The tower has a height of 21.5 m and is made of masonry with lime mortar. The average diameter is 8.5 m and the thickness of the walls is more than 2.75 m.

It is one of the greatPaleolithic-era rock sanctuariesthey are located in the Alto Guadalquivir. The paintings are in a small room in the Cave. These are two different chromatism caprics, one red and one black. It is very likely that we are facing a sanctuary in which the paintings have a magical propitiatory purpose for hunting, which was the main means of life of the surrounding populations. These rock paintings have been declaredGood for Cultural Interest.On the outskirts is"The Beast"which is as popularly known the bridge thatAndrés Vandelvira built in 1565,on behalf of Maria de Mendoza.

At the north end of the Aznaitin massif, in the area known as "the Cimbra," is the Cueva de la Graja. It is really a 6-meter-deep coat by 6-wide, which in its highest part reaches 5 meters. In addition to offering wonderful views from its 750 meters of altitude, this coat houses rock art manifestations that were made between 2000 and 5000 years before our era. Made with pigments obtained through the mixture of iron oxide, clays and animal fats; the paintings represent rites and grazing work. Declared an Artistic Historical Monument in 1924, the cave can be visited on request in the City of Jimena.

In this private estate the spirit of the belle époque with rural dyes is still revived. It is a private property with an interesting chapel, gardens, house of the gentlemen and even a regional style garage.

The Santa Ana Sunday convent was built in 1540 at the request of Fray Domingo de Baltanás, Dominican, theologian and writer. The cover of the church is made of silery stone, with a hornacina where the figure of the Santo Domingo de Guzmán, founder of the Dominican order, is represented. The interior of the church is made up of a single ship. In the convent, a magnificent 16th century cloister, with fourteen columns that support part of the dependencies, is removed. Around the courtyard is the refectory with a remarkable mural of 1584.

Founded by Don Jerónimo de Padilla and Pacheco around the year 1540, belonging to theOrder of Santiagoand with a triple function:house a convent of Dominican nuns, be a family pantheon for the founders and serve as a school for home maidens. The church presentsone shipdivided into three sections, with side chapels embedded in the wall. It hasdouble choruson the feet and on the side of the presbytery. The altarpiece is baroque from 1728. The ship is divided into three sections with star Gothic vaults and separated by half-point arches, columns and capitals. The profusion of santiaguine shells and the general composition of late and Renaissance Gothic elements are a decorative element. In the interior of the convent you can highlight the double floor cloister, you cannot visit it as a closing convent.

It was founded by San Juan de la Cruz when it was in Baeza on 12 October 1586, putting it under the patronage of the Immaculate Conception, as we can see in the commemorative plaque of the façade. It is accessed through a cover with a half-point arch flanked by pilasters. The set is removed by a cornice that supports four pinacles.

This convent, built in a Baroque style and located in the heart of the historic city, very close to the cathedral, is dedicated to Santa Teresa de Jesús and in the interior of its Church, built in 1673, is the burial of Eufrasio López de Rojas, author, among others, of the façade of the cathedral of Jaén.

Since the 15th century there was a monastery of agustines in the place of Cazalla, which in 1578 became of the order of S. Basilio Magno. From that convent, it reached its highest splendor in the 18th century, reaching to have 13 monks, 3 leagues, 8 servants to own more than 200 flocks of cultivation (approximately 130 Hectareas) as known to the remains currently existing, only one cover remains, with a half-point bow blinded that gave access to the temple and, above it, the statue of S. Basilio Great, on a stacked hornadine up to half. It is a cast size of small proportions, which only lets see the head of the holy headline, with a luenga beard and a mitre. The size has been recently restored.