According to the research, it is a necropolis whose extension would surround the entire town, making it one of the most important at the national level.

In 1954, the first archaeological excavation was carried out, 22 tombs of which only 7 remained intact. The inspected tombs had an ovoid and excessively elongated form, not keeping a certain orientation.

Next to this visigoda necropolis - just 30 metres - is another Muslim era.

Location:To the west of the town, in the foothills of the mountain set of the South Sierra.
Distance:7 km.

Medium:Tourism vehicle.

Access route:Taking the road leading to the Hoya del Salobral.

Natural area of great beauty of water and tiled wires that invite to relax, turned into a recreational area, magnificent enclave to spend a pleasant day of countryside surrounded by nature, enjoy the environment, rest under the dense tree grove or take some hiking route. The space has a magnificent road with banks, tables, stationery, a small bar, children's playground and a large parking lot. This area attracts thousands of visitors from many municipalities, some very far away.

From the same pozas of the Nacimiento, a channel known by the neighbors by "el Caz," that allows to water the orchards of the river along several kilometres, and that rejoins the river in the village, next to the Roman bridge of Triana, where the permits for the fishing stop "El Carrizal," whose upper section is the same Birth of the San Juan River, were issued. The nearest pool to the river was used for the release of trout and fishing for both people with reduced mobility and children, learning the values and techniques needed to manage themselves within this sport and get their own catches (there is a children's fishing school in the town in the summer, taking advantage of school holidays).

The fishing ground was about 4 km. where roads have been enabled, making many parts of the banks practicable and facilitating the formation of pokes, where fish can find better shelter and more water.

Fishing could also be practiced in the Valdepeñas Bridge, where one of the most remarkable pozas of the fishing ground is formed, both by the number of trout and by the quality of the trout. The environment of Nacimiento del Río San Juan is characterized by a typical Mediterranean landscape, with the oak and the coscoja as protagonists. Other plants present are the lentif, the white jara, the thyme and the rosemary, but, without a doubt, the white lamo is the most abundant species in the Birth and on the river bank. In this we can see fertile gardens that make up the "Vega castillera," which acquires its maximum splendor in spring with the flowering of the cherry trees, very abundant in the area, irrigated from the very pods of the birth by "the Caz" mentioned above.

This area, owned by the City Council, houses a multitude of outdoor physical activities.

It is one of the most cuddly and important springs in Sierra Magina, being the pride of the shrubs. Although water sprouts through limestone rocks and liasic dolomies of an aquifer, it has a marked saline character because it arises in the breast of margas with triasic plaster.

The waters of the birth are collected in an artificial construction raft that stores them and leads by a system of waterfalls that runs throughout the village.

Next to the birth is one of the four power plants that used the waters of the river for the production of electricity.
This beautiful area is conditioned with a meringero area that allows visitors to enjoy a picnic in a unique natural environment.

The river course is channeled in a multitude of waterfalls that give wealth to the land of the municipality and irrigate many hectares of land. Previously it gave impetus to flour and oil mills, while it is currently used for the irrigation of the olive tree, true economic engine of the area.

The space has a magnificent road with barbecues, banks, tables, stationery, a small bar and children's playground, where you can spend a pleasant day surrounded by nature and where you can take advantage of the freshness of the place and the shadows of the trees.

In the birth of the Arbuniel you can see ducks and river crabs, which inhabit in its channel thanks to the great amount of lime of its waters, and abundant trout.

The Torreon, on its three floors, consists of a "honey room" and souvenir and beekeeping shop, an audiovisual room and workshop, the generic museum space, common areas for temporary exhibitions and a room dedicated specifically to the Bronze Age, in the Rumblar River Basin.

Selected as a reference centre by the European Union for the dissemination of the culture of Olive Oil, the space of knowledge and museum Terra Oleum is spread over an area of more than 11,000 square meters. The largest area of knowledge planned in the Mediterranean basin for a food product.

The Museum, promoted by the Diputación de Jaén, Consejeria de Agricultura de la Junta de Andalucía, and developed by the Fundación del Olivar, is located within the Geolit Technological Park in Mengíbar, the heart of the Andalusian olive tree.

It has a permanent exhibition of modern interactive, audiovisual, machinery and other types of scenography, on olive, olive oil and sustainability. A revolutionary 3D video-aping system makes the visitor a true master of almazara able to direct all processes for obtaining olive juice.

Terra Oleum is framed within the wet area of the Quebracántaros tributary, whose spring is born within the same Olivos Centenarios Forest of the Museum. The outdoor activities, from the collection of the olive, to the recognition of indigenous species in this natural space, are part of the essence of the center: harmony with a humanized forest.

The auditorium becomes the central space of the events that take place in the Museum. It has the most advanced technology in image and sound, equipped with electronic systems of participation that allows a fluid exchange of knowledge with the visitor.

Terra Oleum also offers an extensive programme of parallel activities that combines visits to the permanent exhibition with workshops, courses and seminars through proposals for all audiences. The field and the mill become the central axis of our dialogue with the visitor. An immersion into the world of virgin olive oil by the hand of experts in this science that becomes an authentic art.

The selection of extra virgin olive oils Terra Oleum brings together the best oil in practice all of the jiennese, Andalusian and Spanish olive trees. The green and mature fruits evoke the aromas of nature, in a permanent exhibition that allows the tasting and tasting of all of them in a relaxed environment: the Museum's Oleoteca.

Before the end of the visit we cannot forget Oleaginus, a space for art and culture, located in the area of quality promotion: Denominations of Origin, olive bookstore, contemporary painting and oleary art, demand the attention of the visitor in an atmosphere of light sipped by the solar courts that are born on their terraces.

The avant-garde architecture and its modern proposals for communication with the visitor make Terra Oleum a unique place to feel the culture of virgin olive oil from the first step.

The museum is divided into two sections: In the first one is made a pleasant introduction to the bullfighting for the people of Novels on this theme and the second section speaks of the relationship that Villanueva of the Archbishop has with this world, from the beginning of the municipality going through the reasons why the current bullring square was built and making special mention of the most famous bulldozers who have stepped on this bullring.

The museum's collection consists of numerous oils, watercolors and drawings, and other collections of modern art. Artists of the prestige of Miró, Percébal or Tapies donated their works for the museum. Rafael Zabaleta was linked to the Paris school. His painting is mainly nourished by the avant-garde, impressing into his landscape an air of metaphysical solitude. Picasso and Modigliani will also be of great influence in their entire career, collecting from the first that robustness in the nudes and the Parisian outdoor scenes. They will be the images of their native land with which the one of Quesada is most easily identified at the end of their career, both for its easy and true drawing and for its bright handling of the color in rural and customary scenes, in accordance with the times it has had to live.

Around the figure of Zabaleta, a prestigious international painting and sculpture competition has been held in Quesada since 1970. The award-winning works complete the museum's collection.