It is a very quiet area, surrounded by endless olive fields, where there are fountains with drinking water, barbecues, tables and seats. In the river you can practice, in season, fishing of the common trout and the barb, or practice swimming.

The landscape surrounding this equipment, located on the rest of a pecuary road, is typically olive-growing and invites hiking. The facilities, with a capacity for a hundred people, have areas for tents, roofed dining, kitchen, toilets and showers.

The human occupation of the environment of what is today Beas de Segura is very old. The first human testimonies of the Sierra de Segura appear in this site, in the area of Puente Moccho, a name that is designated to an extensive outdoor habitat next to the terraces of the Guadalimar River. There are materials from the Lower and Middle Paleolithic of the dawn of the last glaciation (between 100,000-10,000 BC).

This place was the passage of important mammals, it had abundant fishing resources and abundant raw material for the manufacture of carved stone tools, highlighting rolling edges and pebbles worked in quartdate.

The remains of the Lachelian political industry of this place were discovered in 1913 by Cabré and the Abad Breuil and part of them are found in the Provincial Museum of Jaén, in the Archaeology Section, room 1: Prehistory.

Most of these buildings are based as a second residence during the High Empire, although with the crisis of the third century and the insecurity of the cities many great aristocrats withdraw to their villages. As the residence becomes, the luxury and refinement of which the rich mosaics and the beginning of the walls of the different rooms are preserved as a testimony. Next to the Palaciega area there were other units with stables, with forges, alfares and, ultimately, everything necessary to be self-sufficient away from the city. Over time, the cities lost their importance, had to wafer to avoid dangers and the cultural spotlights that had gone out.

If we know nothing about the inhabitants of these luxurious rooms, we know less about those people who left the city to take refuge in these villas. They helped defend property in exchange for being able to cultivate a piece of land with which to get what is necessary to feed. Here is the origin of what would be the vasalage in the Middle Ages. Nor do we know how the craftsmen made these great mosaics, nor their living conditions, would they know that they represented the images they reproduced with the tesels? and the last inhabitants at the end of the fourth century?