Artistic Heritage Details: 

• Church of Nuestra Señora de la Asunción. Construction of the building began in the 14th century, but successive renovations have obscured its original Gothic style, which can only be appreciated in the presbytery area. Its modest size reflects its medieval typology: a three-nave floor plan of unequal width. The pillars separating the naves vary in plan, and the arches connecting the central nave with the side naves are semicircular, except in the Gothic presbytery area, where they are pointed. A barrel vault covers the three bays of the central nave. The 14th-century presbytery is built of ashlar and roughly hewn stone, though partly whitewashed, and is covered by a rib vault with tiercerons and diagonals. It is accessed through a pointed transverse arch. The exterior is quite plain, with whitewashed masonry walls, and the entrance doorway features a semicircular arch built of ashlar with radial voussoirs resting on jambs. 
• Torreón (Tower). Once part of an old medieval castle datable to the 13th century, built of masonry in irregular courses with roughly hewn stone facings. Square in plan on the inside, the oldest part, while round on the outside — perhaps the result of a later modification aimed at reducing the destructive effects of artillery. It has two floors, each covered with brick domed vaults. The terrace preserves its crenellated structure with corbels and the remains of a now-vanished defensive machicolation. Declared a Site of Cultural Interest in 1985. 
• La Fuente (The Fountain). In the Town Hall square stands an old fountain, built of both regular and irregular ashlar, with a front topped by a cross-shaped gable cornice with curved sides. It has two spouts set above inverted truncated-cone-shaped basins, decorated with tiles bearing religious imagery.

Due to the way it came into being, Villatorres's historical heritage is spread across the three towns that make it up. The most notable are: 

• Parish Church of Nuestra Señora de la Asunción in Villargordo (16th century), recently restored, retaining its Renaissance façade; inside, the Mudéjar coffered ceiling of the choir stands out. 
• Parish Church of San Francisco de Paula in Torrequebradilla, consisting of a nave with a gabled roof covered in Arabic tiles; a slightly pronounced transept, a Latin-cross floor plan, a dome covered externally with a hipped roof, and the bell gable marking the church's highest point. 
• Hermitage of the Santo Cristo de la Salud. Built outside the town walls in the 16th century, using stones from the Iberian ruins of Maquiz, this was originally the Hermitage of Santa Ana, converted at the end of the 19th century into the Hermitage of the Santo Cristo de la Salud. Its most notable features are the ashlar semicircular-arched doorway and the single-tier bell gable. 
• Palace of the Fernández de Córdoba family, located in Torrequebradilla. Built in the 17th century, it is structured over two levels, the upper one as an open gallery (solana) and the lower one as the entrance, accessed through large semicircular arches. It currently stands abandoned. 
• Pilares (stone water troughs), one of which, circular in shape, was where labourers and pack animals would refresh themselves after long days working in the fields. Other troughs were used as washing places for clothes. 
• Cerezo Moreno Museum, the municipality's most valuable source of cultural wealth, housing a large collection of works by the painter Francisco Cerezo: oil paintings from various periods (portraits, still lifes and landscapes), a set of twelve pen-and-ink drawings, and a series of oil-on-panel paintings depicting traditional scenes from the village of Segura de la Sierra. Due to its artistic value, this museum has become a benchmark for painting in the province of Jaén and throughout Andalusia. 
• Church of Vados de Torralba, representative of post-war colonisation architecture. Notable features include its side stained-glass windows, the crosses on its façade, and its tall tower, a symbol of Vados de Torralba's tradition.

• Casas Señoriales (Noble Houses): The oldest building within the town, built with rendered masonry, is a traditional Andalusian noble house, three storeys high and of large dimensions. The ground-floor windows have wrought-iron grilles with lead ornamentation, and the five balconies on the upper floor rest on corbels, with iron parapets and trapezoidal moulding. Engraved on the lintel of one of the windows is the date 1714. The entrance door, framed with a jamb, is off-centre. Next to this house is another, with a doorway featuring a semicircular arch resting on impost blocks and a cross at the keystone. The original ashlar stonework has disappeared, but above the arch a barred window survives, flanked by 17th-century Baroque-style stone coats of arms. 
• Parish Church of San José: Built in the mid-20th century. The interior is accessed through a semicircular arch, above which sits a circular window, topped by a pyramid-shaped bell gable with three bells and a whitewashed façade. Inside, the altarpiece has three sections with three niches, separated by columns and topped with pinnacles. The central niche houses the patron saint. 
• Parish Church of the Asunción de Nuestra Señora: The most notable building in Campillo del Río is the parish church, representative of post-war colonisation architecture. It has a rectangular floor plan and a very spacious interior. Externally, the presbytery is built in exposed brick, while the rest of the building is whitewashed. It was built in 1953 and has recently undergone improvement works.