Located on a side of the Church of the Incarnation. Decorative source of vertical pipe type cup that spills to an octagonal pillar. It has two side pipes on the perimeter of the pillar that they used to serve to fill the cantars.

The most ornamental of all sources in Guarroman was the one known as Fountain Taza. Made of sandstone as well as all the important buildings of the village.

Located in the Plaza de la Constitución, right in front of the church, it has witnessed the nights of San Juan in which young people and children played to wet each other with cubes full of their water.

Location: To the south of the city centre, on the road to the mountains.

Distance: 4 hours.

Medium: On foot.

Access route: By mountain sidewalk.

The source of the scribe has a very low flow rate, approximately between 0-1 l / s, although it is rarely exhausted. The use of water from this spring is now rural and livestock. Today the water of the spring is used very little, but in the past century, it was a source very frequented by the arjonilleros, using a part of it as a forklift for the cavalry and the rest of cattle, and another part for human supply. At the source the arjonilleros collected water, in pitchers and flyers, which they used for their domestic use, to refresh in the agricultural work...

There is no doubt that the picture presented by the source of the scribe earlier, according to the testimonies that come to us from the mouth of the older, must be bewildered. Men and women with the pitcher at their expense, or donkeys and carrying animals that were carrying in the serons the pitchers and flyers.

With double deck and pool. Next to the modern source is another very old one of possible Ibero-Roman origin.

The sources have a precious urban, architectural or symbolic value not only in public spaces. They also have it in private spaces, such as the stone source of Mateo de Inurria, dated 1851, which is preserved in the house of Federico Bayona and Teresa Fernández. Although small (one and a half meters), its proportionality and sensuality of forms, its vistosity and symmetry, give it a remarkable monumental packaging.

This contemporary work of the local sculptor Javier Ruiz Abel and represents the seven generations of Guarromanos, each raising upon himself the next and all of them surrounded by the tree of life, an oak, which is the representative tree of the New Populations.