorno, which hosts a small sample of objects and techniques specific to the popular arts and customs of Valdepeñas and its region.

It consists of one wheel and two milling stones, the first to mould wheat and the second for other grain types; the network of acequias and canals that fed it is kept in use but only for the irrigation of the annexed gardens.

The mill is a hydraulic construction of at least Roman times that served for the grinding of cereal. The initial remains could be dated in the Roman era, but then much improved in the 16th century when it was bought by Francisco de los Cobos. The existing remains allow to contemplate several arches of the aqueduct, the water storage tank and hydraulic drive.

For this reason, the Arjona Historical Set is "Balcony de la Campiña." This aspect of "Balcony" of the countryside has been taken care of in Arjona, with the construction of looking parks that offer the citizen the possibility to contemplate the landscape of the countryside of Olivar, as well as the silhouette that leave on the horizon, other cities or geographical accidents such as the plain of the Guadalquivir Valley in Andújar, with Sierra Morena behind its back in its northern landscape, or the mountain chains of Sierra Magina, the Peña de Martos or the site of the Castle of Santa Catalina (Jaén) to the south.

Most of these viewpoints are located within the tour of the guided tours, two of them, those called "Mirador del Cemeterio de los Santos" and the "Mirador de la Plaza del Rey Alhamar," are specifically located in the area of the primitive Alcázar, that is, in the highest area of the town, the first looks to the North and the second to the South. The other viewpoints are located at lower levels, not less interesting, on Sol Street and Adarves Street.

These viewpoints provide an extraordinary incentive to the Uruguayan monumental heritage, providing landscape values of a strategic nature, which makes it a reference point to contemplate much of the North countryside and the South Serrania of the province.

A tortuous sabina mora, with the trunk tanned by the passage of years and the inclemences of time, welcomes us to the lookout, from which you can see an impressive and majestic panorama of the saw of Las Villas, which as a balcony opens to show us, in a close-up, the delicious valley of Chillar stream and, at the bottom, the valley of the Guadalquivir River, which is lost among the olive lomas.

We suggest:

• Continue our promotion, to the Collado del Agua de Los Perros, which with its 1200 m altitude, allows us to have a magnificent and spectacular view of this saw.

• Consider the twilight on the horizon. The tenuous light that surrounds the place produces fantastic tones on the rocks and accentuates the powerful forms of its relief, accentuating the magical charm of the place.

Carretera JH-1755, which links the town of Villanueva del Archbishop with the village of Tranco, known as "Transversal de las Villas." The location of the lookout is well marked by a sign.

It is a watchtower, of Arab origin, perfectly conditioned as a lookout that offers the visitor beautiful views of the valley of the Cuadros River, surrounded by gardens and crops, and part of the Natural Park of Sierra Magina. It is accessed through the signposted path of the Viñas and is a privileged place to contemplate one of Europe's largest highland forests, whose glasses intertwine with each other by forming a plant vault that barely lets the sky see.