More known as Tito, Juan Pablo works in the family workshop dating from 1965 and declared by the Junta de Andalucía Punto de Interés Artesanal. It is a space open to the public in which you can visit the great exhibition of ceramic pieces of the late 19th and early 20th century. His father's heritage is the most contemporary vision of the trade, which, while being artisan, has evolved to perform a more decorative and aesthetic function.
Tito takes the reins of the workshop by bringing a new modernist approach and reinventing the use of ceramic objects. From replicas of the traditional Ibera ceramic, to the items of hospitality, jewelry, decoration or urban art, many of its collaborations in cinema, theatre or with great fashion designers. All of its pieces, designed and made in a completely artisanal way, are characterized by their great originality and quality.

With more than a century of history, Alberto and Francisco rule this family pottery with the clear objective of keeping the history and customs of their ancestors alive. While respecting all the details in the making of the most traditional pieces, these brothers have introduced new techniques and materials that allow them to be at the forefront in design and decoration. From monocotion to metal reflex, raku, low and overcover, dry rope or the application of different types of enamel that lead them to create unique pieces, of great personality and quality. Utilitarian or decorative parts, objects intended for ornamentation or the most traditional pieces of ubetense ceramic. But also, and for their interest in collaborating with the maintenance and survival of this trade, they also collaborate in the restoration and manufacture of ceramic tiles, tiles, heraldic shields, pliers or religious imagery.

They learned the trade with their father, a artisan carpenter with a lifetime of experience. Juan Antonio and Nicolás attended the familair workshop every day, soaking from very small of the trade's entresijos.

They use high quality materials, exclusive and selected wood for each of their orders; oak, pine, beech, walnut, and even olive, which work exclusively manually for the production of their products, all original and unique, made to the customer's taste and to the customer.

They therefore combine the most artisanal techniques, with traditional materials or other more avant-garde, always respecting the origin of their trade and printing of a certain personality and distinction each of their carpentry pieces.

Become the sixth generation of craftsmen of the spartum of his family, Peter is a complete connoisseur of the history of this trade and of the changes he has suffered over the years. He works with the spartum of Sierra Mágina making the famous 11th century Ubeda carpets, typical of the Ubeda area and whose manufacture his grandfather rescued after many years in oblivion. In addition, Pedro recovers other products and the artisanal manufacture of them to work this vegetable fiber by hand, being its production completely organic; Bags, jewelry items, pamelas, leftovers, blinds, baskets and other objects for decorative use such as the animals made in pita and in real size.

For his creations he uses raw spartum, crushed spartum, as well as other materials and techniques such as pita / sisal, jute, rafia or wool, which allows him to customize to the maximum both the items we find in his shop and those pieces he makes on request. An old trade that has been able to reconvert it into a very visible place on the national scene, getting great awards and awards like that of Richard H. Driehaus, Construction Arts Awards in the category Finished and other Traditional Construction Works. Pedro Antonio Blanco has also been present at the Cibeles 2018 and Fashion Week parades in Paris in 1919 by the jiennese designer Leandro Cano and his collection of clothes and accessories made of vegetable fiber.

Her husband belongs to the second generation of Forja craftsmen, a circumstance that led Maria Luisa to become familiar not only with this trade, but to enter into the manufacture of glass headlights. From its tiena-workshop, in the centre of Ubeda and declared by the Junta de Andalucía as Point of Interest Artesanal, it works with the help of the most traditional techniques, each of the lanterns that it then exposes. Without a stumble, both the engraving, stunned, reputed and finished, everything is done with the hands of Maria Luisa. Exclusive parts made as the customer has demanded and sent to many countries in Europe, America and even China. In a long way from the metal construction, Maria Luisa and her husband work the fringe in cold, out of the fragua, manipulating the material with no help other than their hands, and getting all kinds of articles or decorative objects such as flyers, shooters, bathroom accessories, headers, tables or chairs, whatever your client may need. Their personalized treatment, the ability to adapt to the needs of customers and their experience as craftsmanship and glass bluff have led Artesur to be present in the most prestigious national and international guides and search engines.

In a very marked and personal style, in 2012, the Junta de Andalucía gave him the letter of Master Artesano, and is that his constancy to keep almost intact a trade of old, as well as his commitment to the production of artworks of great value, have made his artistic manifestations a great national and international recognition. He works with his brother Paco, also artisan and with a dilat and successful experience, with whom he creates excellent synergies from which his most valued articles emerge.

They are the sixth generation dedicated to the craft of the artistic forge and they treasure a workshop that has been declared by the Junta de Andalucía as Punto de Interés Artesanal, a space that hosts various activities related to the forge, a magnificent tourist option for the visitors of the town and an excellent teaching alternative for the students of the area.

Pepe and Paco still retain the most traditional techniques in the preparation of their articles, although without losing the current trend. Its designs, all of their own and exclusive, stand out for their personality, originality and quality, as well as for being unique parts in the market. They have collaborated with numerous exhibitions and exhibitions of crafts, reaching to perform outstanding works at national and international level such as the National Paradores of Cambados, Carmona, Granada, Jaén, Plasencia or Cádiz or other collaborations in Brussels, Ireland, Japan, Nice or New Mexico. These artisan brothers, with a strong Renaissance tendency, also actively collaborate in the conservation of the cultural heritage of Andalusia with many works of restoration of great prestige.

He has dedicated his whole life to the work and research in the pottery trade, offering a work that attempts to be faithful to a millennial tradition, while contributing to this trade the spirit of our time and the technical and aesthetic advances that guarantee the survival of the legacy received, as well as the transmission of his knowledge, mainly to his son John Paul, faithful follower of his teachings and tireless researcher in his trade.

It is from the 1970s that the work of "Tito" begins to receive recognition. And at the end of the same decade it begins to collect pieces of the popular pottery of the whole peninsula, from the 19th and 20th centuries, which will eventually form one of the best collections in the country, thus helping to preserve the cultural heritage.

He is a magnificent craftsman of La Yedra, Jaen, who was initially formed as an industrial officer in the metal branch and the specialty of tornero, but who has been transforming his work into a craft trade and has been engaged in the production of artistic glass windows for more than three decades, starting with sporadic collaborations in 1975, and dedicated himself to it exclusively since 1980, when he moved to Ubeda to open his own workshop of artistic glass windows, which he takes over to this day.

It has contributed extraordinarily to the preservation of the religious artistic heritage, among its countless works, to mention some, we have those made for the Church of Santa Maria de Ambrox (Dalias, Almería), the Sanctuary of Ntra. Madam. De la Cabeza (Maria, Almería) the Convent of the Carmelite Fathers (Córdoba), the Church of San Pedro de Torredonjimeno (Jaen), the Convent of the Clarisas Sisters (Albacete), the Parish Church of Santa Catalina (Solana del Pino, Ciudad Real), the Church of the Trinity Fathers (Madrid) or the Church of the Salvador (Santa Cruz de la Palma, Santa Cruz de Tenerife).

Descendants of a family of watchmakers, Juan Ma and Francisco are introduced into this sector from very small, being able to innovate and expand the business after receiving a comprehensive training in jewelry and restoration. They offer from their workshop, declared by the Junta de Andalucía Punto de Interés Artesanal, the possibility of making to measure any piece or article requested by the customer, with the particularity of reusing the metal that the customer brings from damaged, broken or in disuse. The process of making, completely artisan, allows them to work with all kinds of materials such as gold, silver, bronze, brass, and even ceramic, and to create a signature of jewelry, "De Barro y Plata" along with the artisan potter Pablo Tito. Using the most traditional techniques, these two brothers have been able to adapt to the current trend, introducing new methods and processes for the development and restoration of emblematic jewels or historical and old pieces. Among his works are the Gold Medal of the City, delivered in 1992 to the then was Queen Sofia or the one recently awarded to Joaquín Sabina.

His passion for art is born from his own restlessness. As a result, Carmen is modeling her knowledge through the formation of ebanisteria, ceramics and sculpture, among others. The Workshop School and the School of Art allow you to enter an exciting world that leads you to specialize in the restoration and personalization of old furniture.

It is not its only field of action, as it practices painting, the emptying of sculpture, work with mud, etc., making orders for individuals, but the recovery of old furniture has become a remarkable work, creating unique and exclusive works. The starting point is a furniture that is usually damaged and, after passing through their hands, becomes a unique piece. Parts, armchairs, toiletries, comfortable or oil, are some of the most common parts.