Old Jail and Cabildo. Building built in the 16th century, considered a masterpiece of Spanish mannerism. It is currently the City Hall of the city.

In his spectacular main façade We can highlight the huge, dogrous columns with piled armchairs, the sculptures of Justice and Prudence, (both were beheaded), the great doors and their bronze aldabones and a great shield of the Austrians crowning the whole. It was declared a National Historical Monument in 1931. Below the City Hall, the Convent of the Trinitarian, work of the late 16th century, and on the same street, but in the opposite sense the Hospital of San Juan de Dios, of baroque bill of the 18th century. All this high part of the intramurous historical centre is of great quaint and from it you can enjoy beautiful panoramic.

• Santa Marta Parish Church. It rose in the 13th century, in the years following the taking of the city by Fernando III the Holy, on an Arab mosque. It is consecrated to the patron of the city and has the title of Real since 1617. Gothic Mudejar style. The Baptisterium, the Major Chapel, was later built and embellished with the slate-cross vaults and a large cover of the isabelin Gothic. In the 16th century the interior is expanded and remodeled, raising large columns of Tuscan order and building the original Bell Tower with three bodies.

• Pilar of the New Source. Ornamental source located in the Manuel Carrasco Municipal Park. It was built in the 16th century, reflecting the most new and outstanding aspects of the Manier architecture. The set stands out for its monumental beauty and austerity. It consists of an abrevadero pillar and a smaller one in which two lions make water pipes. In the center is the Austrian shield, and on the sides is the shield of Martos and that of Governor Aboz Enríquez.

• The hermitage of San Bartolomé. Located in the skirts of the Peña de Martos, dates from the 14th century and houses the venerated image of Mary Most Holy of the Victory, Queen and Lady of the Peña.

• Roman Bridge of Martos. Important engineering work, built in the Roman era on the Salado stream in the vicinity of Martos to facilitate the passage between the two shores.

• Sanctuary of Mary Most Holy of the Villa. Temple in which Mary Most Holy of the Villa, known as "La Labradora," is sold. It was built on dates near the delivery of Martos to the Kingdom of Castilla. In the 16th century the temple was remodeled and a bell tower was built. This sanctuary was burned and destroyed during the Spanish Civil War. The current was rebuilt in the 1940s of the last century, in a Neobaroque style. The Torre-Campanario dates from the 16th century, is separated from the main building and is the only original element of the ancient Sanctuary. It has a square floor with half-point arches.
  

• The ruins of Castillo de la Peña which we know today are not those built by Muslims but correspond to the strength that the Calatravos built from 1340. The floor of the castle is trapezoidal adapted to the surface of the plateau on which it sits and its entrance, for security reasons, marked a zigzag drawing. The compound was divided into alcázar and a courtyard of weapons protected by a walled enclosure. The alcázar, where the tower of tribute is raised, takes advantage of a natural podium that lifts it about three meters above the courtyard of weapons, separated by a wide, also natural.
  

• Castle of the Villa. It was an alcazaba or citadel surrounded by canvases of almenada wall, as well as passageways and towers, leaving the central space for the construction of administrative and religious buildings: church of Santa Catalina, headquarters of the governorate, cavalries, tahonas, lagores, aljibes, etc. According to evidence from an inspection carried out by the Visitors of the Order of Calatrava in the 16th century in order to repair the deficiencies of the Lower Fortress.

Of the ancient artisan trades in Lopera, only two activities related to the ebanistía have been maintained to this day: the silery and the tortería. In both cases work is done following a classic Spanish line, of Renaissance air and close to the furniture that characterized Granada in the first half of the 20th century. Among the different wood used are those of beech and chestnut.

Other craft works, carried out today only by hobby, are reluctant to disappear. This is the case of the "guarines," made with olive pods, which were used to transport water pitchers or agricultural utensils to the loins of the beasts; or the anea works, especially those made for the "asses" of the traditional chairs.

In the Plaza Mayor of Lopera we find the three factual powers: the military power, represented by the castle-fortress of the Order of Calatrava; the religious power, represented by the Church of the Immaculate Conception and the civil power, represented by the City Council.

• The Castle of Lopera. The castle is located in the centre of this town. It was built by the Order of Calatrava, to whom this population was given after its conquest in 1242. It has irregular pentagonal plant, defending its corners with cylindrical and prismatic towers or cubes. The interior of the fortress has a large courtyard of weapons, with a magnificent almost rectangular alcazar in the center formed by two towers joined by two wall canvases that form a large aspired adarve, supported by half-point arches on counterstrengths. The tower of San Miguel, which controls the main door, houses two vaulted rooms, one of which later became a curious palomar as witnessed by the dozens of ceramic cubes that cover its walls. The tower of Santa María is rectangular, with two overlapping rooms. The one on the ground floor was completely remodeled in 1535 after the works undertaken by the Comandador D. Juan Pacheco for the construction of an oratory, a small chapel that completed the significant transformation carried out in the castle to make it a nobility residence. These works also affected the skate between the two towers, transformed into the palace yard. The Lopera Castle belongs to the promotional database and has complete information sheet.
• The tower of Santa Maria or of the Tribute, keeps in its interior remains of a Gothic chapel, made in the 16th century, when the castle became a nobility residence. We can now enjoy a centre of interpretation dedicated to the Order of Calatrava.
• Our Lady of the Immaculate Conception. The date of its construction is not exactly known, some historians place the beginning of its construction at the beginning of the 14th century. There is a clear succession of styles ranging from the Gothic, the Order of Calatrava, to the Baroque. The basic plant is divided in three ships, highlighting the centre as being wider and higher than the sides. These ships are separated by cylindrical pillars that support the vaults of the deck, warheads and multiple nerves. The altarpiece It's neoclassical. On its outside stands the tower with a square base on which rests an octagonal body and a circular third, with four moons and half-point arches for the bells. Finishing with a pointed polygonal needle chapitel with glazed tile.
• Casa de la Tercia. It was the old posite that is currently called "Casa de la Tercia." The building that was to be built in the 16th century is made of brick in its thick interior and thick tapial in its external walls, with quarry stones that reinforce the corners of the building. It has no decorative elements except two crosses at the top of the deck horse. It was used to store grain in the Modern Age and as a winery in the Contemporary. Don Miguel de Cervantes passed by in order to raise funds for the Invincible Navy.
• The hermitage. It has several and very interesting hermitage, among which we highlight: The Hermitage of the Christ of the Humiliaderoof the 18th century and of Baroque style; the Hermitage of San Roqueof the 16th century, also baroque; Hermitage of Jesus Nazarene, where the 18th century cover is again baroque.

• La Iruela Castle. The imposing castle rises on an abrupt rock and at its feet a medieval district of unquestionable architectural value is spread. It is of mothade origin and is built on pre-Berber foundations. In the eighth century, La Iruela was occupied by Muslims, who in order to cultivate the land created alqueras, then walls to defend themselves from the enemies and, already in the twelfth century, the first fortress of the three that it currently presents. The second, also the work of the Almohades, was a courtyard of weapons surrounded by a series of defensive torreons united with each other by thick wall canvas. Inside the courtyard of arms are the remains of a large aljibe. When Fernando III conquers this area, Christians reform the castle and build the tower of tribute in the highest part of the rock. An auditorium with artistic and cultural activities has been created between the castle and the rock. It was declared a Historical Monument in 1985.

• Ruins of the church of Saint Sunday. 16th century Renaissance Church, raised inside the walled castle enclosure. The church was composed of three ships, the largest central and where the presbytery was to be found, the sides had chapels. A building attached to the church would be the old tower-door of Muslim origin that would give entrance to the interior of the Almohad fortress and that Christians reused as a bell tower. During the French invasion, La Iruela suffered attacks and fires, in one of them (1810) the building was severely damaged. Some of its noble areas are still standing today.

• Consistory house. It is a Mudejar-style monument that in its day was posited and grain storage. It dates back to the late 15th century. He was looted and burned in the War of Independence. In the mid-19th century it was set up as the municipality of La Iruela. A remodeling made at the end of the last century gave him the present look.

• The municipal term of La Carolina is full of archaeological vestiges from Prehistory. Places like La Calera, El Minado or El Ochavo, so they testify. We met with Rupéstre art fields like Dona Lady, the Puntal or the Guindo. And also former mining holdings, mainly Roman, like Fountain Spis, or El Guindo.

• The Church of the Immaculate Conception, built as a church of the convent of the barefoot Carmelites of the Peñuela, after the Colonization it is extended to serve as a parish to the nascent population. It has undergone several reforms over the years, and in 1899 the tower was built.

• Palacio del Intendente Olavide, which was the residence of Mr Pedro Olavide, executive of the Sierra Morena Repopulation project. It was built in 1775, in neoclassical style and is located in the center of the village, right next to the parish church.

• La Carolina Museum,The Centre for the Interpretation of the History of Mining in the New Populations of Jaén, integrated in the majestic building of the Palacio del Intendente Olavide, offers countless possibilities of knowledge, culture, history and research of the city, with the latest technologies, an unbeatable infrastructure and a human team that make it an inescapable cultural and tourist resource when visiting the city.

• The Customs Towers, neoclassical style and airy architecture flank the main entrance to the city coming from Madrid.

• Castillo de Navas de Tolosa: For more than two hundred years, it served as a defense and vigilance for the Muslim kingdom of what we know today as the passage of Despeñacolos, once Paso del Muradal. Today the silhouette of its tower stands out in a typical Sierra Morena dehesa in which you can also see braves.

Other monuments of interest are:

• Hermitage of San Juan de la Cruz.
• Monument to San Juan de la Cruz.
• Old jail.
• Monolitos de la Fundación.
• Monument to the Battle of the Navas de Tolosa.
• Mining heritage.

Jaén's architecture bears witness to the many civilisations that have inhabited the city and its surroundings throughout the centuries, resulting in an outstanding monumental heritage that includes both religious and civil buildings. Its historical and artistic legacy showcases a variety of architectural styles, including Gothic, Mudéjar, Renaissance, Baroque, and Neoclassical.

Among its most important monuments are the following:

• Cathedral of the Assumption of the Virgin, a masterpiece by one of the greatest Renaissance architects, Andrés de Vandelvira, and the inspiration for the construction of many cathedrals throughout Latin America. It is regarded as one of the finest examples of Renaissance architecture in Andalusia, which is why the process to obtain UNESCO World Heritage status for the cathedral began several years ago. The city's first cathedral was built on the foundations of the former Great Mosque following the conquest of Jaén by King Ferdinand III of Castile, known as Saint Ferdinand, in 1246. Later, during the 14th century, Bishop Nicolás de Biedma brought to the city the relic of the Holy Face (Santa Faz or Santo Rostro), believed to be one of the three cloths that, according to Christian tradition, Saint Veronica used to wipe the sweat and blood from Jesus' face on his way to Calvary. The presence of this relic in the first Christian cathedral transformed it into an important pilgrimage destination, making its expansion necessary in the Gothic style. Elements of this Gothic phase can still be seen in the apse of the present cathedral. Due to structural problems that arose during the 14th century, a new Renaissance cathedral was commissioned from the architect Andrés de Vandelvira. Although construction continued for nearly three centuries, Vandelvira's original design remained largely faithful throughout the project, resulting in what is considered the most architecturally balanced, harmonious, and proportionate cathedral in Andalusia, with one of the most solemn and majestic interiors in the region.
• Basilica of Saint Ildefonsus. After the Cathedral, it is the largest church in the city. The earliest records of the original building date back to 1248, when it was established as a chapel serving the Cathedral. Two centuries later, in 1430, it became the setting for the famous miracle of the descent of the Virgin Mary to the city of Jaén. Following this event, it became a sanctuary dedicated to the image of the Virgin housed inside, under the title of Our Lady of the Chapel. In the 16th century, the Virgin of the Chapel was proclaimed the patron saint of Jaén. Finally, in 2010, Pope Benedict XVI granted the church the status of Minor Basilica. The building features three entrances: the oldest, in Gothic style, is located at the rear of the church. The side entrance, in Renaissance style, displays a relief depicting the Chasuble Bestowal upon Saint Ildefonsus. The last to be built was the Neoclassical main façade, crowned by a statue of the saint to whom the basilica is dedicated.
• Santa Catalina Castle. An ancient Caliphal fortress stood on the summit of Santa Catalina Hill as early as the 9th century. Centuries later, following the conquest of the city by King Ferdinand III in 1246, the Christian castle that survives today was built. During the 19th century, the castle underwent several modifications to strengthen its defensive structures in response to the Napoleonic invasion. Close to the castle, the building that now houses the National Parador was constructed in the 1960s. From the summit there are spectacular panoramic views of the city and its surroundings, especially from the Cross Viewpoint. The fortress also houses an Interpretation Centre that explores the history of the castle.
• The Arab Baths. They are the largest and best-preserved Arab baths in Spain. Built in the 11th century during the reign of Abd al-Rahman II, they are located beneath the Villardompardo Palace in the heart of the city's historic centre. Covering an area of 450 square metres, they still preserve Almohad decorative elements, suggesting that they were restored towards the end of the 12th century. Between the 14th and 15th centuries, after they ceased functioning as public baths, the rooms were converted into tanneries. Later, at the end of the 16th century, Fernando de Torres y Portugal, Count of Villardompardo and Viceroy of Peru, built his palace above them. At the beginning of the 20th century, together with several adjoining buildings, they became part of a women's hospice. A section of the baths was rediscovered in 1913 and, a few years later, they were declared a National Monument. Today, following a restoration project that received the Europa Nostra Award, they form part of the "Arab Baths" Cultural Centre, which also houses the Museum of Popular Arts and Customs and the International Museum of Naïve Art.
• Chapel of Jesús (Camarín de Jesús). The chapel and the convent church of Saint Joseph are the only surviving remains of the former Convent of Saint Joseph of the Discalced Carmelites, founded in the 16th century. The recently restored church, with its characteristic Carmelite façade featuring a niche, houses both the chapel and the Camarín de Jesús, created in the 17th century to enshrine the celebrated Renaissance sculpture of Nuestro Padre Jesús Nazareno ("El Abuelo"). The image belongs to the brotherhood founded in this very convent in 1588 and is carried in procession during the early hours of Good Friday before thousands of worshippers and pilgrims. The façade is adorned with a beautiful terracotta sculpture of Saint Joseph by the renowned ceramic artist Paco Tito.
• Church of La Magdalena. Originally the city's Great Mosque during the Islamic period, it was converted into a parish church following the Christian conquest. Its main façade and interior are Gothic in style, while one of its towers still preserves the former Arab minaret. The church contains several important works of art, including Calvary by Jacobo Florentino "El Indaco", a panel of Our Lady of the Pillar attributed to Pedro Machuca, the 16th-century Christ of Clemency by Salvador de Cuéllar, and the 18th-century image of Saint Mary Magdalene by Mateo de Medina. The courtyard of the former mosque, with its rectangular ablution pool, served various public purposes during the Christian era and was landscaped with gardens and ornamental fish during the 20th century.
• Church of Saint Bartholomew. It is one of the oldest churches still standing in the province of Jaén. Dating back to the medieval period, this religious monument features a Baroque exterior and a Mudéjar interior. Among its highlights is a green glazed ceramic baptismal font decorated with 15th-century Gothic inscriptions.
• Provincial Council Palace. This palace was built in the mid-19th century by architect Jorge Porrua. Originally, the site was occupied by the Convent of Saint Francis, commissioned by King Ferdinand III in the 13th century. A century later, King Peter I of Castile ("Peter the Cruel") granted it to the Franciscan friars. Following the ecclesiastical confiscations, the building became public property and was eventually converted into the headquarters of the Provincial Council. Today, visitors can explore its central courtyard and the lower galleries.
• Oppidum of Puente Tablas. The fortified Iberian settlement of Puente Tablas is located just 4 kilometres from Jaén. Over more than thirty years of archaeological research, the site has revealed its outstanding historical importance through evidence of continuous human occupation from the Bronze Age to the Islamic period. However, its most significant phase dates from the Iberian period, particularly the 4th century BC. Visitors can discover how the Iberians of the Upper Guadalquivir lived while exploring one of the most impressive defensive systems of the period, with more than 300 metres of preserved walls standing over 5 metres high. Visitors can enter the settlement by following the same route once used by its ancient inhabitants, passing through the famous Sun Gate.

Castle. Hornos was granted by Fernando III the Holy, after his conquest in 1239 to the Order of Santiago. The time at which the castle would be built, probably on an earlier Muslim fortress from which the aljibe is preserved.

Of a purely defensive nature, the trapezoidal shape set is built with small masonry. It is made up of a magnificent Tribute Tower, three slender torreons square floor and the outer wall of a room that closed the courtyard of arms.

The Tower of Tribute in square shape and rounded corners, something common in the constructions of the Order of Santiago, has only one entrance at half height.

In its interior two overlapping rooms supported by vaults and communicated by a staircase carved in thick wall.

By the end of the 20th century, the rehabilitation of the castle that was very damaged began. After many attempts, in 2011 the works of their total restoration were completed. It has been declared Good of Cultural Interest in 1985.

Located inside the castle you can visit one of the most important tourist resources of the area as is the Cosmolarium.It is a centre for the dissemination of astronomy that consists of a digital planetarium, with a dome of 8 meters in diameter that shows enveloping audiovisual productions, complete exhibition rooms on the Universe, spaces for workshops and educational games, as well as a terrace for astronomical observations.

Parish Church of the Assumption. Data from the first half of the 16th century. Its construction follows the style of the Order of Santiago. Of a square floor, with one ship and side chapels, it is divided into three square sections separated by fajon arches.

The decks are gothic, the 16-century renaissance-style altarpiece as it is recorded. The cover is one of the first plateresque in the province of Jaén, although it is currently damaged by time.

The tower stands out for the gargobles of the cornice and the Gothic crest of the mast. We can say it's a magnificent example between Gothic and Renaissance.

In it was found the ornamental vessel in the form of a Nazi-style amphora, with motifs glazed in blue and gold on white enamelled background that is preserved in the National Archaeological Museum.

The Villa Gate. It's a door on the wall dating back to the 11th century. It is built in elbow to make access to the enemy difficult, which makes you think of a mothade origin. Made of masonry and red brick in the vaults, as well as a small window of the facade. Declared Good of Cultural Interest in 1985.

Bujaraiza Castle. It rises on a the island in the waters of the Tranco reservoir. It is a small fortress formed by a walled polygonal enclosure and a tower of tribute. It is built with small-size masonry yarn, with lime mortar. Declared Good of Cultural Interest in 1985.

Tower of Bujarcaiz. It is currently submerged under the waters of the Tranco reservoir. It was part of the surveillance system of the Hornos castle. It is a square floor construction and a troncoconic form.

Aguilon Viewer. Located next to the City Hall shows one of the best views of the Natural Park and an impressive view of the waters of the Tranco reservoir.

In his artistic heritage we highlight:

• Church of San Marcos Evangelista. Built in the late 17th century, it is the most remarkable building in Hinojares. It is an austere construction that stands out by the rotunity of its volume, marked by the white of its walls, with few and reduced voids, whether circular or rectangular and a side access door with no ornamentation. It completes a bell tower, simulating a swordsman, placed on the wall that links the header with the rest of the temple body, closing the strip that borders the only ship. Inside it is adapted to the shape of a Latin cross and has a Renaissance altarpiece and a baptismal pile of white marble to which the parishioners have in great esteem.

• City Council. It is the same line of architectural austerity, and without concessions to decoration and aesthetics. It has three heights and intoned holes, the most outstanding is that of the balcony on the first floor, in vertical line with the access door and crowned by a small attic with a watch that imitates that of the municipalities colonized in the 18th century, although it is not located in the center, but on one of the sides of the building and on which a small bell is installed.

• Urban helmet. Urbanistically this municipality has not been configured with prior planning. It is a set of traditional houses whitened and covered in two waters with Arab tiles, with small verticalized holes to avoid the rigors of winter and adapted to the simple habits of the inhabitants dedicated to the tasks of hunting, pastures and agricultural, and in more peripheral positions, houses with floor structures, with a maximum of four heights and roofed to four waters. Of great ethnic value are the "casas- caves"which have become a defining element par excellence in the people of Hinojares. Built without having to take the hands of architects, the forms and volumes depend to a large extent on the characteristics of the rock in which they have been excavated and on the originality and needs of the building. The caves, located on the slopes of the hills, in the canyons and in the rails, with an anarchic distribution, with their curved lines, lime, vaulted ceilings and chimneys, make up an interesting set of uniqueness. Its architectural originality, its temperature (18 ° C to 20 ° C, so no bedding is necessary) and its welcoming, intimate and rustic environment have made them a very appreciated habitat.

Main monuments:

• Church of the Immaculate Conception. It was the first parish built in the New Populations. Its simple-drawn facade is built of red sandstone. It has a small cover with a half-point arch and three small gaps at half-height and a colonial-style swordsman. The size of the Virgin of the Jienese sculptor Jacinto Higueras (father), as well as the main altar that was brought from Ubeda, must be highlighted.

• Labrador site. It is completed in 1789, with the colonial structure of these buildings intended to keep the grain, the seed, control and regulate the production. Made of thick walls covered with sandstone silery and resistant internal arches. It originally consisted of a single plant and was then built a second. It is currently dedicated to the Municipal Library.

• Palace of the Intendent. Built in 1807 by the Intendent of the New Populations of Sierra Morena, Pablo Olavide. The sun clock located on one of the corners, installed there to give the time to the steps that made their stop at the post house, stands out. It has now become a hotel.

• Plaza de Nicolás Kerche. In honor of the first born in this town. In the center of the square is a sculpture in homage to all the settlers arrived in 1767.

• Monument to the Sacred Heart of Jesus, located on a piled pillar and surrounded by a fence. He rose in 1937 to imitate the Christ of the Concorvado of Rio de Janeiro.

• Monument to the Mineros des sculptor Javier Ruiz Abel, in memory of the granadine and almerian miners who came to work in the mines of the district of Linares- La Carolina.

Cazorla, at the gates of the Natural Park of the Sierras de Cazorla, Segura and Las Villas, is a lesson of how man and nature have forged an alliance that comes to this day. Its rich cultural heritage includes places that cannot be lost.

The castle of the Yedra, whose origins could be Muslims, perhaps from the Almohad era (12th century), although throughout the 13th, 14th and 15th centuries Christians finished giving it their definitive configuration, which explains that in many of their inner stays the Gothic style predominate. The tower of tribute houses the Museum of People's Arts and Costumbres of Alto Guadalquivir. It is a place where you can learn more about how the ancestors lived on these lands.

From its enclave, 831 meters above sea level, it is seen the town of Cazorla and its surroundings.

The ruins of the church of Santa Mariaa sample of the Andalusian Renaissance. It is very likely that its author was Andrés de Vandelvira, as many of its elements can be recognized in the temples of its author located in Ubeda.

It is built on the Cerezuelo River, which was forced to channel previously, and which enters a large visitable vault under the main altar, across the whole church, to follow its course under the square of Santa Maria. It is very likely that the church was never fully completed and that the serious damage caused by the terrible storm and flood of 1694 would further make it difficult to complete it. It is the only church built on the bed of a river.

The City of Cazorla currently houses the Municipal Office of Information and Tourism and the Multipurpose Spacewhere concerts and shows are held.

Few villas may presume to have been a source of poetic inspiration from some of the most universal literates. St. Teresa of Jesus, St. John of the Cross or Francis of Quevedo were captivated by the places they found in Beas de Segura, the main population core of the Sierra de Segura, with a strategic location and a legacy full of history.

The municipality also belongs to the pedanias of Cañada Catena, Cuevas de Ambrosio, Cazona, Los Santiagos, Cortijo de las Piedras and Prados de Armijo among others. Arroyo del Ojanco also belonged to Beas de Segura, until its segregation in 2001.

It is the most inhabited municipality of the Sierra de Segura region, also one of the entrance doors to the Natural Park on the road A-314 (Segura-Cortijos Nuevos), once the National 322 (Crta. Cordoba-Valencia) has been abandoned.

Beas is a bridge that links the Campo de Montiel with the Alto Guadalquivir and forced passage from Baja Andalucía to Levante. Its name comes from the Latin term Veha which means way or way, because it is located at the crossing of three Roman tracks that are headed for the Sierra, the Levante and the County. It's across the Beas River.

It has 35 archaeological sites in its term that give proof of its history. In the urban centre we will find medieval architecture, historical of the late 19th, etc. Beas de Segura also has villages that are a delight for the visitor.

We highlight the following points of interest:

• The Carmelite Convent.Here was the first foundation of St. Teresa of Jesus in Andalusia in 1575. Three years later, San Juan de la Cruz arrived. A Renaissance style in his church stands out as a major altarpiece.
• Mocchio Bridge.Located on the Guadalimar River, this bridge that belonged to the new Via Augusta, is made of limestone masonry. Paleolithic materials have been found nearby. Divide Beas from the neighbor Chiclana de Segura.
• Church of the Assumption.It is of medieval origin, but was rebuilt in 1825 after the burning it suffered years earlier. In the 14th century the chapel was built where the gentlemen who made the incursion into the Nazarite territory of Granada were buried.
• Uceda Street.The historical architecture representative of the 19th century is altered in this way with neo-Arab elements with classical and Renaissance lexicographs. To highlight another house with califal references with horseshoe arches and scones.