The villa offers the physiognomy of past times, preserving its steep and silent streets. From its rich and varied heritage, we highlight:

• Castle.Of Mudejar origin, eternal vigil located in the highest of the village and surrounded by an old wall that still retains some turreons. The tower of tribute, which reaches 18.50 m in height and from which you can see impressive panoramic views of the Segura saw. Inside the castle we find: chapel, adarves, covered with wood and roofed in two waters, aljibe and Arab baths.
• Parish Church of Saint Mary of the Collado. It was built in the 16th century on the site of the old Romanesque temple. The Napoleonic troops set it on fire and would be restored between 1814 and 1817. Its only ship is rectangular and of vaulted roof. On the outside, his tower built with masonry. With a quadrangular plant, it has its first body with a flask and a second body covered with an octagonal pyramid on which a forged iron cross goes. He has accumulated a rich religious iconography during his history.
• City Hall. Other Renaissance paradigm, old house of the Society of Jesus. It opens with an arched arch of highlighted keys, to which they flank crate pilastras and dotal column. The second body is embellished by a curved balcony, a triangular fronton decorated with tacos and noble oval shields with plucked helmets.
• Imperial source. A monument that reflects the transition between the Gothic and the Renaissance. It is built in front of the church and dates from the year 1517. Presents a large fronton divided into three streets separated by Ionian columns. A large shield with the weapons of Carlos V. is displayed on the central street
• Casa de Jorge Manrique. The façade has a half-point arch decorated with vegetable motifs, flanked by crate pilasters and complemented by small Ionian columns. The nobility shield of arms of the Figueroa, the mother family of Jorge Manrique, was carved in stone.
• Church of the Jesuit. It is built in the last quarter of the 16th century. It has Renaissance decoration, with a half-point arch with reliefs of the apostles. This building has now been remodeled and turned into an event and exhibition room.
• Bull's Square. It is located on the outskirts of the village in the old courtyard of weapons and chivalry. It's one of the oldest and most curious, being quadrangular.
• Arab baths (hammam). Used not only for hygiene and toilet, but also as social assembly centres. They were used by both men and women, but at different times. They consist of three longitudinal ships, corresponding to thecold room, the most external,tempered and hot, the innermost. They were tied with double horseshoe arch and canyon vault with skylights. It is estimated to be built between the 11th and 12th centuries.
• Wraith and defense. Many sections of the local walls can still be observed. One of the best preserved is the water tower, It is called that because its mission was to protect a water spring that supplied the plateau. Other still preserved are: The Era tower, the School tower and the Snow well. The latter space was used to store water and snow during the winter period and then to use them through drains that existed at the bottom.
• Access doors. The way to access the Segura de la Sierra fortification was 4 doors: The New, the Gontar, the Catena and the Orcera.

• Church of Santa María del Collado. It is the main of its churches, built between the 13th and 18th centuries on another Visigode of the 7th century. It consists of three ships, separated by columns with unique visigoths capitals of the early church. The deck is made of wood. The central apse to which it is accessed by an arch pointed from the silery includes a silverware that communicates with the baroque shrimp. In its interior the plastic art: the wooden gate of the chapel, the carved wooden altarpiece and the choir's silery. In exteriumr, the two covers, one Gothic with pointed bow and the other Renaissance; the Renaissance portico with five sillery arches, supported by brick pillars on the basements of a quarry. Declared Good of Cultural Interest in 1978.

• Church of St. Stephen. It is started in the 15th century and is prolonged in the following. The medieval factory shows basic plant. The central ship is separated from the sides by half-point arches based on pillars. In his outside the masonry, the red brick with neogotic elements of the cover and the neomudéjars of the tower, to which it covers a conical polygonal dome of blue ceramic.

• Egido hermitage. The Hermitage of the Egido or the Collado, to which the legend relates to the parition of the Virgin, was built in 1624. There's almost nothing left of his primitive Romanesque trail. It is the result of reconstructions of different times. In the interior it stands out its magnificent wooden cover with armor of tradition mudejar to two waters in pair and row.

• San Esteban Castle. A fantastic look at the historic centre of Santisteban del Puerto, declared Good of Cultural Interest in 1985. Few remains remain of it or of other fortifications such as the Castle of Torre Alver or the Tower of Ero, all declared Good of Cultural Interest. Although the configuration of an altomedieval organic urbanism in its historical center has been preserved, it has been worth it that it has also been declared Good of Cultural Interest.

• Poyato Tower. It is a tower of tribute, belonging in its time to a rural castle of the 13th century.

• Archaeological heritage. The Iberian period pieces found in the estate of Perotito and are currently in the National Archaeological Museum (Madrid). In the municipality of Santisteban there are also the coats of the Cerro de la Caldera, the Alamedilla and the Morciguilla de la Cepera, and the Cave of Apolinario, all declared Good of Cultural Interest.
  

In general the villa has an excellent state of conservation, so when walking through its streets it easily transports us to preterito times.

The views from the walls or from the viewpoints are truly spectacular. Among the most prominent monuments are:

• Sabiote Castle. It was built on 13th century, Although this hill must have been a fortified place in all previous civilizations. The ancient Muslim alcazar is placed on a small mound, where it rises its signage door preceded by a pits. The current appearance of strong walls and elegant and imposing bastion is due to the reconstruction in the 16th century, Mr Francisco de los Cobos, Secretary of Carlos V., The reform was carried out by Andrés de Vandelvira and is inspired by the Italian Renaissance fortifications. Unfortunately it was Flying by the Napoleonic troops, so internally there is only one outline of what was an outstanding work of art. It has an accused military character. Its great Renaissance facade of silery and quarry, as well as the large pentagonal towers, stands out. declared Good of Cultural Interest since 1931 and its walled enclosure Historical-Artistic Set in 1972..

• Parish Church of San Pedro. The perspective it offers is oversized for a parish temple. Reconstructed in the 16th century, with a drawing of Alonso Barba, disciple of Vandelvira. The North cover It's style. isabelin Gothicbut in the south, or Puerta del Sol, the protoplatereco. A large corner arch holds all the weight of the monument in that southern part. Your magnificent tower is striking.

• The wall. That until just over a century ago surrounded the villa in its entirety. They stand its two-thirds share, as well as two of the six doors, that of the Saints and that of Granada, plus the arch opened in the 19th century.

• Convent of Barefoot Carmelites. This convent recalls the presence in La Loma de San Juan de la Cruz. It was founded on 1584 by Francisco de los Cobos and his wife, Maria de Mendoza. With a Renaissance style, it has a beautiful cloister with half-point arches and dórica columns. This cloister was designed by Alonso de Vandelvira and Luna, "Architect Mayor de Sabiote," in 1586. The church, under the title of St. Mary, was built on an earlier Romanesque. Inside it is preserved the high chorus grille, the large wooden beam that holds it and at its extremes it is viscated with angels and the shield of the Order of Carmelites. It is believed that the cover of the temple is due to the great Alonso of Vandelvira. The City Council has now rehabilitated it as a House of Culture.

• Hermitage of San Ginés. Apart from the historical core, it is dedicated to the pattern of the villa. It was built in the 18th century. It has a half-point and triangular front cover.

• Barrio del Albaicín. Of the different neighborhoods that make up the urban town, this is the one that best preserves the taste of the past, that of the old neighborhood where the streets are of pebbles worn out by hundreds of years of traffic, of gone and coming, where each house has its own history.

• The Parish of Our Lady of the Assumption: Built between 1565 and 1576. The building responds to the premises of the school of Vandelvira: centralized plant, predominance of vaulted vaults and flat tester to which you can access through a dental arc. The author introduced Mannerist compositional elements, especially on the covers, with initial Renaissance design. The inner space is divided into three ships, divided in turn into two sections, by cylindrical pillars of a dórico-Tuscan order raised on a square base and flat presbytery integrated into the central ship. The various sections of the ships are covered with vaults vaulted on half-point arches with an attractive decorated of plaster. He was doing three facades outside. The main one made in the quarry and framed by great contrasts, consists of a half-point arch, Tuscan columns and smooth fronton. The other cover keeps the same scheme, but easier. On the third facade is the tower of the bell tower, it is square and exhibits the shield of Bishop Sancho Dávila. It has been restored in the mid-20th century. The monument has been declared Good of Cultural Interest in 2009.

• Rus Arab Torreon: From the castle - the Arab fortress of the 13th century Rus, which probably had a triangular plant, with a turret in each vertex, only one of them is preserved. It is of masonry, with 12m of perimeter and its holes are made up of saetries and drains. Until a few years ago, remains of which it would be the third of the torreons on which the entrance door should be. It was declared Historical Monument in 1985.

• Palrestre oratorium of Valdecanas: The rock oratorio of Valdecanas, located a few km from the population, dates from the Visigoda period. It is built between the 6th and 7th centuries, and is the only visiotic hipigee in the southern peninsular. The set consists of three caves excavated in the rock. The main facade, carved in a talud, has a long blind arcade with horseshoe arches and eardrums decorated with pallets of classical tradition, all carved in the talud of the terrain. Inside we find a three-ship chapel with barrel vaults on square pilasters. The other two caves were to serve one as the residence of the monks who inhabited the oratory and the other possibly as Baptistery. It was declared Good of Cultural Interest in 1970.It has recently been located another place of worship or visible cenobium in the municipal term Rus called "Cave of the Veguilla."

• City Council: Located in the Plaza de la Constitución, the City Hall, a building of the 20th century silery, with a classic air, is built with a door flanked by pilassas, intellized and recercated holes. In the upper part of the building, you can observe the shield of the municipality.

From the abundant and rich historical-artistic heritage, we highlight:

• Tiscar Castle. It was raised in the Arab era and located in a rocky area of easy defense. The first news of the castle dates back to 876. It is a small complex with a small tower of tribute. Built in apial cane, with parts of bulkhead and the wall cloth attached to the rock. In the center there is a great rosehold called "Black Peña." In 1949 it was declared Good of Cultural Interest.
• Sanctuary of the Virgin of Tícar. It is certainly the center of Marian devotion of the region, both for its tradition and for its location, under the "Black Peña Castle."The present construction of the Sanctuary of the Virgin of Tiscar dates back to the mid-20th century, although it retains architectural remains of previous times, such as the great entrance door with pointed bow and decorated jambas, remains of the plywood of the Granadine in the sacristy of the 14th century and others that can place us at the end of the Gothic of the 16th century. The exterior of the Sanctuary maintains the original trail and on the facade the two-high swordsman. Above the main door is an image of the Virgin between two trees sculpted in relief. During the Civil War he suffered great damage, which is why the Sanctuary has been reformed.
• Parish Church of St. Peter and Paul. It dates from the 18th century, in a neoclassical style and built on the site that had previously occupied another Gothic church of which a chapel is preserved. It has a cross floor with three ships covered with half-canyon vaults with lunetes. The entrance door with 18th-century bronze carnation and the bell tower built on an ancient medieval tower are outside.
• Atalaya del Infante Don Enrique. The spectacular cylindrical tower of More than 10 m. of height is in the Tiscar port. Its role was to monitoring the movement of troops of the Nazari kingdom of Granada. It was built in the late 13th century by order of the Infante Don Enrique, son of Fernando III. After its restoration, a metal staircase allows us to access its interior by the original door, located about three meters in height. From its privileged situation, we can see a very important extension of the territory.
• The Arc of Saints. Gothic door that gave entrance to the walled enclosure, built in the 14th century. The exterior shows an arch pointed with a quarry, with two novels whose right hamba is a Roman funeral stele of the third century. At the bottom is a half point brick arch with a half-barrel vault. The double arcade that it presents today could be due to the fact that the arch of half-point interior was the original of the Andalusian enclosure, remade in Christian times.
• Roman Villa of Bruñel. This villa is a magnificent testimony of Roman domestic architecture linked to agricultural exploitation. The exceptional wealth and magnitude of Bruñel makes it a scarce model among the rural houses of this time. Originally there must have been a rather modest construction that was reformed during the second century after Christ to build an extensive complex of great decorative wealth. An urban building was designed around a large central courtyard around which the rooms are distributed, mostly with splendid mosaics and covered walls. In the fourth century, part of the house was destroyed to overcome it another with a porticated central courtyard, with a large double room to the north and another wing with a central courtyard to the east. In this last phase, although a great decorative wealth is still maintained, there is already a great ruralization of life in the villa. Their abandonment and ruin had to take place gradually during the VI and VII centuries. This villa was declared Good of Cultural Interest in 2005.

Other monuments are: The Church of Purification, known as the Chica Church, built in the 17th century with Baroque-style features and the Hermitage of San Sebastián.

Ibero site of White Crow

The pale tone of its rocks gives meaning to the name of this small hill located two and a half kilometres from the urban core of Porcra: White Crow.

Archeologically involved during the 1970s of the last century, the process of human use of the field is delimited in three moments.

First, during the tartesic period, there is a distinction between an inhumation necropolis dated around the 7th century BC. There are twenty-four individual graves and a double-chamber grave.

From a second epoch, around the 5th century BC, is the largest Iberian sculptural ensemble of the national territory. A thousand three hundred fragments among which are more than thirty sculptures. The warrior of double armor, symbol by anthonomasia of the Iberian world in general, stands out.

Finally, necropolis continued to be used for such purposes from the 5th century BC to the 1st century BC, changing the first rite of imhumation to the rite of incineration.

Roman Amphitheatre of Obulco

The Roman Amphitheatre of Obulco was one of the largest show buildings of the Roman Hispania, an example of the enormous magnitude of the ancient Ibolca-Obulco police. It was the largest of the cities of the Protohistoric and Roman Iberia in the time of Julius Caesar.

This amphitheater shows the imposing archaeological reality of Municipality Pontificensis Obulconensis in the 1st century BC, when it was raised about five hundred meters from the walls.

After the last great intervention of this colossal amphitheatre, its monumental remains, of more than one hectare of surface, have been managed to size and integrate in harmony with the existing neighborhood, allowing its visitors to walk through a large section of the southern façade with its imposing counterstrong of piled chairs in the Hellenistic style, see the doors and volitories, the outer access routes and the large falls of cyclopeia blocks, then be able to enter the cavies or steps, and come down from the wall of the podium to the space of the sand and carcerwhere to appreciate the dimensions and panorama that the old gladiators who fought in the seaweed or games.

Cisterna Romana de La Calderona

The Roman Cistera de La Calderona is a colossal underground hydraulic complex of the Pontifical Municipality of Obulco, intended to store water, which has been in use for more than two millennia and has arrived to this day in exceptional state of conservation.

It was accidentally rediscovered by one of the neighbors of the three contemporary houses that are available over it and intended for air-raid in the Spanish War of 1936. It was originally a large public water tank with several years of rainwater collection and three catchment wells.

The project has been completed by building a contemporary building of access through ramps to the complex and with the excavation of approximately 500 m ² of the large Roman neighborhood of the poniente, where part of a cross-sectional enlisted street have been exhumed, three houses organized around patios, a shop and a butcher-carnage, which allow to qualify this block of the neighborhood as a handicraft and commercial sector of the city.

Boabdil Tower

In an era of invasions and conquests, during the Middle Ages, two names express the same reality. The Muslim Bulkūna and the Christian Porcella live together and share the same territory.

On the remains of an Andalusian bulwark, which in turn was erected on Roman vestiges, the Castle of Porcra is fortified with new defenses to become a Christian alcazar.

Ten are the towers that make up the castle's walled enclosure and one of them, the last to be built, which is maintained until today. The New Tower was raised during the first half of the 15th century by the precept of the Calatravo gentleman Don Luis de Guzmán.

It is also called the Tower of Boabdil for what happened in 1483 when the last sultanate of the Nazarí Kingdom of Granada, Boabdil, was taken as a prisoner to that tower after being arrested in the Battle of Lucena.

The tower is octagonal base, is 28 meters high and has an ochavada shape. Its interior, of two floors and a terrace, will house the medieval rooms of the Archaeological Museum Municipal Obulco.

Church of Santa Ana

The first data that are held from the hermitage of Santa Ana are from the late 15th century although its exact origin is unknown, being able to be reassembled at the end of the 13th century.

Santa Ana is drawn like a hermitage of a ship, with several adjacent dependencies such as the house of the santera and some corrals. During the later centuries the whole is spread and consolidated until in the 19th century it is closed to worship. In the 20th century, the property is sold to the Juárez family for use as a bread oven.

The recent intervention carried out by the City of Porcra has involved the restoration and recovery of the original building. These works have brought to light important findings: unique pavements, numerous burial or wall paintings in the altar area.

Today, the ancient church of Santa Ana has become the Visitors' Reception Centre.

Royal meat stores

This is one of the most modest buildings, which was mentioned in the 15th century, next to the organization of the square: the carnage of the villa, the Church Mayor and the Cabildo.

The Royal Carniceries, called for the Crown's control over meat, supplied the population with beef and sheep for more than five hundred years, from the Middle Ages to the Second Republic.

From this moment on, the city's library is located in the building and, in addition, the work-bag functions are performed there, to be, before its restoration, the Comarcal Court.

In 2015 this space was opened after the rehabilitation and value that the City Council of Porcilla carried out, hosting, there, the municipal services of Historical Archives and Tourist Information Office.

There are some of the vestiges that can be seen inside the building. It is also worth the attention to stop and observe its inclinated facade witness to the Lisbon earthquake of 1755.

The Royal Posite of Charles IV. City Council

In the square of Andalusia was built in the Enlightenment of the King Charles IV in 1798 the Royal Po'sito, that is, a public warehouse of grain for consumption and sowing. It is a functional building offacade of silleri ́ a with beautiful classic cover, which consistsof three ships, one main and two lateral, separated by stone arches on which the deck rests. The building is accessed after climbing a step, an element that allows to generate a lower level or ventilation gallery.

After the Civil War contest, the building was ruined and a major reform had to be made.Although the works were directed by Ramón Pajares Pardo, the project is due to the architect and National Architecture Prize José Luis Fernández del amo, the first project he signed.

The building currently houses the headquarters of the City of Porcra. The large "glass yard" is a bright space that acts as a distributor of the entire ground floor and also functions as a main public service room.

Galleries of the Royal Posite of Carlos IV. Municipal Archaeological Museum of Porcilla

This is abouta space located under the building of the Royal Posite, current City Hall.In its day were the ventilation galleries and prevented the moisture from reaching the grain store. In origin they had no direct access from the outside, only one registration trap. Over time, several entry doors were opened, allowing this place to take different uses, from construction materials storage to dungeon or hardware shop.

Following the major reform in 2017, the space was restored and opened to the public. During the intervention, archaeological remains of Roman and medieval times, now integrated into the journey, came to light. The vaults system used in its construction is particularly noteworthy.

In 2023, two museum rooms were incorporated into the whole, which greatly enrich the understanding of the past of Porcra: one dedicated to the world of the Turdulum and the other to the Roman period. Both offer a clear and accessible journey through the cultures that left a deep mark on the ancient Obulco.

Ntra Parish. Sra. de la Asunción

The Parish Church of Our Lady of the Assumption of Porcilla, concluded in the early 20th century thanks to a popular subscription, rises on the site of the ancient Church of Santa Maria la Mayor. The building, wide and bright, has a Neo-Byzantine style and is articulated in three ships covered with cross vaults. The sacristy, attached to the head, belongs to the temple of the 17th century and is connected to the rectoral house, which houses the residence of the parish priest, the archive, the office and the parish hall.

After the construction of the new temple, Julio Romero de Torres was commissioned to paint the vault of the apse, where the artist represented the Assumption of the Virgin, surrounded by a chorus of angels. The work was so impressed that he was asked for two new murals for the capels of the cruise. In one of them he made the Holy Supper, showing the apostles attentive to the moment when Jesus instituted the Eucharist. On the other, he represented The Holy Family in a serene sunset, with the Child Jesus in Mary's arms and the silent presence of St. Joseph. In addition, the temple retains five more works of the painter: an oil of St. John the Baptist in prayer and four canvases of the evangelists located in the pechines of the cruise.

House of the Stone

Summary of the millennial craftsmanship of the stone in Porcra. The bartender and marmolist Antonio Aguilera Ruedas (1896-1980) built it in the middle of the 20th century for 30 years with considerable personal effort and firm mastery.

Its extravagant and eclectic combination of solutions, techniques and decorations exalt the work of the stone. Their personal and unusual explanations that portray in an unusual way the complex parallel trajectory between building and author draw attention.

In August 2018 it was reopened following the reforms that the City Council of Porcilla made. After an important work of cleaning and restoring the stone a sophisticated lighting system is chosen to bring all the beauty to the craftsmanship of the stone. At the same time, an extensive set of ramps, built in marble concrete, gives access to a glass elevator, a unique dissonant element but that will allow access to the entire building.

• Pegalajar City Council: Its construction is linked to the repopulation of the southern part of Jaén in the time of Charles V. It preserves the 18th century facade. It is fully rebuilt and only maintains its original track, the two-story cover of the 17th century.

• Church of the Holy Cross: Built in the castle's enclosure in the 16th century Renaissance style. Its two covers with a very sober decoration are of mannerist style and in its interior, stands out the baroque altarpiece, from which only the top is preserved. The bell tower is the ancient tower of homage. It's declared Good of Cultural Interest in 1985.

• Castle of the Peñuelas: In Christian chronicles it is cited as a Muslim fortress. Two different fortifications can be observed in the remaining remains. A previous one with a walled interior, with two entrance doors. One of them was protected by two circular turreons and the second was defended by two square turreons. He had another turret higher than the previous ones that today is the bell tower of the Church. The second outer enclosure is later, more damaged and served as an extension to the primitive fortification. One of its doors that is in good state of conservation is known as Arc of the Incarnation. Declared Good of Cultural Interest.

• Tower of the Head: It was built between 1462 and 1470, Although it is likely to rise on the ruins of a previous one. It is part of a set of towers that crossed the province, such as the atalaya de la Pedregosa located in Serrezuela de Pegalajar. Declared Good of Cultural Interest

• Arc of the Incarnation: It is about the main access door to the enclosure and the old castle of Pegalajar. It forms a pointed arch on which there is a commemorative stone in Gothic letter and two shields. The arms shield on the left belongs to a family linked to the Order of Calatrava and the shield on the right is from the city of Jaén. On top of all the above is the shield of Fernando III the Holy. It's kept in good condition. In the 19th century the chapel of La Incarnación was built in the adarve. It was declared Historical Monument in 1985.

• The Toya House. Discovered in the early 20th century, it is one of the most important funeral monuments of Iberian culture on the Peninsula, not only because of its conservation status, but also because of the monument itself. Some consider it the first great architectural work of the Iberian Peninsula. This is a underground burial chamber built with large "in situ" carved stones, placed one on the other without any type of argamase. The interior impacts, because it is a three-ship enclosure, the sides in turn, divided into two, made of carved chairs to fit perfectly on each other. Banks, bakers and a table appear. The roof is also closed with stone slabs. The construction work of the camera is very interesting for its high level of execution. The "Toya's jousting." It is characteristic of an Iberian prince and his family, of it we highlight: the wheels of a warrior car, dishes, vessels, remains of a sword, an iron helmet, beads of silver necklace, glass of marine blue and yellow....Declared Historical Artistic Monument in 1918.

• The Clock Tower:In the heart of the urban core are two towers that formed part of an ancient medieval fortress, One of them, The Clock Tower raised at the end of the 14th century, sits on a stone socket, is quadrangular, of silery not always regular. It is internally distributed on four levels, maintains the almenate and also on two sides of its matacan-function balconies, in the third, matacan menulas, and in the latter a watch that gives it name has been placed.Declared Good of Cultural Interest in 1985.

• The Mocha Tower: It is about the second tower of the fortress Medieval, it is of masonry concerted in some of its parts has corners reinforced to rope and sawn and topped with skimmed canes. It must have been built between the 13th and 14th centuries, it was restored at the end of the last century.It has been declared Good. of Cultural Interest in 1985. Among the towers is a wide space, in which an Auditorium has been established, for the celebration of cultural and playful activities in the open air.

• The Castle of Toya: In Toya, near the Iberian tomb, an impressive tower of the Toya castle is maintained. It has a square floor, it is demochada and in its interior are preserved half-barrel vaults that covered the rooms and on its outside the arrangement of the masonry goes to soga and tizon, also showing structure of calicanto. It has been declared Good of Cultural Interest since 1949.

• Aqueduct of Peal Furnaces: In this pedany, there is an old and damaged aqueduct, considered as of Roman construction. It defies the passage of time and erosion caused by the river that crosses it below.

• Church of Our Lady of the Assumption. It began to be built in 1530, finishing the works in 1570. The building is of a single ship divided into three sections that separate semi-columns with half-point arches covered with Gothic-style starvaults.

• The major chapel also covered with a starry cross vault is accessed to it through a half-point backbone. It has side chapels.. The most important thing who owns is his magnificent mannerist coverfrom the ancient monastery of Santa María de la Peña. Data from last third of the 16th century and it is divided into two bodies: in the first one the arch door of half point is opened framed by Corinthian columns, with allegorical figures in the shrouds; in the upper body, a triple hornaine and the whole is removed by a triangular fronton divided with pinnacle. The tower is settled on a torreon of the primitive castle Medieval, it is quadrangular and consists of two bodies and bell tower, with soga and tendon reinforcements at the highest corners. On one side it has a magnificent window with a half-point arch on jambas caried between menillas, crowned by a triangular fronton. The other window displays in its half-point arch a whole decorative program: highlighted plates, cherubim in the key or semidesnude figures. This element is completed by lateral clumps. It was declared Good of Cultural Interest in 1985.

• Fuente de los Chorros. Monumental source made of stone and brick, perhaps at the end of the 18th century. It is made up of a somewhat irregular silical frontis, in the central part of which two half-point arches and a triangular fronton that in its center carries a shield. They remove the fronton three pineapples, one at the vertex and the other at the ends.

• Torres de Santa Catalina. Situations across the river OrceraWe see three Muslim towers dating back to the 12th century, when the advance of Christian troops required a strengthening of defensive structures. These atalayas and the one that rises in the church square, and that makes as the bell tower of the temple, will constitute the defensive line of the house. They have been declared Good of Cultural Interest.

• Old helmet. Posee Orcera a medieval neighborhood who resist the vicissitudes of times. The old town of the population is perfectly adapted to the medium, with narrow alleys, intricate and unmistakable Islamic regent. The houses are built with slimmed masonry walls, and complicated asymmetric volumes, low height, original chimneys and Arab roofs.

• Hermitage of the Virgin of the Star. Up on an Arab fortress of the 13th century, of which the tower of homage is preserved. In the 15th century he began his dedication to Christian worship and has since been reformed several times. Built in gilded masonry and silery, the set presents basic plant with arches of half point on quadrangular pillars with achaflanated corners. The shrimp of the Virgin is located in the tower of homage, covered by a half-orange vault on breast. From the outside it is observed that in order to adapt it, vain and saetera were blinded. In 1781 the bell tower and the last century the swordsman.

• Church of St. John the Baptist. Built between the 16th and 18th centuries. It presents Renaissance, mannerist and baroque elements. Its plant is long and of a single ship, arranged in three unequal sections: the presbyterium, covered with a barrel vault with lunetes; the previous space, which is a little wider, covered with a vault of edges and with hornacino chapels on the sides and the third section is centralized and covered with a half-orange vault on the pechines.The cover style Mannerist It has a simple half-point arch with trapezoidal dovens, and in the upper body a hornaine with dogrous columns, dogric setting and triangular fronton. The bell tower It's been raised in the 18th century, with a first body of square floor and the second of polygonal floor topped by a conical volume covered with Arab tile. A very valuable and important piece is preserved in this church. a silver cross adorned with low-reliefs which represent the Old and New Testament.

• The Vergao Fountain. We found the first references of its existence in the Marquis de la Ensenada Census in 1752. It is a sample of public-use civil architecture from which not many remain. It has supplied water to Navas until 1966, when the drinking water network was installed in the municipality.