These more or less realistic but generally schematic manifestations reproduce human beings, animals and symbols, forming isolated scenes. The representations not only evoke and report part of daily life, but leave us witness to its complex and mysterious spirituality.

World Heritage Site

Sierra Magina houses an interesting set of rock art, especially those related to the Municipality of Jimena, being a very interesting example of schematic rock paintings. In 1998 it became part of the UNESCO catalogue as World Heritage Site.

Outdoor museums

These sites can be considered as authentic outdoor museums of incalculable value, whose preservation concerns each and every fellow citizen. When visiting them, we must remember that we contemplate figures made by the primitive man, not least human and intelligent, more than 4,000 years ago. It's all by law, Cultural Interest Property.

Visit the paintings

Visiting these places can be difficult and frustrating, not only because of their access; it can be dangerous, but because sometimes their conservation status is the least poor; and it is recommended that they be visited with a specialist. For this purpose, before scheduling the visit, it is advisable to consult with someone familiar with the place (to advise and guide) or even to be accompanied by a responsible local guide (it is advisable to contact local authorities or associations).

The Abrigo de la Graja stands out.

These more or less realistic but generally schematic manifestations reproduce human beings, animals and symbols, forming isolated scenes. The representations not only evoke and report part of daily life, but leave us witness to its complex v mysterious spirituality.

World Heritage Site

The saw surrounding the municipality of Jaén houses interesting sets of rock art, a large number of coats and caves where the first inhabitants of the municipality left their art. In 1998 it became part of the UNESCO catalogue as World Heritage Site.

Outdoor museums

These sites can be considered as authentic outdoor museums of incalculable value, whose preservation concerns each and every fellow citizen. When visiting them, we must remember that we contemplate figures made by the primitive man, not least human and intelligent, more than 4,000 years ago. It's all by law, Cultural Interest Property.

Visit the paintings

Visiting these places can be difficult and frustrating, not only because of their access; it can be dangerous, but because sometimes their conservation status is the least poor; and it is recommended that they be visited with a specialist. For this purpose, before scheduling the visit, it is advisable to consult with someone familiar with the place (to advise and guide) or even to be accompanied by a responsible local guide (it is advisable to contact local authorities or associations).

The municipality of Jaén has an interesting collection of rock art, not only in the vicinity of the municipality, such as the Abrigo de Fuente de la Peña Sur or the Abrigo del Cerro de la Mella; but also in other locations such as Otiñar, Río Frio, el Quiebrajano and Canjorro-Peñas de Castro.

World Heritage Site

In Aldeaquemada, as a sample of its valuable cultural heritage, there are different groups of rock paintings, of a schematic and eulin style; distributed by fleshlands and rocky coats of the municipal term. So much so that UNESCO, meeting in Kyoto (Japan) in 1998, agreed to catalogue the Levine Rupestre Art of the Spanish Mediterranean Arc as a World Heritage Site. Meeting in assembly, he gave this important name and included in the list the 19 deposits of Rupéstre Levino and Eschematic Art discovered in this municipality, cataloguing that has come to recognize and highlight the great importance of the cultural manifestations of the former inhabitants of these lands.

Outdoor museums

These deposits, unique for their subject matter, are the most important in Andalusia and can be considered as authentic outdoor museums, of incalculable value and whose preservation concerns each and every one of us. When visiting them, we must remember with all due respect that we contemplate figures made by the primitive man; but not for that less human and intelligent, more than 4,000 years ago. They are all by law Cultural Interest Goods.
These groups of rock paintings, located on most occasions on rock coats, were studied at the beginning of the 20th century by the Abate Brehuil and M. Cabré, who catalogued the vast majority of existing groups in the area.
Subsequently, thanks to the new and relevant discoveries of the chronist Carlos Sanchez- Battle, it has been possible to have an extended relationship and a full awareness of the great heritage value that, for Aldeaquemada, represents the whole of its cave paintings.

Visit the paintings

Visiting these places is difficult and can be frustrating, not only because of their access; dangerous sometimes, but because of their poor conservation status; they make them difficult to see if they are not specialized. For this reason, before scheduling a visit, you should consult with a local connoisseur and let yourself be accompanied by a responsible local guide.
The most representative coats, on which signposted routes have been developed; not yet operational until the final protection of the paintings, but which has been announced (the Ayto. provide guides) can be visited, are those of the Poyos de La Cimbarra, Cimbarillo del Prado de Rechesa, Cave de la Mina, Garganta de la Hoz, Prado del Azogue and Cave de Los Arcos. Although there are another series of awakened groups.

There is another much more spectacular one when crossing the Trujala River from the Batan and known as the Moro Bridge, a construction of armchairs and of great monumental.

It is a must visit the track of land that goes parallel to the river, until its connection to the stream of the Yeros, where a small Roman bridge indicates the way to the cortijo of Romilán.

In the Prados de la Mesta, the gardens surrounding the houses are still cultivated, although at present only a few times of the year are inhabited. This way, the GR 147 is in the direction of the Anchos and we can see some examples of traditional architecture, forging bars, gilded walls or wooden doors burned by the sun.

A little below you can stop at Arroyo Canales, a place known as Rio Madera. You can't miss the last weekend of August to the San José parties with a small procession, music, dance and of course a mountain bowling.

The creation of the National Cazorla-Segura Hunting Coto in 1960 was a change in the use of a large area where there were population centres whose inhabitants had to vacate. The Goldines is one of these villages, of which today only the ruins of the expropriated houses are preserved. Silence involves the visitor, who is only able to intubate the final chapter of a long and black history of injustice.

But the Godines were not, much less, the only village that was forcibly depopulated during the 20th century, the result of abusive State interventions in these mountains. During the construction of the Tranco reservoir, some populations such as San Miguel de Bujaraiza and the Chorreón ceased to exist and this led to the displacement of its inhabitants to other areas of the province of Jaén. The yellow rain of time and oblivion, which gave title to Julio Llamazares' tearing novel on a similar case in the Aragonese Pyrenees, also fell mercilessly on Los Centenares, Las Canalejas or Los Archites, in the Segura saw. Today they're just rubble and names, but they won't be forgotten.