It is built in gilded masonry and seen silery, and the set presents basilical plant with half-point arches on quadrangular pillars with achaflanated corners.

In the interior of the Hermitage you can admire, along with the elegance of its three ships, the altar and the paintings of the Camarín de la Virgen, the work of the artist Palma Burgos, said Camarín is located in the tower of tribute and covers it a half orange vault on the pechines. In addition, we can see the magnificent roof, remodeled in 1999, which evokes the old and original wooden mudejar, which had sunk in the 18th century.

From the outside you can see the structure of the torreon that belonged to the Arab fortress, for its suitability they were blinded vain and saetera. In 1781 the bell tower was raised and in the mid-20th century the swordsman was raised.

Every year from 1 to 3 May we celebrate the rosemary in honor of our Patrona, The Virgin of La Estrella, declared of tourist interest in 1985, in the Llano of La Estrella, as we call the naveros popularly to the place where the Ermita is located.

The ships are separated by half-point arches located on Tuscan columns, the central one is covered with half-barrel vault and the sides with edges vaults. At his feet we can observe a high choir.
The presbytery is rectangular with a half-orange vault on the breast, these are decorated with stucco motifs distributed by the arches. The cornices and pechines serve as frames to paintings of the tetramorphous (four evangelists). This hermitage is also equipped with a shrimp in the background, it belongs to the 19th century and is neoclassical in style. It has an oval vault, which has radiated intrados and four radial objects with glass windows.
The central altarpiece, from the 19th century in a neoclassical style, has a single body with a half-point arch, in which the figure of Jesus Nazarene is framed the work of sculptor Gabriel Borrás, on the left side of a basement appears the figure of the Immaculate of 1.55 m in a baroque style of the 18th century. The image of Our Father Jesus is from the 20th century, specifically from 1939. Jesus appears with the cross at a slightly curved, with a barbed head and a hairs of abundant meline, dressed in a carved robe. During Holy Week and September 14 (Jesus Day) you saw a rich golden-thread embroidered robe dating back to 1904 and belonging to the old missing image.
Ntra's altarpiece. Madam. Of the Dolores it belongs to the 18th century, of Baroque style, its state of conservation is good, consists of a single body flanked by salomonic columns that support an attic where a canvas is inscribed that represents Christ dead with great perfection. In the center there is a garden with the figure of the Virgin of the Dolores dressed in black velvet mantle embroidered in gold thread of great value. This image was restored in 2006 by Don José Luis Ojeda Navío, who attributes the size to the Neobaroque Sevillana School of the 17th century.
The 18th-century, Baroque-style altarpiece of the Child of the Ball consists of a single body separated in three streets by Corinthian pilasters, among which there are vain images. In the central furnace the child of the ball appeared, although at present there is an Immaculate. In the left-hand garden there is Saint Joseph and on the right there is the Virgin of Fatima. It is crowned with an attic where it is represented in oil painting on the canvas "The Dream of Jacob."
Finally, the front of the 18th century Altar de la Ermita and Baroque style, consists of rectangular plates of red marble of Cabra that are decorated with a cenefa where a drawing of points is inscribed. In the center of the piece is the Franciscan shield. The 19th-century Pulpita de la Ermita and neoclassical style, is composed of a balaustre on which a hexagonal rostrum rises. The whole set is decorated with forged motifs of the school of Andújar. The former Convent of Jesus, which was the seat of the College of the Sisters of the Cross, is located in this Hermitage.

The hermitage of the Virgin of Remedies is located in Canena, in the province of Jaén. Its construction began in the late 15th century and was completed in the middle of the 18th century thanks to alms as indicated on the facade. It is a rectangular temple with half-canyon cover. It has
access through a door with a half-point arch on vault imposts with a venerated bannin of James the Apostle. The entrance is protected by a small cancel with three more lower-than-usual carpanel arches supported by two dosic columns on plintuses.
The late-baroque swordsman of beautiful bill is crowned by a beautiful cross of wrought iron of the 18th century. It was completely restored in the 1980s.

It is an elongated plateau in the north-south-west sense that presents in all directions abrupt slopes. It has dimensions of 500 meters on its longest axis, about 270 meters on the narrowest side and an area of about 10 hectares.

Archaeologists especially highlight their landscape values with an indigenous vegetation of oak and other species of the Mediterranean mountain.

The site has been the subject of some limited archaeological interventions and the general lines of a Master Plan to address the comprehensive treatment of the site from research and protection to dissemination and value, even though only progress was made in this regard.

The realization in Cabeza Baja of an emergency excavation in 1986, motivated by the increase and extension of the archaeological expolio, offered a series of key archaeological data to define the entity of the site. The data obtained in the excavation indicate that the oppidum of Cabeza Baja de Encina Hermosa is founded between the end of the third century BC and the mid-second century and develops a population that must follow the typical Iberian urbanism of the Alto Guadalquivir.

The first continued occupation of Cabeza Baja (early S.II and final of the S.III BC) was probably by contingents of tubular origin arrived from Obulco, although no other nuclei such as Iponoba, Tucci or even the Iberian nuclei of Alcalá la Real should be excluded. The excavations pointed to the existence of various structures; the existence of an Iberian wall around the plateau was demonstrated. The thickness of the wall can be estimated at 3 meters.

The finding of a level of fire was identified as a possible cause of the abandonment of these units.