The museum is divided into three rooms, highlighting in the first one the mantos of the greatest historical significance, as well as a picture of the 17th century Romeria and the custody donated by Mussolini; in the second, we can see the mantos donated by the kings of Spain and other personalities, several reproductions of the image of the Virgin of the Head, its processional cage and several vitrines with objects of high significance; in the third room we can find a model of the sanctuary on a scale of 1 / 50, work by Manuel Molina and the pinacoteca of the painter Arsenia on the Menerora.

The building where the Museum is located is a modern and avant-garde cultural infrastructure, built by the Junta de Andalucía, with more than 11,000 square meters and which has required an investment of more than 25.5 million euros. Located on the Paseo de la Estación, No. 41 of Jaén, in the heart of the capital, the Ibero Museum of Jaén aims to become a world reference of Iberian culture at the tourist, cultural and scientific level.

200 metres from the Ibero Museum is the Museum of Jaén, a container of Iberian pieces of art of extraordinary value, among others belonging to the Iberian sculptural ensemble of Cerillo Blanco de Porcra. The sculptures, which date back to the 5th century BC, tell us the mythical history of an aristocratic lineage, where the struggles of warriors are impressed by their great realism. The Museum of Jaén proposes two historical and two thematic tours: the Archaeology Section in which it highlights an important collection of Iberian times, in addition to other rooms dedicated to prehistory, Roman times, Spanish-Muslim culture and Visigoda culture; and the Fine Arts Section that offers us a vision of sculptures and paintings from the 14th to the 20th century.

At the bottom is the machinery of a 19th century mill, faithful reflection of the production systems of the time, as well as original tools and useful. At the top you can deepen the culture of olive and oil, entering the world of the tasting ofextra virgin. There are rest areas, a projector with audiovisual to learn more about the olive cycle and the current production systems, as well as excellent panoramic views of the Fortaleza de la Mota, which rises imposing on the horizon, surrounded by the olive sea.

Finally we have a "Agro-shop" for sale of products as well as other typical jiennese products and a "Rincón Sensorial" to taste our oils. The entire facility has explanatory panels in English and Spanish. It is designed to be accessible to people with reduced mobility (lift, ramps...) and is heated. Free Wi-Fi is also available for visitors.

The museum, formerly called the Archaeological Museum of Obulco, has two sites. In the Boabdil Torreon of the Porcella Castle built in 1435 by the Order of Calatrava, there are rooms 1 and 2. The rest of the rooms are located in the city hall, the former Royal Posite of the 18th century.

SOLA 1: Paleolithic and Neolithic, with legal and ceramic tools. Iberian culture of the city-state of IPOLCA, with ceramic red bands, cinerary urns, bronze exvotes, coins and Iberian sculptures.

SALA 2: Roman culture of the Ibero-Roman city of OBULCO, with tombstones, ceramics, coins, Corinthian capitals of Obulco and Roman sculpture.

TERRAZA: Magnificent views of the countryside of Jaén and Córdoba. Location of the various fields of Porcilla (Cerrillo Blanco, Alcores, City of Obulco, etc.).

SALA 3: Ibero-Roman culture, with development of vertical themes (sculpture, economy, rites, etc.).

It includes a guided tour of the Archaeological Park of Cerrillo Blanco, where an Iberian sculptural ensemble was found that for its number of pieces, as for its enormous artistic quality is the most important of the Iberian sculpture.

The museum manages several musealized deposits: the prehistoric fortified remains of the Los Alcores (III- I millennium) and the archaeological site of Cerrillo Blanco (a funerary building of the 7th century BC with 24 tombs of inhumation in posa, where an Iberian sculptural group of the 5th century, exposed in the Museum of Jaén, was buried in large graves) and the site of Obulco (it shows the remains of a main street with Roman houses of the 1st century AD).

It was opened in December 2010 thanks to an agreement of the City Council of Canena with the Telefónica Foundation, which yielded many pieces and equipment from the previous historical-technological collection of the Foundation in Madrid (in the building of Gran Vía), which was dismantled in December 2007. The Canena Telecommunications Museum shows equipment, many of which are in operation, covering almost all telecommunications disciplines associated with the telephone service: terminals (both old and modern phones, including a pay-with-coins phone booth), switching, transmission, cables (some submarines), radio, satellite, external floor telephone posts, etc.

It has various exhibition spaces distributed on two floors and dedicated to manual and automatic switching, terminals, urban and interurban networks, data transmission, radio, satellites, mobile, electronic and regulatory components.

The museum, considered a Good of Cultural Interest, is divided into several spaces; three buildings that house different models of almazaras, a garden of olive varieties from several countries and the Bodega.

Along the route of the visit, steps are shown to obtain the oil, from the most traditional methods of olive cultivation to the modern marketing and packaging processes.

In the museum you can know the characteristics of olive oil, value its properties and deepen the different aspects that define its quality, gradation, color, etc. You can also physically know the different varieties of olive trees, as it has a garden with trees of each variety, but it deserves special attention, a 19th century winery known as the "Cathedral of Oil." In addition, the complex has a conference room for 230 people. Oil caters are made for groups, tasting and other activities related to the olive tree.

The current number of pieces is 449 and are classified in the sections of: acoustics, heat, photography, mechanics, chemistry or technology. You can also see archaeological pieces of Martos and his region that was gathered in his work as local scholar Father Alejandro Recio. Its library also includes archaeological topics from all over the town.

On the basis of the fact that it was the Archaeological Museum of La Carolina and continuing the previous trajectory, this museum centre was opened in 2011 to gather, preserve, investigate and transmit the historical cultural heritage and the testimony of the human communities that have lived and left their mark on this territory, a land so linked to mining and to the despeñacolos parade.

An important and exceptional collection of all types of objects, together with the achievement of museum and multimedia resources, allow us to know the physical characteristics of the territory and the uniqueness of its natural environment, as well as to make a chronological journey through its history, from the first vestiges of human remains in the Paleolithic, to practically today. Highlighting stages as important as the Spanish-Roman mining, the period of creation and development of the New Populations as a colonizing project of Charles III and the intense contemporary mining activity that ended at the end of the last century, traces all so present in the collective memory of its inhabitants.

On the other hand, the Museum of La Carolina offers a wide range of temporary exhibitions and activities, both in the museum itself and in the territory.

The Museum is divided into seven rooms:

1. "Narciso Mesa Fernández" Culture Hall with conference room, Galdurian theme library and authors and the "Saudi" Phototeca and video library since the mid-19th century.

2. City History Room.

3. "José María Balboa Ruiz" room dedicated to popular arts and customs with the reconstruction of a house and various trades.

4. Room "T.E. Traschina." Dedicated to popular arts and customs, with spaces for popular religiosity, media and historical memories.

5. Hall of the spartum crafts and olive culture.

6. Temporary exhibition room.

7. The "Brilop" Naif art museum that collects the pictorial legacy of Blas T. Rivera López.