- Parish of the Assumption.It's the most important monument of Villacarillo, is a proud building built between the 16th and 17th centuries, in which the last forms of the Gothic and the first manifestations of the Renaissance coexist. It is one of the great works of Andrés de Vandelvira, who set up his first home here, married the neighbor of this city, Luisa de Luna, and had seven children. The construction works begin in the year 1540, setting up the Vandelvirian project on the primitive medieval castle of Mingo Priego, part of which is integrated into the upper dependencies of the temple, now converted into a museum.

The Church of the Assumption is extraordinary for the uniqueness of its volumetric profile, the inner spatial grandiosity, the originality and beauty of its vaults, and the integration of medieval traditions into Renaissance classicism. It is one of the most significant churches of the Renaissance in the diocese of Jaén. National Monument since 1931. The interior is of basic and three ships with the same height separated by high and slender pillars that complete the feeling of a monumental set. Even with Gothic resabies, visible on the pillars and side ships, it shows what will be the idea of a Christian temple that Vandelvira has, dominated by vaults of a vanish type. On the side walls, hornadine chapels are opened, which are covered with nerve vaults.

The Central cover It is formed by a beautiful succession of half orange domes with lanterns on decorated breasts. We can imagine Vandelvira and his assistants during the first years of the construction of this church, large wooden scaffolding, the noise of the quarries, piles of stone to be turned into armchairs and the caleros selling lime for the argamase. Without a doubt, the most curious image should be the perplexity of the elderly, seeing such thin pillars on the sides of a great central ship, nothing to do with the churches of the area, or the recite Sanctuary of the Virgin of Fuensanta, in the nearby Villanueva of the Archbishop. Very important will be all the pictorial decoration of vaults, The work of Peter of Raxis, mainly dated from 1575, representing scenes of the Old Testament and the Passion of Christ.

The altarpiece, Baroque, by Juan Gómez Lobo, from Toledana, in 1670; Chapel of the Christ of the Veracruz, with his baroque shrimp of the 18th century and the Sacristywhich begins to be built after the temple is finished at the end of the 16th century, in which Alonso Barba must intervene, on what had until then been a parish of Santa María del Castillo of Gothic style. It has a rectangular floor, with a cover divided into three sections with vaulted vaults.

The Puerta de Sol and Door of the Umbria are the main accesses to the temple. The tower designed by Vandelvira is quadrangular, topped by a body of bells, crowned by a regular octagon and petreous cone and located on the right side of the main door, Puerta del Sol, its height is 56 meters. The climb of stairs is helical. In Parish Museum of La Asunción the collection of baroque goldsmiths of the 17th, 18th and 19th centuries, as well as misals, bibles, casullas, etc.

- Church of Santa Isabel de los Angeles is one of the most important monuments of Villacarillo, of Renaissance style. It is located on Ramón and Cajal Street, popularly known as "Cuesta de las Monjas." Old Franciscan convent, built in 1645 and made by the architect Juan de Aranda Salazar. The interior of a single ship with a barrel vault, with high chorus to the feet and remarkable frescoes that are attributed to the village of Escudero de la Torre. The baroque-style golden altarpiece has salomonic columns that are decorated with grapes, sardines and glass leaves. The facade is made of stone with irregular armchairs and a simple three-body swordsman.

The cover, elegant and classic, with a garden in which you will find the stone image of Santa Isabel of Hungary. In 1812, a solemn act of swearing of the Constitution of Cadiz, popularly known as "The Pepa". The building attached to the church was a closing convent until 1737, a public prison during the French occupation and, from 1884, a hospital to which the services of the former San Lorenzo Hospital were transferred. Between 2012 and 2013, a number of work has been done to recover the damaged church areas. Today it houses several municipal units.

- Municipal Public Library. It is a 19th century building considered of high value, with two floors of height and marked modernist and eclectic character in its architectural concept. Inside, the staircase and the entrance fireplace stand out. Also, the decoration of the ancestors of the low windows and balconies is remarkable.

- City Hall. In a neoclassical style, it was built in the 19th century, with horizontal façade with three clearly differentiated floors and regularly distributed vain. It highlights his cover.

- The House of Inquisition. Located in the old town, on Repullete Street, it is a historic three-storey building built between the 16th and 17th centuries. The original facade, the grating and the rise of the gilded stairs with shields of the Holy Office of the Inquisition and a pontored cross are preserved.

- La Feria Streetthe main artery, in which the best examples of domestic housing are located, particularly bright in the casas- palaces like the House of the Rubials; Palace of Cardinal Benavides; Courts; current House of Youth and below we find that of the Regil, of the 17th century, which must have belonged to this family of quarters who also worked in the church.

- Vandelvira's house and bust. On the side of the church and on Vandelvira Street there is a house, at number seven, which is held by the house of the master in Villacarillo and a bust tribute to Vandelvira.

- Anti-aircraft shelters. They were built in the middle of the Civil War in 1937 to protect the population in the event of air bombardment. They never got used. They have subsequently served as a food store. In 2018 they were rehabilitated to be included in the city's heritage. The shelters and the Parish are within the program "Hidden Treasures" de la Loma and Las Villas.

- Archaeological settlements. Villacarillo is prodigy in archaeological discoveries that shed light on the successive peoples and civilizations who chose their territory to settle. Many of them are concentrated in the Turruñuelos fieldwhere the human presence has been documented, and almost uninterruptedly, from the Copper Age to the Roman era. The Castellones de Mogón, place located on the right bank of Guadalquivir, have documented the existence of a village appeared in the 6th century BC, From this place comes a relief known as the Domador de Caballos. The ceramic elements located west of the mouth of the Arroyo Del PocicoThey say it would be a necropolis.

- Other interesting constructions are the bridges in Villacarillo and Mogón, as well as the hydroelectric power plant of the Duende or the Gardening Mill of the Pepper in La Caleruela.

- Almazara Tourist Agricultural Cooperative Ntra. Mrs. del Pilar, the largest of the province and surely of Spain, built on a plot of 160,000 m ² located on the outskirts of the municipality, includes a factory of 12 production lines and more than 11,000 m ², four industrial ships, several wineries and a social building of 2 floors, with 1,800 m built.

Ubeda has a beautiful monumental and cultural heritage that makes it a fundamental destination for those interested in the Renaissance architecture.

From its heritage we will highlight the excellent degree of conservation of many of its buildings, which still keep details of the time as can be the doors of claveted wood, the iron aldabas, the lanterns and the bars.

It covers such a number of monuments, churches, palaces and master houses, that it would be difficult for us to list them here to the full. Among its most notable monuments of Ubeda are the following:

Historical center:

• Plaza Vázquez de Molina
• Sacra Capilla Funeraria de El Salvador del Mundo
• Basilica of Santa Maria de los Reales Alcázares
• Palace of Vázquez de Molina or Palace of the Chains. Current City Hall and houses the Andrés de Vandelvira Interpretation Center
• Deán Ortega Palace. Current National Tourism Parator
• Hospital de los Honrados Viejos de El Salvador
• Palace of the Marquis de Mancera
• Vela de los Cobos Palace
• Church of San Pedro
• Church of St. Paul. Located at 1 May.

Barrio del Alcázar, San Lorenzo and Santo Domingo:

• Casa de Las Torres
• Palace of the Medinilla
• Church of San Lorenzo
• Church of Santo Domingo

San Isidoro district:

• Santiago Hospital
• Palacio del Marqués de la Rambla
• Church of San Isidoro
• Church and Convent of the Most Holy Trinity

Barrios de San Pablo y San Nicolás:

• Church of San Nicolás de Bari
• Convent of the Immaculate Conception. It houses a museum.
• Casa de la Tercia - Olivar and Oil Interpretation Center

Barrios de San Millán y Santo Tomás:

• Valencia Street. Numerous craft workshops to visit.
• Church of San Millán
• Palacio Francisco de los Cobos

Route of San Juan de la Cruz:

• Convent of San Miguel and Oratorio of San Juan de la Cruz

In addition to these interesting attractions, we suggest a visit to the walls to contemplate the extraordinary panorama obtained from them.

The declaration of Historical set It is justified in 2005 by the presence of several monumental buildings in the old town, as well as by the medieval route.

We highlight the following monuments:

Civil architecture:

• Castle (12th and 13th centuries). The castle of Torredonjimeno was built by the Arabs to protect the population from a small rural house. It was a rectangular fortress, of medium size, which after the reconquest was widely reformed by the Order of Calatrava. The Fortaleza, of a mannerist style, is one of the most important monuments of the historical and archaeological heritage of Torredonjimeno. As a matter of curiosity, the castle served as an accommodation for Fernando III in one of his perils and, according to tradition, in the room of which he was Torre del Tribute, the commando of the Order of Calatrava wrote the first book of which the art of the bullfighting is recorded. From this book, printed in the 16th century, only one preserved copy is known in the Salamanca Library. At the end of the Middle Ages the castle became a church residence. Inside the compound we can see part of that 16th century palace house in which several of its dependencies are highlighted with polychrome potters of Mudejar style. After its restoration, the castle has become a cultural center in which much of the activity of Torredonjimeno is developed and which also houses the Visigode Treasury Interpretation Centre which was found in the surroundings of the municipality fortuitous in the early 20th century. Considered the second most important visible legacy of the Peninsula after the one found in Guarrazar (Toledo), its original pieces are today distributed by several Spanish museums. Declared Good of Cultural Interest with the type of Monument in 1985 (BOE 29 / 06 / 1985).

• San Sebastián Bridge. On one side of the missing Gate of Martos and on the other side with the pillar of the same name and it rises on the way of the Salado River.

• City Council (17th century, mannerist). Of elegant and proportionate facets, typical of the classicism of the 17th century. The facha is divided into two floors, the one below has in the center a cover and on the double sides of the intellized windows. The superior presents a gallery with 11 arches of half points supported on double columns. The open character of the gallery contrasts with the solid and sober underfloor in the style of the Italian palaces. Declared B.I.C. in 1983.

• Cube mill. It is a fortified flour mill that takes the name of the stream of the cube, is built by the Order of Calatrava in 1437. It is the largest and best preserved fortified mill built by the South Peninsular Military Orders. In this place, down to the river of the Cube, we find an area of high ecological and landscape value.

• Torres- Fortress. In the municipal term of Torredonjimeno there are numerous towers such as: Castle of the Fucovert, Castle of Torre Venzala and Castle of Torre Alcázar.

Religious architecture:

• Church of Santa Maria.Built in the early 16th century, in late Gothic style. It is a temple dedicated to the Mystery of the Immaculate Conception of Mary, of one ship, with two chapels on each side, flat tester and tower at the feet. The ship is divided into three sections, with star gothic vaults separated by pointed arches. The main facade, at the foot of the temple, stands out on the volume of the whole by the body of the torre-bell tower attached to the wall, has a small furnace flanked by two shields of the Order of Calatrava.

  The first extension of the temple is in 1671, consisting of a chapel next to the presbytery for the Most Holy. The second enlargement, in the first third of the 18th century, is dedicated to Our Lady of the Dolores. It is worth noting the Camarín, which is accessed from the sacristy. Declared B.I.C. with the type of Monument in 2010 (BOJA 9 / 11 / 2010. p. 50).

• Church of St. Peter the Apostle (S. XVI), Renaissance style, designed by Francisco del Castillo "El Mozo" and built in 1592. It is divided into three ships by sober columns of Tuscan order that support a Mudejar artisan: that of the right dedicated to the Virgin of the Angustias, that of the left is occupied by the Christ of Love and at the bottom the Chapel of the Virgin of Carmen. On the presbyterium is the fourth-sphere vault, on pechines, covered with frescoes of the Celestial Glory. The altarpiece, from the first third of the 17th century, originates from a convent of Valladolid. It also highlights the large number of pictorial works of Easter.

• Convent of Our Lady of the Piety (16th century), popularly known as "Las Dominicas." Founded by Don Jerónimo de Padilla and Pacheco around the year 1540, belonging to the Order of Santiago and with a triple function: to house a convent of Dominican nuns, to be a family pantheon for the founders and to serve as a school for homemade maidens. The church presents one ship divided into three sections, with side chapels embedded in the wall. It has double choruson the feet and on the side of the presbytery. The altarpiece is baroque from 1728. The ship is divided into three sections with star Gothic vaults and separated by half-point arches, columns and capitals. The profusion of santiaguine shells and the general composition of late and Renaissance Gothic elements are a decorative element. In the interior of the convent you can highlight the double floor cloister, you cannot visit it as a closing convent.
  

• Cerro Miguelico. On the surface of an old oppídum and taking advantage of a cyclopeia wall (9th and X century), a plateau that would be the germ of the present town of Torredelcampo is consolidated. On its west side, a cyclopoeia wall and in the south-east is still preserved a Visigoda necropolis. On the east side is the hermitage of Santa Ana.

• Church of San Bartolomé. It responds to a medieval project, still visible in the sacristy and major altar. Most of its current configuration takes place in the 16th century, involving the architects, Francisco del Castillo "El Viejo" and Francisco Castillo "El Mozo." In its bell tower is located the shield belonging to the bishop of the Diocese of Jaén. Inside it houses the Christ of the Vera Cross (16th century).

• The municipality of Torredelcampo has an ancient architectural heritage, highlighting the following enclaves, which belong to the Archaeological route of the Torreones (bike route).

• Berrueco Castle. It is located next to an old road crossing (Jaén-Arjona-Martos) of high strategic value, as attested by the settlement of Cerro San Antón. The fortress is built on a rocky exit, structured in two spaces, of which the upper one is delimited by two circular towers and one of a square floor, all with internal dependencies.

• Torre de la Muña. Located at the top of a small ameseado, it is defined as a fortification under medieval (XIV-XV century), several wall canvases and a magnificent square-floor tower, built in masonry and structure in two rooms covered with pointed vaults.

• Tower of La Aldehuela. Square floor fortification, structured on two floors covered with pointed vault. The remains of a hydraulic system used for field irrigation can still be seen next to them.

• Forgotten Tower. It is located on an Ibero-Roman settlement and next to the road from Jaén to Arjona. It is believed to date from the second half of the 13th century. It was built in the Andalusian era and reformed after its conquest by the Spanish. It has a cylindrical shape, 8 m in diameter and has a height of about 7 m., with a door located several meters from the level of the ground. It has breathtaking panoramic views, oak and complaint sketches, fountains and venerations at every step, as well as a large number of animal species, which make the mountain saw a small ecological paradise.

The villa offers the physiognomy of past times, preserving its steep and silent streets. From its rich and varied heritage, we highlight:

• Castle.Of Mudejar origin, eternal vigil located in the highest of the village and surrounded by an old wall that still retains some turreons. The tower of tribute, which reaches 18.50 m in height and from which you can see impressive panoramic views of the Segura saw. Inside the castle we find: chapel, adarves, covered with wood and roofed in two waters, aljibe and Arab baths.
• Parish Church of Saint Mary of the Collado. It was built in the 16th century on the site of the old Romanesque temple. The Napoleonic troops set it on fire and would be restored between 1814 and 1817. Its only ship is rectangular and of vaulted roof. On the outside, his tower built with masonry. With a quadrangular plant, it has its first body with a flask and a second body covered with an octagonal pyramid on which a forged iron cross goes. He has accumulated a rich religious iconography during his history.
• City Hall. Other Renaissance paradigm, old house of the Society of Jesus. It opens with an arched arch of highlighted keys, to which they flank crate pilastras and dotal column. The second body is embellished by a curved balcony, a triangular fronton decorated with tacos and noble oval shields with plucked helmets.
• Imperial source. A monument that reflects the transition between the Gothic and the Renaissance. It is built in front of the church and dates from the year 1517. Presents a large fronton divided into three streets separated by Ionian columns. A large shield with the weapons of Carlos V. is displayed on the central street
• Casa de Jorge Manrique. The façade has a half-point arch decorated with vegetable motifs, flanked by crate pilasters and complemented by small Ionian columns. The nobility shield of arms of the Figueroa, the mother family of Jorge Manrique, was carved in stone.
• Church of the Jesuit. It is built in the last quarter of the 16th century. It has Renaissance decoration, with a half-point arch with reliefs of the apostles. This building has now been remodeled and turned into an event and exhibition room.
• Bull's Square. It is located on the outskirts of the village in the old courtyard of weapons and chivalry. It's one of the oldest and most curious, being quadrangular.
• Arab baths (hammam). Used not only for hygiene and toilet, but also as social assembly centres. They were used by both men and women, but at different times. They consist of three longitudinal ships, corresponding to thecold room, the most external,tempered and hot, the innermost. They were tied with double horseshoe arch and canyon vault with skylights. It is estimated to be built between the 11th and 12th centuries.
• Wraith and defense. Many sections of the local walls can still be observed. One of the best preserved is the water tower, It is called that because its mission was to protect a water spring that supplied the plateau. Other still preserved are: The Era tower, the School tower and the Snow well. The latter space was used to store water and snow during the winter period and then to use them through drains that existed at the bottom.
• Access doors. The way to access the Segura de la Sierra fortification was 4 doors: The New, the Gontar, the Catena and the Orcera.

• Church of James the Apostle: Built on an ancient hermitage in the 16th century with influences of the last Levine Gothic. It is a single ship divided by four arches, covered by a pair of armor in a row of Mudejar tradition, sustained by a half-point diaphragm arches. It reproduces the scheme of the early churches of the final Gothic, with Baroque altards and a wide wooden choir with curious craftsmen and a banner. The major Retail is from the 18th century and is the most valuable artistic element of the temple. On the outside stands the square-floor tower, which in 1763 was necessary to rebuild.

• Urban helmets of Santiago, Pontón Alto and Pontón Bajo. The urban helmets of these nuclei are made up of streets that remember the morphology of medieval urbanism, in which regular and geometric planning is not followed, but is built according to needs. This gives rise to narrow and irregular streets with typical serrana houses: stone facades, farmed and encased, with small gaps, outstanding tiles to fire water and snow and thin chimneys.

• Church of Our Lady of the Rosary. Located in Pontones, it has been built in the late 19th century. It is small, with a single rectangular ship and a simple facade with a stone cover, in harmony with the type of architecture surrounding it.

• The Brush: Old inn of the 16th century. You can see a wooden balconade, a sample of the vernacular architecture, whose zapatas and balastres are well protected by the wide aldero of the roof.

• Miller's Fort House, topped with thin aspilleras from the 13th to the 16th centuries, which could be a defensive bastion in front of the Alphavars and which was rehabilitated in the 19th century, during the Carlist wars.

It also has five declared property of Cultural Interest: The Castles of Matea and Gorgollitas, the coats ofCold River, No. Cañada de la Cruz y del Engarbothe latter, in addition World Heritage.

• St. Helena Parish Church: It was erected in 1793 on an ancient medieval hermitage, which had been raised to commemorate the Christian victory in the battle of the Navas de Tolosa, which had these sites on stage and to guard the Cross to which the miracle was attributed. Built of redesigned and painted masonry, with a simple facade, of small dimensions. A staircase stands out the access door, composed of a half-point arch on imposts, flanked by Tuscan pillars that give way to an inlet finished with triangular fronton and two bones, one on each side. On the top of the first body, the pyramidal structure is raised to three levels, with pinacles at the ends and half-point holes for bells. Inside it is a single drawer ship, covered with a half-canyon vault and double lunetes on the sides. The presbyterium is opened with a spinal arch, covered with an arista vault and illuminated with two large bone-shaped windows. The header is presided over by the image of its patron saint, St. Helena, between dogrous columns that support an injunction and a curved fronton. It was remodeled in 2001.

• Iberian Shrine of the Collado de los Jardines: It is located in the heart of Sierra Morena Oriental, on the most important traditional road of communication between Alta Andalucía and the Plateau. For the Iberian shrines they chose places, usually caves, located next to springs and forests, where it was thought that the divinity lived and where the faithful went to worship, pray and deliver offerings to their divinities. These offerings were what we know as "exvotes," small statues, between eight and twenty cm, made of bronze, stone or mud. In Iberian Shrine of the Collado de los Jardines There have been many exvotes, most of them bronze, representing men and women offering, priests, warriors and objects. It is part of the whole town that was excavated on the hill adjacent to the castle, where a wall, a sacred enclosure and a cast of metal exvotes have appeared. We meet before one of the three great Iberian shrines of the peninsula.

• St. Helena's Urban Helmets:Given its geographical location, a forced passage between the plateau and Andalusia, has experienced many historical events. The Battle of the Navas de Tolosa in 1212 in which King Alfonso VIII of Castile defeated the Almohades. To commemorate this battle, a hermitage was erected in honor of the Empress St. Helena, who would later name this place and the new population, which King Charles III founded in 1767. In the colonizing urbanism of Sierra Morena, the most important element is the large rectangular square, from which they leave streets on each side and where are the important buildings, such as the Church, the City Hall and the posite of Diezmos and Labradores. The rest of the town is organized from the Plaza. The streets are dominated by axial perspectives, houses of the same height and proportions, reticular fabric and geometric structure. It only deviates from the neoclassical model on its perimeter, to adapt to the road. It has been declared Good for Cultural Interest.

• Rupestrian Paints: The province of Jaén has more than forty points with rock paintings, declared World Heritage Sitewithin the whole Mediterranean arc. Some of them are found in St. Helena with exceptional testimonies of schematic and seminaturalist paintings, located in coats of the area, including those of the Cave of the Cows of the Retamoso in the area of the bodies, Cave of the Holy, the Cave of the Schools and some more.

• Mining Heritage. The landscape of ancient mines and Mediterranean mountains of the former Minero District extends to eight municipalities: Linares, La Carolina, Bailén, Baños de la Encina, Vilches, Guarroman, Santa Elena and Carboneros. This mining activity has left in these municipalities an exceptional concentration of remains, unique vestiges in the world and representative of the industrial revolution in the 19th century.

From the abundant and rich historical-artistic heritage, we highlight:

• Tiscar Castle. It was raised in the Arab era and located in a rocky area of easy defense. The first news of the castle dates back to 876. It is a small complex with a small tower of tribute. Built in apial cane, with parts of bulkhead and the wall cloth attached to the rock. In the center there is a great rosehold called "Black Peña." In 1949 it was declared Good of Cultural Interest.
• Sanctuary of the Virgin of Tícar. It is certainly the center of Marian devotion of the region, both for its tradition and for its location, under the "Black Peña Castle."The present construction of the Sanctuary of the Virgin of Tiscar dates back to the mid-20th century, although it retains architectural remains of previous times, such as the great entrance door with pointed bow and decorated jambas, remains of the plywood of the Granadine in the sacristy of the 14th century and others that can place us at the end of the Gothic of the 16th century. The exterior of the Sanctuary maintains the original trail and on the facade the two-high swordsman. Above the main door is an image of the Virgin between two trees sculpted in relief. During the Civil War he suffered great damage, which is why the Sanctuary has been reformed.
• Parish Church of St. Peter and Paul. It dates from the 18th century, in a neoclassical style and built on the site that had previously occupied another Gothic church of which a chapel is preserved. It has a cross floor with three ships covered with half-canyon vaults with lunetes. The entrance door with 18th-century bronze carnation and the bell tower built on an ancient medieval tower are outside.
• Atalaya del Infante Don Enrique. The spectacular cylindrical tower of More than 10 m. of height is in the Tiscar port. Its role was to monitoring the movement of troops of the Nazari kingdom of Granada. It was built in the late 13th century by order of the Infante Don Enrique, son of Fernando III. After its restoration, a metal staircase allows us to access its interior by the original door, located about three meters in height. From its privileged situation, we can see a very important extension of the territory.
• The Arc of Saints. Gothic door that gave entrance to the walled enclosure, built in the 14th century. The exterior shows an arch pointed with a quarry, with two novels whose right hamba is a Roman funeral stele of the third century. At the bottom is a half point brick arch with a half-barrel vault. The double arcade that it presents today could be due to the fact that the arch of half-point interior was the original of the Andalusian enclosure, remade in Christian times.
• Roman Villa of Bruñel. This villa is a magnificent testimony of Roman domestic architecture linked to agricultural exploitation. The exceptional wealth and magnitude of Bruñel makes it a scarce model among the rural houses of this time. Originally there must have been a rather modest construction that was reformed during the second century after Christ to build an extensive complex of great decorative wealth. An urban building was designed around a large central courtyard around which the rooms are distributed, mostly with splendid mosaics and covered walls. In the fourth century, part of the house was destroyed to overcome it another with a porticated central courtyard, with a large double room to the north and another wing with a central courtyard to the east. In this last phase, although a great decorative wealth is still maintained, there is already a great ruralization of life in the villa. Their abandonment and ruin had to take place gradually during the VI and VII centuries. This villa was declared Good of Cultural Interest in 2005.

Other monuments are: The Church of Purification, known as the Chica Church, built in the 17th century with Baroque-style features and the Hermitage of San Sebastián.

• Church of Our Lady of the Incarnation. Up in the middle of the the 1960s of the 20th centuryon another previous temple with the same advocation, whose origin was back to the 13th century. Its cover presents a vain of intellized access, Latin cross and hastial. The tower stands out for its volume, it is square-based and decorated with geometric elements.

Ibero site of White Crow

The pale tone of its rocks gives meaning to the name of this small hill located two and a half kilometres from the urban core of Porcra: White Crow.

Archeologically involved during the 1970s of the last century, the process of human use of the field is delimited in three moments.

First, during the tartesic period, there is a distinction between an inhumation necropolis dated around the 7th century BC. There are twenty-four individual graves and a double-chamber grave.

From a second epoch, around the 5th century BC, is the largest Iberian sculptural ensemble of the national territory. A thousand three hundred fragments among which are more than thirty sculptures. The warrior of double armor, symbol by anthonomasia of the Iberian world in general, stands out.

Finally, necropolis continued to be used for such purposes from the 5th century BC to the 1st century BC, changing the first rite of imhumation to the rite of incineration.

Roman Amphitheatre of Obulco

The Roman Amphitheatre of Obulco was one of the largest show buildings of the Roman Hispania, an example of the enormous magnitude of the ancient Ibolca-Obulco police. It was the largest of the cities of the Protohistoric and Roman Iberia in the time of Julius Caesar.

This amphitheater shows the imposing archaeological reality of Municipality Pontificensis Obulconensis in the 1st century BC, when it was raised about five hundred meters from the walls.

After the last great intervention of this colossal amphitheatre, its monumental remains, of more than one hectare of surface, have been managed to size and integrate in harmony with the existing neighborhood, allowing its visitors to walk through a large section of the southern façade with its imposing counterstrong of piled chairs in the Hellenistic style, see the doors and volitories, the outer access routes and the large falls of cyclopeia blocks, then be able to enter the cavies or steps, and come down from the wall of the podium to the space of the sand and carcerwhere to appreciate the dimensions and panorama that the old gladiators who fought in the seaweed or games.

Cisterna Romana de La Calderona

The Roman Cistera de La Calderona is a colossal underground hydraulic complex of the Pontifical Municipality of Obulco, intended to store water, which has been in use for more than two millennia and has arrived to this day in exceptional state of conservation.

It was accidentally rediscovered by one of the neighbors of the three contemporary houses that are available over it and intended for air-raid in the Spanish War of 1936. It was originally a large public water tank with several years of rainwater collection and three catchment wells.

The project has been completed by building a contemporary building of access through ramps to the complex and with the excavation of approximately 500 m ² of the large Roman neighborhood of the poniente, where part of a cross-sectional enlisted street have been exhumed, three houses organized around patios, a shop and a butcher-carnage, which allow to qualify this block of the neighborhood as a handicraft and commercial sector of the city.

Boabdil Tower

In an era of invasions and conquests, during the Middle Ages, two names express the same reality. The Muslim Bulkūna and the Christian Porcella live together and share the same territory.

On the remains of an Andalusian bulwark, which in turn was erected on Roman vestiges, the Castle of Porcra is fortified with new defenses to become a Christian alcazar.

Ten are the towers that make up the castle's walled enclosure and one of them, the last to be built, which is maintained until today. The New Tower was raised during the first half of the 15th century by the precept of the Calatravo gentleman Don Luis de Guzmán.

It is also called the Tower of Boabdil for what happened in 1483 when the last sultanate of the Nazarí Kingdom of Granada, Boabdil, was taken as a prisoner to that tower after being arrested in the Battle of Lucena.

The tower is octagonal base, is 28 meters high and has an ochavada shape. Its interior, of two floors and a terrace, will house the medieval rooms of the Archaeological Museum Municipal Obulco.

Church of Santa Ana

The first data that are held from the hermitage of Santa Ana are from the late 15th century although its exact origin is unknown, being able to be reassembled at the end of the 13th century.

Santa Ana is drawn like a hermitage of a ship, with several adjacent dependencies such as the house of the santera and some corrals. During the later centuries the whole is spread and consolidated until in the 19th century it is closed to worship. In the 20th century, the property is sold to the Juárez family for use as a bread oven.

The recent intervention carried out by the City of Porcra has involved the restoration and recovery of the original building. These works have brought to light important findings: unique pavements, numerous burial or wall paintings in the altar area.

Today, the ancient church of Santa Ana has become the Visitors' Reception Centre.

Royal meat stores

This is one of the most modest buildings, which was mentioned in the 15th century, next to the organization of the square: the carnage of the villa, the Church Mayor and the Cabildo.

The Royal Carniceries, called for the Crown's control over meat, supplied the population with beef and sheep for more than five hundred years, from the Middle Ages to the Second Republic.

From this moment on, the city's library is located in the building and, in addition, the work-bag functions are performed there, to be, before its restoration, the Comarcal Court.

In 2015 this space was opened after the rehabilitation and value that the City Council of Porcilla carried out, hosting, there, the municipal services of Historical Archives and Tourist Information Office.

There are some of the vestiges that can be seen inside the building. It is also worth the attention to stop and observe its inclinated facade witness to the Lisbon earthquake of 1755.

The Royal Posite of Charles IV. City Council

In the square of Andalusia was built in the Enlightenment of the King Charles IV in 1798 the Royal Po'sito, that is, a public warehouse of grain for consumption and sowing. It is a functional building offacade of silleri ́ a with beautiful classic cover, which consistsof three ships, one main and two lateral, separated by stone arches on which the deck rests. The building is accessed after climbing a step, an element that allows to generate a lower level or ventilation gallery.

After the Civil War contest, the building was ruined and a major reform had to be made.Although the works were directed by Ramón Pajares Pardo, the project is due to the architect and National Architecture Prize José Luis Fernández del amo, the first project he signed.

The building currently houses the headquarters of the City of Porcra. The large "glass yard" is a bright space that acts as a distributor of the entire ground floor and also functions as a main public service room.

Galleries of the Royal Posite of Carlos IV. Municipal Archaeological Museum of Porcilla

This is abouta space located under the building of the Royal Posite, current City Hall.In its day were the ventilation galleries and prevented the moisture from reaching the grain store. In origin they had no direct access from the outside, only one registration trap. Over time, several entry doors were opened, allowing this place to take different uses, from construction materials storage to dungeon or hardware shop.

Following the major reform in 2017, the space was restored and opened to the public. During the intervention, archaeological remains of Roman and medieval times, now integrated into the journey, came to light. The vaults system used in its construction is particularly noteworthy.

In 2023, two museum rooms were incorporated into the whole, which greatly enrich the understanding of the past of Porcra: one dedicated to the world of the Turdulum and the other to the Roman period. Both offer a clear and accessible journey through the cultures that left a deep mark on the ancient Obulco.

Ntra Parish. Sra. de la Asunción

The Parish Church of Our Lady of the Assumption of Porcilla, concluded in the early 20th century thanks to a popular subscription, rises on the site of the ancient Church of Santa Maria la Mayor. The building, wide and bright, has a Neo-Byzantine style and is articulated in three ships covered with cross vaults. The sacristy, attached to the head, belongs to the temple of the 17th century and is connected to the rectoral house, which houses the residence of the parish priest, the archive, the office and the parish hall.

After the construction of the new temple, Julio Romero de Torres was commissioned to paint the vault of the apse, where the artist represented the Assumption of the Virgin, surrounded by a chorus of angels. The work was so impressed that he was asked for two new murals for the capels of the cruise. In one of them he made the Holy Supper, showing the apostles attentive to the moment when Jesus instituted the Eucharist. On the other, he represented The Holy Family in a serene sunset, with the Child Jesus in Mary's arms and the silent presence of St. Joseph. In addition, the temple retains five more works of the painter: an oil of St. John the Baptist in prayer and four canvases of the evangelists located in the pechines of the cruise.

House of the Stone

Summary of the millennial craftsmanship of the stone in Porcra. The bartender and marmolist Antonio Aguilera Ruedas (1896-1980) built it in the middle of the 20th century for 30 years with considerable personal effort and firm mastery.

Its extravagant and eclectic combination of solutions, techniques and decorations exalt the work of the stone. Their personal and unusual explanations that portray in an unusual way the complex parallel trajectory between building and author draw attention.

In August 2018 it was reopened following the reforms that the City Council of Porcilla made. After an important work of cleaning and restoring the stone a sophisticated lighting system is chosen to bring all the beauty to the craftsmanship of the stone. At the same time, an extensive set of ramps, built in marble concrete, gives access to a glass elevator, a unique dissonant element but that will allow access to the entire building.