From its heritage we highlight the following monuments:

• Church of Our Lady's Nativity. It dates from the 15th to the 18th century. It is made up of a three-ship plant. A previous one is preserved Mudejar chapel from the 13th century, at the foot of the temple with an outside entrance door. The current altarpiece was made in 1961, as the previous one was burned in the Civil War. There was a major altarpiece of the school of Alonso Berruguete attributed to Sebastián Solís, which was burned during the Spanish civil war. The present one was performed in 1961 by the talented master Mariano Piñar Ferrer. The chapel of the Rosary, located in the northern part of the left ship of the temple, stands out the plaster of its vault as an example of the Andalusian rock art of the 18th century.

• City Hall. The building of the Conistory House dates from the 18th century, and it is located in the corner with two facades. It is a large building and presents its two facades with silery stone, on two floors high. In the main facade shows its cover, where a half-point arch-finished hole opens, framed in two-fold semi-columns. A ledge separates it from the top floor where a balcony opens. The left side is composed of three half-point arches on ground-floor columns, and intoned holes on the upper floor. Next to it is a tower, on the upper body it shows a watch and above it is a bell.

• Fachada from the chapel of the cortijo of San Nicolás. It is attached to the City Hall building. Baroque style, It consists of a cover of silery with a half-point arch flanked by two double pilasters, a second body with baking and a third one that overcomes with swordwork.
  
• Press of the Tower old oil mill press. Possibly from the 17th century, currently located in the park of Guadalquivir.
  
• It has a archaeological site of the Roman era in the Hermitage of Santa Potenica, next to the Guadalquivir River, as well as two hermites, that of San Marcos and that of the Holy Christ of the Humiliadero.
  
• The parish church of theImmaculate Conception, shows in its arches and Gothic pillars that origin, although it is transformed in the first decade of the 17th century. Hence its elegant classic cover and the tower with a beautiful chapiel.

- Parish of the Assumption.It's the most important monument of Villacarillo, is a proud building built between the 16th and 17th centuries, in which the last forms of the Gothic and the first manifestations of the Renaissance coexist. It is one of the great works of Andrés de Vandelvira, who set up his first home here, married the neighbor of this city, Luisa de Luna, and had seven children. The construction works begin in the year 1540, setting up the Vandelvirian project on the primitive medieval castle of Mingo Priego, part of which is integrated into the upper dependencies of the temple, now converted into a museum.

The Church of the Assumption is extraordinary for the uniqueness of its volumetric profile, the inner spatial grandiosity, the originality and beauty of its vaults, and the integration of medieval traditions into Renaissance classicism. It is one of the most significant churches of the Renaissance in the diocese of Jaén. National Monument since 1931. The interior is of basic and three ships with the same height separated by high and slender pillars that complete the feeling of a monumental set. Even with Gothic resabies, visible on the pillars and side ships, it shows what will be the idea of a Christian temple that Vandelvira has, dominated by vaults of a vanish type. On the side walls, hornadine chapels are opened, which are covered with nerve vaults.

The Central cover It is formed by a beautiful succession of half orange domes with lanterns on decorated breasts. We can imagine Vandelvira and his assistants during the first years of the construction of this church, large wooden scaffolding, the noise of the quarries, piles of stone to be turned into armchairs and the caleros selling lime for the argamase. Without a doubt, the most curious image should be the perplexity of the elderly, seeing such thin pillars on the sides of a great central ship, nothing to do with the churches of the area, or the recite Sanctuary of the Virgin of Fuensanta, in the nearby Villanueva of the Archbishop. Very important will be all the pictorial decoration of vaults, The work of Peter of Raxis, mainly dated from 1575, representing scenes of the Old Testament and the Passion of Christ.

The altarpiece, Baroque, by Juan Gómez Lobo, from Toledana, in 1670; Chapel of the Christ of the Veracruz, with his baroque shrimp of the 18th century and the Sacristywhich begins to be built after the temple is finished at the end of the 16th century, in which Alonso Barba must intervene, on what had until then been a parish of Santa María del Castillo of Gothic style. It has a rectangular floor, with a cover divided into three sections with vaulted vaults.

The Puerta de Sol and Door of the Umbria are the main accesses to the temple. The tower designed by Vandelvira is quadrangular, topped by a body of bells, crowned by a regular octagon and petreous cone and located on the right side of the main door, Puerta del Sol, its height is 56 meters. The climb of stairs is helical. In Parish Museum of La Asunción the collection of baroque goldsmiths of the 17th, 18th and 19th centuries, as well as misals, bibles, casullas, etc.

- Church of Santa Isabel de los Angeles is one of the most important monuments of Villacarillo, of Renaissance style. It is located on Ramón and Cajal Street, popularly known as "Cuesta de las Monjas." Old Franciscan convent, built in 1645 and made by the architect Juan de Aranda Salazar. The interior of a single ship with a barrel vault, with high chorus to the feet and remarkable frescoes that are attributed to the village of Escudero de la Torre. The baroque-style golden altarpiece has salomonic columns that are decorated with grapes, sardines and glass leaves. The facade is made of stone with irregular armchairs and a simple three-body swordsman.

The cover, elegant and classic, with a garden in which you will find the stone image of Santa Isabel of Hungary. In 1812, a solemn act of swearing of the Constitution of Cadiz, popularly known as "The Pepa". The building attached to the church was a closing convent until 1737, a public prison during the French occupation and, from 1884, a hospital to which the services of the former San Lorenzo Hospital were transferred. Between 2012 and 2013, a number of work has been done to recover the damaged church areas. Today it houses several municipal units.

- Municipal Public Library. It is a 19th century building considered of high value, with two floors of height and marked modernist and eclectic character in its architectural concept. Inside, the staircase and the entrance fireplace stand out. Also, the decoration of the ancestors of the low windows and balconies is remarkable.

- City Hall. In a neoclassical style, it was built in the 19th century, with horizontal façade with three clearly differentiated floors and regularly distributed vain. It highlights his cover.

- The House of Inquisition. Located in the old town, on Repullete Street, it is a historic three-storey building built between the 16th and 17th centuries. The original facade, the grating and the rise of the gilded stairs with shields of the Holy Office of the Inquisition and a pontored cross are preserved.

- La Feria Streetthe main artery, in which the best examples of domestic housing are located, particularly bright in the casas- palaces like the House of the Rubials; Palace of Cardinal Benavides; Courts; current House of Youth and below we find that of the Regil, of the 17th century, which must have belonged to this family of quarters who also worked in the church.

- Vandelvira's house and bust. On the side of the church and on Vandelvira Street there is a house, at number seven, which is held by the house of the master in Villacarillo and a bust tribute to Vandelvira.

- Anti-aircraft shelters. They were built in the middle of the Civil War in 1937 to protect the population in the event of air bombardment. They never got used. They have subsequently served as a food store. In 2018 they were rehabilitated to be included in the city's heritage. The shelters and the Parish are within the program "Hidden Treasures" de la Loma and Las Villas.

- Archaeological settlements. Villacarillo is prodigy in archaeological discoveries that shed light on the successive peoples and civilizations who chose their territory to settle. Many of them are concentrated in the Turruñuelos fieldwhere the human presence has been documented, and almost uninterruptedly, from the Copper Age to the Roman era. The Castellones de Mogón, place located on the right bank of Guadalquivir, have documented the existence of a village appeared in the 6th century BC, From this place comes a relief known as the Domador de Caballos. The ceramic elements located west of the mouth of the Arroyo Del PocicoThey say it would be a necropolis.

- Other interesting constructions are the bridges in Villacarillo and Mogón, as well as the hydroelectric power plant of the Duende or the Gardening Mill of the Pepper in La Caleruela.

- Almazara Tourist Agricultural Cooperative Ntra. Mrs. del Pilar, the largest of the province and surely of Spain, built on a plot of 160,000 m ² located on the outskirts of the municipality, includes a factory of 12 production lines and more than 11,000 m ², four industrial ships, several wineries and a social building of 2 floors, with 1,800 m built.

Valdepeñas de Jaén, founded by Carlos I, shares with Mancha Real and Los Villares, being one of the paradigms of the Renaissance urbanism, inspired by the theories of the trattadist Vitrubio.

Its urban morphology had to adapt a reticular route to the irregular orography of the hill on which this municipality is based. The city centre was located in the most flat part with a large trapezoidal square where the most emblematic buildings are located.

• Parish Church of James the Apostle (s. XVI-XVII). Located on one of the corners of the square, it stands out both by height and volumetric, following the rules of Vitrubio that the most representative building must dominate the urban whole. Its cover, located not at the foot of the temple, but laterally to the square, opens with a simple half-point arch on which goes a second body with veneer intended to host the image of the saint holder. Built in the 16th century, in a Renaissance style, it is evident in the classicism and simplicity of its cover, in the proportionality of the tower and in the clarity and internal spatial amplitude.

• Sanctuary and Hermitage of the Christ of Chircales. The origin of this sanctuary goes back to the Middle Ages. Located in the Chircal area about 20 km. of the city centre. On the first Sunday of May there is a pilgrimage to this sanctuary.

• Mill Museum Alto de Santa Ana. It is a hydraulic flour mill of medieval origin. Restored in 2001, and in operation, it houses an ethnographic museum, of popular traditions and customs.

• Santa Ana Bridge. Of possible medieval origin, also called the Dehesa or the Hundidero. Built in stone toba armchairs of the town, it has a single arch, under which they cross the waters of the river Ranera, tributary of the Víboras.

Other monuments of interest are: the episcopal residence, reformed in the 17th century under the inspection of Eufrassio López de Rojas and converted into episcopal headquarters when the Augustino bishop Fray Diego Melo of Portugal took refuge until his death in Valdepeñas; the Hermitage of Our Lady of the Angustias of the Parrizoso (on the banks of the Quebrajano reservoir) and the Hermitage of San SebastiánIn the old Egido, it has an attached cemetery.

Ubeda has a beautiful monumental and cultural heritage that makes it a fundamental destination for those interested in the Renaissance architecture.

From its heritage we will highlight the excellent degree of conservation of many of its buildings, which still keep details of the time as can be the doors of claveted wood, the iron aldabas, the lanterns and the bars.

It covers such a number of monuments, churches, palaces and master houses, that it would be difficult for us to list them here to the full. Among its most notable monuments of Ubeda are the following:

Historical center:

• Plaza Vázquez de Molina
• Sacra Capilla Funeraria de El Salvador del Mundo
• Basilica of Santa Maria de los Reales Alcázares
• Palace of Vázquez de Molina or Palace of the Chains. Current City Hall and houses the Andrés de Vandelvira Interpretation Center
• Deán Ortega Palace. Current National Tourism Parator
• Hospital de los Honrados Viejos de El Salvador
• Palace of the Marquis de Mancera
• Vela de los Cobos Palace
• Church of San Pedro
• Church of St. Paul. Located at 1 May.

Barrio del Alcázar, San Lorenzo and Santo Domingo:

• Casa de Las Torres
• Palace of the Medinilla
• Church of San Lorenzo
• Church of Santo Domingo

San Isidoro district:

• Santiago Hospital
• Palacio del Marqués de la Rambla
• Church of San Isidoro
• Church and Convent of the Most Holy Trinity

Barrios de San Pablo y San Nicolás:

• Church of San Nicolás de Bari
• Convent of the Immaculate Conception. It houses a museum.
• Casa de la Tercia - Olivar and Oil Interpretation Center

Barrios de San Millán y Santo Tomás:

• Valencia Street. Numerous craft workshops to visit.
• Church of San Millán
• Palacio Francisco de los Cobos

Route of San Juan de la Cruz:

• Convent of San Miguel and Oratorio of San Juan de la Cruz

In addition to these interesting attractions, we suggest a visit to the walls to contemplate the extraordinary panorama obtained from them.

• Church of Santo Domingo de Guzmán: It is found in a steep terrain, sustained by contrasts that draw eight arches of stone seen. The Renaissance church was built between the 16th and 17th centuries. Inside it extends into a single ship divided into three sections, covered by vaulted vaults. There is a chorus at the feet and chapels of baroque tardo style with venerated images at local Holy Week. One of the baptismal batteries of the temple is of Mudejar Gothic style.

• The Palace of the Cobos: The call of the Marquis de Camarasa was built in the 16th century, the works were to be completed in 1565, as it appears in the inscription of the friso on the cover. Renaissance style, remember the splendor that the people lived from the moment Carlos I sells it to his secretary D. Francisco de los Cobos. The cover is divided into two bodies by an injunction. At the bottom is a half-point arc with acanto highlighted key and framed by acanto pilasters. The upper body is crowned laterally by two vases on pedestal and in the center a shield with a dome and cross of Santiago between columns decorated with reliefs. In 1997 it was included in the catalogue General of the Historical Heritage of Andalusia.

• The Church of the Holy One: It is made up of stone and built in the 20th century and consists of a single ship with presbytery on steps and chorus at the feet. The exterior is very simple and the main facade finished in hastial. Of this Church we are interested in its interior where it is preserved an oil on canvas with the iconography of Ecce Homo of the 17th century: a sitting Christ that responds to the baroque aesthetics of the dark, another 18th century oil of the Divine Pastor of popular theme and great chromatic contrast and of the 20th century, a wooden size of a Crucified, with careful anatomical study.

• The Cave of the Morron: It is one of the great Paleolithic-era rock sanctuaries they are located in the Alto Guadalquivir. The paintings are in a small room in the Cave. These are two different chromatism, one red and one black. It is very likely that we are facing a sanctuary in which the paintings have a magical propitiatory purpose for hunting, which was the main means of life of the surrounding populations. These rock paintings have been declared Good for Cultural Interest.

On the outskirts is "The Bridge" which is as popularly known the bridge that Andrés Vandelvira built in 1565, on behalf of Maria de Mendoza.

• Dark Towers: They are the most representative element of the urban complex of Torreperogil. They were part of the old castle - a fortress built in the 13th century, between 1230 and 1240 and which gave rise to the villa that was built after the battle of the Navas de Tolosa. At the end of the 19th century there were four towers, but at present only two are preserved. One of them is a square floor, it is accessed inside by an intellized door. It has a single floor covered by a pointed vault and it has aspillers in its paraments. The other, known as the ochavada tower, has an octagonal plant, is built of thick armchair and crowned with powerful shoes for the support of the matacans. To access its interior, it has a narrow warhead door and is given light by small saetera windows. They have been rehabilitated in recent years of the 20th century how Municipal Auditorium.The Ochavado Torreon and the Square Torreon eThey are declared a Historical Monument.

• Church Santa Maria la Mayor, also known as the Assumption, dates from the first decades of the 16th century. It is a work of Gothic tracewith a single, slender polygonal headboard, divided into three sections with starry and very high Gothic vaults. It's proven that The main vault is work of Andrés de Vandelvira, which was decorated with Renaissance paintings of the seven virtues. On the outside four powerful counterforces. It has two covers, one of them works by Diego de Alcázar, disciple of Vandelvira, It shows on the bow and central space a hornant with the stone image of Our Lady of the Assumption with the Child in arms. The main cover is attractive and great. The access with a refined double arch and on it, stone images of Santa María la Mayor and San Juan Evangelista. Inside, a magnificent altarpiece, dated 1571, known as the "Stone Altar ", the work of Alonso de Vandelvira, with a high relief that represents the Descending Christ on the Cross and the city of Jerusalem at the bottom. The altar bank conserves the 16th century Sevillian tile and on it the figure of the lying Christ. It has been declared Good of Cultural Interest with the type of monument, in 2010.

• Hermitage of the Vthe irgen of Mercy: Built between 1593 and 1634. Inside it is a rectangular-floor ship, which has been restored in 1960, covered with a half-barrel vault with lunetes and articulated with five hornant chapels on each side. The presbyterium is covered with half orange on pechines and communicates with the shrimp by means of a half-point arc on double mends. The Camarín, with baroque bills, with 18th-century gypsies, stands out. The main façade was built between 1960 and 1965, while the southern cover, of Renaissance style, was from the 16th century. The image of the Virgin of Mercy, patron of Torreperogil is an anonymous author and was sculpted in 1939, although it was restored in 1960.

The declaration of Historical set It is justified in 2005 by the presence of several monumental buildings in the old town, as well as by the medieval route.

We highlight the following monuments:

Civil architecture:

• Castle (12th and 13th centuries). The castle of Torredonjimeno was built by the Arabs to protect the population from a small rural house. It was a rectangular fortress, of medium size, which after the reconquest was widely reformed by the Order of Calatrava. The Fortaleza, of a mannerist style, is one of the most important monuments of the historical and archaeological heritage of Torredonjimeno. As a matter of curiosity, the castle served as an accommodation for Fernando III in one of his perils and, according to tradition, in the room of which he was Torre del Tribute, the commando of the Order of Calatrava wrote the first book of which the art of the bullfighting is recorded. From this book, printed in the 16th century, only one preserved copy is known in the Salamanca Library. At the end of the Middle Ages the castle became a church residence. Inside the compound we can see part of that 16th century palace house in which several of its dependencies are highlighted with polychrome potters of Mudejar style. After its restoration, the castle has become a cultural center in which much of the activity of Torredonjimeno is developed and which also houses the Visigode Treasury Interpretation Centre which was found in the surroundings of the municipality fortuitous in the early 20th century. Considered the second most important visible legacy of the Peninsula after the one found in Guarrazar (Toledo), its original pieces are today distributed by several Spanish museums. Declared Good of Cultural Interest with the type of Monument in 1985 (BOE 29 / 06 / 1985).

• San Sebastián Bridge. On one side of the missing Gate of Martos and on the other side with the pillar of the same name and it rises on the way of the Salado River.

• City Council (17th century, mannerist). Of elegant and proportionate facets, typical of the classicism of the 17th century. The facha is divided into two floors, the one below has in the center a cover and on the double sides of the intellized windows. The superior presents a gallery with 11 arches of half points supported on double columns. The open character of the gallery contrasts with the solid and sober underfloor in the style of the Italian palaces. Declared B.I.C. in 1983.

• Cube mill. It is a fortified flour mill that takes the name of the stream of the cube, is built by the Order of Calatrava in 1437. It is the largest and best preserved fortified mill built by the South Peninsular Military Orders. In this place, down to the river of the Cube, we find an area of high ecological and landscape value.

• Torres- Fortress. In the municipal term of Torredonjimeno there are numerous towers such as: Castle of the Fucovert, Castle of Torre Venzala and Castle of Torre Alcázar.

Religious architecture:

• Church of Santa Maria.Built in the early 16th century, in late Gothic style. It is a temple dedicated to the Mystery of the Immaculate Conception of Mary, of one ship, with two chapels on each side, flat tester and tower at the feet. The ship is divided into three sections, with star gothic vaults separated by pointed arches. The main facade, at the foot of the temple, stands out on the volume of the whole by the body of the torre-bell tower attached to the wall, has a small furnace flanked by two shields of the Order of Calatrava.

  The first extension of the temple is in 1671, consisting of a chapel next to the presbytery for the Most Holy. The second enlargement, in the first third of the 18th century, is dedicated to Our Lady of the Dolores. It is worth noting the Camarín, which is accessed from the sacristy. Declared B.I.C. with the type of Monument in 2010 (BOJA 9 / 11 / 2010. p. 50).

• Church of St. Peter the Apostle (S. XVI), Renaissance style, designed by Francisco del Castillo "El Mozo" and built in 1592. It is divided into three ships by sober columns of Tuscan order that support a Mudejar artisan: that of the right dedicated to the Virgin of the Angustias, that of the left is occupied by the Christ of Love and at the bottom the Chapel of the Virgin of Carmen. On the presbyterium is the fourth-sphere vault, on pechines, covered with frescoes of the Celestial Glory. The altarpiece, from the first third of the 17th century, originates from a convent of Valladolid. It also highlights the large number of pictorial works of Easter.

• Convent of Our Lady of the Piety (16th century), popularly known as "Las Dominicas." Founded by Don Jerónimo de Padilla and Pacheco around the year 1540, belonging to the Order of Santiago and with a triple function: to house a convent of Dominican nuns, to be a family pantheon for the founders and to serve as a school for homemade maidens. The church presents one ship divided into three sections, with side chapels embedded in the wall. It has double choruson the feet and on the side of the presbytery. The altarpiece is baroque from 1728. The ship is divided into three sections with star Gothic vaults and separated by half-point arches, columns and capitals. The profusion of santiaguine shells and the general composition of late and Renaissance Gothic elements are a decorative element. In the interior of the convent you can highlight the double floor cloister, you cannot visit it as a closing convent.
  

• Cerro Miguelico. On the surface of an old oppídum and taking advantage of a cyclopeia wall (9th and X century), a plateau that would be the germ of the present town of Torredelcampo is consolidated. On its west side, a cyclopoeia wall and in the south-east is still preserved a Visigoda necropolis. On the east side is the hermitage of Santa Ana.

• Church of San Bartolomé. It responds to a medieval project, still visible in the sacristy and major altar. Most of its current configuration takes place in the 16th century, involving the architects, Francisco del Castillo "El Viejo" and Francisco Castillo "El Mozo." In its bell tower is located the shield belonging to the bishop of the Diocese of Jaén. Inside it houses the Christ of the Vera Cross (16th century).

• The municipality of Torredelcampo has an ancient architectural heritage, highlighting the following enclaves, which belong to the Archaeological route of the Torreones (bike route).

• Berrueco Castle. It is located next to an old road crossing (Jaén-Arjona-Martos) of high strategic value, as attested by the settlement of Cerro San Antón. The fortress is built on a rocky exit, structured in two spaces, of which the upper one is delimited by two circular towers and one of a square floor, all with internal dependencies.

• Torre de la Muña. Located at the top of a small ameseado, it is defined as a fortification under medieval (XIV-XV century), several wall canvases and a magnificent square-floor tower, built in masonry and structure in two rooms covered with pointed vaults.

• Tower of La Aldehuela. Square floor fortification, structured on two floors covered with pointed vault. The remains of a hydraulic system used for field irrigation can still be seen next to them.

• Forgotten Tower. It is located on an Ibero-Roman settlement and next to the road from Jaén to Arjona. It is believed to date from the second half of the 13th century. It was built in the Andalusian era and reformed after its conquest by the Spanish. It has a cylindrical shape, 8 m in diameter and has a height of about 7 m., with a door located several meters from the level of the ground. It has breathtaking panoramic views, oak and complaint sketches, fountains and venerations at every step, as well as a large number of animal species, which make the mountain saw a small ecological paradise.

• Parish Church of Santa Águeda. It is Renaissance in simple and simple forms and is under the title of the Patroness of the town, Santa Águeda. It began construction in 1571, on ruins of another existing temple. The plant is a drawer, that is, it consists of a unique ship, covered with a wooden armor, according to the Mudejar tradition. The Major chapel is of rectangular base, it is accessed by a step and through a large arch of half point. Another part that has particular interest is the Tower of the bell tower, design by Andrés de Vandelvira. It is structured in three bodies, separated by cornels, and that of the bells covered with half orange domes. The factory in the whole building is a shillery. It also highlights the magnificent imaginationThe size of Saint Agueda from the 16th century and a size of Jesus Crucified from the same time stand out.

• Arab turret: It was built in 886. And the purpose was to fortify the left bank of the Guadalquivir River, and at the same time to serve as an advance to the fortress of Iznatoraf. The castle, of which a single tower remains, rises on a rocky structure and at whose foot the village extends.

• Hermitage of Santa Quiteria. The old construction, already in 1,511, is cited among the hermitage of Iznatoraf, a municipality from which it gained independence. She is the co-patron of Sorihuela and is located three kilometres from the town centre, in the area called "Cerrico Pelón." It has a single ship and lacks architectural value due to the numerous reforms it has undergone.

• Plaza de los Caños. They have their seven different cages and for the reason of origin, for the water of the four on the left is in the orchard of Moscoso, the three rows on the right are spread from the upper part of Mina Street. Its breadth and good situation make this square point of reference and guidance For one's own and strangers, no less than seven streets converge in it in vain.