From its monumental heritage we detail:

• Parish Church of the Assumption. Data from the late 16th century and early XVII years. In it are mixed the baroque and mannerist styles. Its interior is Vandelvirian, of almost square floor, four large pillars divide it into three ships; the decks are vaulted vaults and of the edge, highlighting in all of them a delicate mannerist decoration that augurs the end of the Renaissance, no doubt traces from the followers of the Master, perhaps Alonso Barba. At the foot of the temple is the choir with baroque silery of great beauty and quality. The sacristy with the shield of Bishop Andrade and Castro is baroque. On the side of the main façade is a body for parish dependencies and its small tower compared to the rest of the building. The church keeps a dazzling wealth. Cartons, rolls and heraldic motifs, but the the greatest treasure is the sacristy and the set of ornaments and liturgical pieces it hosts. It has a table of black marble and abalastro of the 18th century with huge walnut drawers with excellent stems with magnificent Renaissance reliefs, dated in the early years of the 16th century, as well as an important goldsmiths: crosses, custodians, chalices... and liturgical dresses.

• Walls and Arches. The wall of Iznatoraf was an imposing fortification built in masonry of Arab origin, consisting of eleven fortines and nine doors arches to facilitate the entry and exit of the enclosure, made in irregular masonry and argamase. They are covered with arches of half-point imperfect trace and vertebra the inner space. Some 500 metres of the wall of the ancient Arab fortress, as well as several of the access arches and ten of the eleven towers that were at that time, are preserved. In the popularly known as Castle or house of Ali Menon, We can admire an authentic Arab bass made up of ceramic conductions and, within it, an aljibe. The remains of the The Gate of Arms and the Gate of the Virgin of the Postigo, composed of half-point arches with wooden beams and double brick arches inside, they are among the few such samples that are preserved. The Gate of the Virgin of the Postigo was declared Historical Monument in 1985. From the end of the 16th century, the exits and entrances were carried out through the various doors of access to the intramuro core: Puerta del Campo, del Arrabal..., the latter, also called the Royal Gate, is of Renaissance style, raised in line with the wall, with a half-point arch of quarry on imposts on its outer side and irregular silery as a whole. Inside it, it has a half-canyon vault with a hornacino that welcomes a relief of the Virgin, classicist, framed by small pilasters and cornices, also of irregular silery as a whole. The urban wall of Iznatoraf has been declared in 1985 Good for Cultural Interest.

• Hermitage of the Christ of the Vera Cross. The hermitage is a religious building built between the 17th and 18th centuries. It was rebuilt in the 19th. Its plant is of Latin cross covered by half-canyon vault, on the cruise it is oval and on the half-orange shrimp with the four evangelists in high relief in the pechines and decorated with baroque-style vegetable motifs. On the outside, swordsmanship and on its cover scarlet arch and smooth jambas.
  

• Parish Church of Our Lady of the Head. The church dedicated to the patron is certainly the most important of the heritage of the municipality. Built in the 18th century, in the same place where it is believed that there was a Gothic chapel of the 15th century. Although it has been restored on several occasions, it continues to preserve the profile of the religious architecture of that century. In one of the modifications was built an annexed chapel, the chapel of the Sagrarian, of the same length as the central ship and with its own access. The most characteristic element is the square-based tower with four bell bodies covering half-point arches and covered with four-water tiles. There are no data on its antiquity, some sources place it in the mid-16th century.

• Black Cerro. It is a town in the late Bronze Age. The surface of this hill is made up of four paved terraces in which you can see remains of stone constructions forming a low-height reticular surface, which defines rectangular spaces that are adapted to the topography of the ground.

• El Gato flour mill. It dates from the 1950s of the last century. This is a well-preserved electric flour mill.

Castle. Hornos was granted by Fernando III the Holy, after his conquest in 1239 to the Order of Santiago. The time at which the castle would be built, probably on an earlier Muslim fortress from which the aljibe is preserved.

Of a purely defensive nature, the trapezoidal shape set is built with small masonry. It is made up of a magnificent Tribute Tower, three slender torreons square floor and the outer wall of a room that closed the courtyard of arms.

The Tower of Tribute in square shape and rounded corners, something common in the constructions of the Order of Santiago, has only one entrance at half height.

In its interior two overlapping rooms supported by vaults and communicated by a staircase carved in thick wall.

By the end of the 20th century, the rehabilitation of the castle that was very damaged began. After many attempts, in 2011 the works of their total restoration were completed. It has been declared Good of Cultural Interest in 1985.

Located inside the castle you can visit one of the most important tourist resources of the area as is the Cosmolarium.It is a centre for the dissemination of astronomy that consists of a digital planetarium, with a dome of 8 meters in diameter that shows enveloping audiovisual productions, complete exhibition rooms on the Universe, spaces for workshops and educational games, as well as a terrace for astronomical observations.

Parish Church of the Assumption. Data from the first half of the 16th century. Its construction follows the style of the Order of Santiago. Of a square floor, with one ship and side chapels, it is divided into three square sections separated by fajon arches.

The decks are gothic, the 16-century renaissance-style altarpiece as it is recorded. The cover is one of the first plateresque in the province of Jaén, although it is currently damaged by time.

The tower stands out for the gargobles of the cornice and the Gothic crest of the mast. We can say it's a magnificent example between Gothic and Renaissance.

In it was found the ornamental vessel in the form of a Nazi-style amphora, with motifs glazed in blue and gold on white enamelled background that is preserved in the National Archaeological Museum.

The Villa Gate. It's a door on the wall dating back to the 11th century. It is built in elbow to make access to the enemy difficult, which makes you think of a mothade origin. Made of masonry and red brick in the vaults, as well as a small window of the facade. Declared Good of Cultural Interest in 1985.

Bujaraiza Castle. It rises on a the island in the waters of the Tranco reservoir. It is a small fortress formed by a walled polygonal enclosure and a tower of tribute. It is built with small-size masonry yarn, with lime mortar. Declared Good of Cultural Interest in 1985.

Tower of Bujarcaiz. It is currently submerged under the waters of the Tranco reservoir. It was part of the surveillance system of the Hornos castle. It is a square floor construction and a troncoconic form.

Aguilon Viewer. Located next to the City Hall shows one of the best views of the Natural Park and an impressive view of the waters of the Tranco reservoir.

In his artistic heritage we highlight:

• Church of San Marcos Evangelista. Built in the late 17th century, it is the most remarkable building in Hinojares. It is an austere construction that stands out by the rotunity of its volume, marked by the white of its walls, with few and reduced voids, whether circular or rectangular and a side access door with no ornamentation. It completes a bell tower, simulating a swordsman, placed on the wall that links the header with the rest of the temple body, closing the strip that borders the only ship. Inside it is adapted to the shape of a Latin cross and has a Renaissance altarpiece and a baptismal pile of white marble to which the parishioners have in great esteem.

• City Council. It is the same line of architectural austerity, and without concessions to decoration and aesthetics. It has three heights and intoned holes, the most outstanding is that of the balcony on the first floor, in vertical line with the access door and crowned by a small attic with a watch that imitates that of the municipalities colonized in the 18th century, although it is not located in the center, but on one of the sides of the building and on which a small bell is installed.

• Urban helmet. Urbanistically this municipality has not been configured with prior planning. It is a set of traditional houses whitened and covered in two waters with Arab tiles, with small verticalized holes to avoid the rigors of winter and adapted to the simple habits of the inhabitants dedicated to the tasks of hunting, pastures and agricultural, and in more peripheral positions, houses with floor structures, with a maximum of four heights and roofed to four waters. Of great ethnic value are the "casas- caves"which have become a defining element par excellence in the people of Hinojares. Built without having to take the hands of architects, the forms and volumes depend to a large extent on the characteristics of the rock in which they have been excavated and on the originality and needs of the building. The caves, located on the slopes of the hills, in the canyons and in the rails, with an anarchic distribution, with their curved lines, lime, vaulted ceilings and chimneys, make up an interesting set of uniqueness. Its architectural originality, its temperature (18 ° C to 20 ° C, so no bedding is necessary) and its welcoming, intimate and rustic environment have made them a very appreciated habitat.

We highlight its architectural heritage:

• The Parish Church of the Immaculate Conception, which shows several architectural styles, due to the time from the beginning to the completion of the construction. It begins its construction in the 13th century, with Gothic characteristics, and most of it is finished in the late 15th century in the purest Renaissance style, finishing its works in the 18th century in Baroque style. Of rectangular ship, vertebrated in five sections with arches on semi-pillars. On the sides are open chapels covered with half a cannon. The presbyterium has flat tester, covered with a half-barrel with lunetes and is accessed through a half-point arch on pillars with entrenches. At the foot of the temple is the tower, which is Renaissance, built in shillery. Square base and hollow for bells. Also highlight its two Renaissance covers.

• Tower of the Tercia. It is an impressive cubic structure located in the centre of the village, which could be identified as the tower of the Tribute of a castle built by Christians in the 13th and 15th centuries. This castle was able to replace an ancient Islamic fortress. It has a square floor and in its interior two rooms are kept covered with half-barrel vaults pointed. It has been declared Good of Cultural Interest in 1985.

• Castle of the Laguna or Zarracotín. Located in the north and about three kilometres from Génave, in the direction of Sierra Morena. It was raised by Muslims between the 11th and 13th centuries, being for them a fundamental enclave in the Christian conquest. The remains of a tower built in a rectangular-floor argamase tapial are now left. Its structure and technique is similar to other strengths of the Sierra de Segura. Internally, it must have had at least two overlapping rooms. It was declared Good of Cultural Interest in 1985.

The skyline of Chilluévar stands out by the tower of the parish church Our Lady of Peace and the brick fireplace, known by the Goblin, the rest of an old factory linked to oil.

• The parish church Our Lady of Peace is the work of the architect Gómez Luengo and was completed in 1949. Inside it preserves an 18th-century baptismal pile.

• Tower the Goblin. The slender brick fireplace that seems to challenge the softness of the hills belonged to an old oil mill.

The different cultures have been leaving their tracks in the municipal term Chilluévar. A good example of this is the remains found in the village of Las Almansas, from the second and third centuries, in the Roman era. These remains are guarded at the Jaén Provincial Museum.

2.5 km. of the city centre, the Roman bridge on the river Cañamares, with a single eye through a half-point arch and vertical parameters, is one of the best preserved cultural legacies in the municipality.

Other remains that reveal the presence of past cultures, is the Nubla turretlocated on the left bank of the Cañamares River at its mouth on the Cerezuelo River.

Cazorla, at the gates of the Natural Park of the Sierras de Cazorla, Segura and Las Villas, is a lesson of how man and nature have forged an alliance that comes to this day. Its rich cultural heritage includes places that cannot be lost.

The castle of the Yedra, whose origins could be Muslims, perhaps from the Almohad era (12th century), although throughout the 13th, 14th and 15th centuries Christians finished giving it their definitive configuration, which explains that in many of their inner stays the Gothic style predominate. The tower of tribute houses the Museum of People's Arts and Costumbres of Alto Guadalquivir. It is a place where you can learn more about how the ancestors lived on these lands.

From its enclave, 831 meters above sea level, it is seen the town of Cazorla and its surroundings.

The ruins of the church of Santa Mariaa sample of the Andalusian Renaissance. It is very likely that its author was Andrés de Vandelvira, as many of its elements can be recognized in the temples of its author located in Ubeda.

It is built on the Cerezuelo River, which was forced to channel previously, and which enters a large visitable vault under the main altar, across the whole church, to follow its course under the square of Santa Maria. It is very likely that the church was never fully completed and that the serious damage caused by the terrible storm and flood of 1694 would further make it difficult to complete it. It is the only church built on the bed of a river.

The City of Cazorla currently houses the Municipal Office of Information and Tourism and the Multipurpose Spacewhere concerts and shows are held.

Its historical and monumental heritage highlights:

• Church of Our Lady of the Assumption: It's the most important of Benatae's buildings. The temple responds to the sacred Levine architecture, which could be due to the fact that, during the period of configuration of its factory, it belonged to the kingdom of Murcia, a situation that lasted until the suppression of the Military Order of Santiago. Construction started in the 15th century and ends in the XVII, which causes architectural elements of the Gothic, Renaissance and Baroque styles to exist. The cover, next to the epistle, is of sillery, with a half-point arc with convexa molding through the intrados. It is framed in a potter that rests on Gothic moldings. The tower of irregular silery has a characteristic form: it is quadrangular and three times longer than widewith holes at the ends for the bells. The plant is of a central ship in the form of a rectangle divided into three sections. The presbyterium appears behind a pointed chest arc. The altarpieceIn the wood, it is organized in three streets and in the central one is found the image of the Immaculate in a furnace.

• Cardete Castle: In the Islamic era, Benatae would have as a refuge the nearby fortress of Cardete. The enclosure is an irregular trapezoidal construction, with a troncopyramidal tower on the lower side reaching 14 m high. It was declared Good of Cultural Interest in 1985.

Other monuments:Semicircular bullring square, where in addition to the cobblestones and taurina parties are held competitions of the characteristic game of the Sierra de Segura, the serrano bowling, a hermitage consecrated to San Ginés and in its municipal term the Castle of the Fuentes, declared Good of Cultural Interest.

Few villas may presume to have been a source of poetic inspiration from some of the most universal literates. St. Teresa of Jesus, St. John of the Cross or Francis of Quevedo were captivated by the places they found in Beas de Segura, the main population core of the Sierra de Segura, with a strategic location and a legacy full of history.

The municipality also belongs to the pedanias of Cañada Catena, Cuevas de Ambrosio, Cazona, Los Santiagos, Cortijo de las Piedras and Prados de Armijo among others. Arroyo del Ojanco also belonged to Beas de Segura, until its segregation in 2001.

It is the most inhabited municipality of the Sierra de Segura region, also one of the entrance doors to the Natural Park on the road A-314 (Segura-Cortijos Nuevos), once the National 322 (Crta. Cordoba-Valencia) has been abandoned.

Beas is a bridge that links the Campo de Montiel with the Alto Guadalquivir and forced passage from Baja Andalucía to Levante. Its name comes from the Latin term Veha which means way or way, because it is located at the crossing of three Roman tracks that are headed for the Sierra, the Levante and the County. It's across the Beas River.

It has 35 archaeological sites in its term that give proof of its history. In the urban centre we will find medieval architecture, historical of the late 19th, etc. Beas de Segura also has villages that are a delight for the visitor.

We highlight the following points of interest:

• The Carmelite Convent.Here was the first foundation of St. Teresa of Jesus in Andalusia in 1575. Three years later, San Juan de la Cruz arrived. A Renaissance style in his church stands out as a major altarpiece.
• Mocchio Bridge.Located on the Guadalimar River, this bridge that belonged to the new Via Augusta, is made of limestone masonry. Paleolithic materials have been found nearby. Divide Beas from the neighbor Chiclana de Segura.
• Church of the Assumption.It is of medieval origin, but was rebuilt in 1825 after the burning it suffered years earlier. In the 14th century the chapel was built where the gentlemen who made the incursion into the Nazarite territory of Granada were buried.
• Uceda Street.The historical architecture representative of the 19th century is altered in this way with neo-Arab elements with classical and Renaissance lexicographs. To highlight another house with califal references with horseshoe arches and scones.