The museum building is especially remarkable, as it is a Mudejar house, a beautiful 14th-century building discovered during some works. It is known as Casa Mudéjar and presents a repertoire of pieces of paleolithic deposits of the province and objects of the Bronze Age excavated in the Alcázar district of the urban nucleus of Ubeda. The Roman-era pieces come from Ubeda, the Old One (the Salary Colony founded by Augusto). We also find pieces from the Iberian site of Castellones de Ceal and Iberian exvotes from the Collado de los Jardines Sanctuary.

It has two exhibition rooms and a courtyard of weapons, where the archaeological pieces of greater dimensions and weight are concentrated. Throughout the visit we can see various backgrounds, the fruit of the historical, cultural, archaeological, artistic and social development of Castellar.
From the prehistoric time we found axes and various stone supplies.

On the ground floor the remains of a Roman-era field have been musealized: coins, columns of buildings, etc.

In the next floor, objects of the Iberian culture of the Cueva de la Lobera shrine are exposed, one of the numerous archaeological sites of the municipal term of Castellar, a town whose origins are located in the final period of the Copper Age and the beginning of the Bronze Age.

The archaeological museum consists of three rooms, a first room dedicated to Prehistory, where you can observe all the material remains of the Paleolithic, Mesolithic, Neolithic, Calcolytic and Age of Metals.

The contents of the vitrines in this room are very rich, in a first finding from, lytic remains of the Middle Paleolithic as Proto-Bifaces to Argaric arrows of type "Palmeta," already made in the time of the metals. In this room you can see the reconstruction of a Paleolithic cave and a Neolithic Cabin, which becomes the didactic bet of this room.

The Second Hall is dedicated to history, starting from the Colonizing peoples to the modern time, highlighting an important sample of Iberian, Roman and Muslim epigraphic remains, along with an extensive and very complete collection of numomatics. To this is added all kinds of ceramic artifacts, in glass and marble that make this room the most complete of the museum. In this room it is also committed to the interpretation of archaeological monuments, in this case the real-scale reconstruction of the Plaza Principesca de la Necópolis de Piquía, a grave of important dimensions in which a prominent funerary jacuar was found, among which a total of 7 ceramic vessels, 4 of which have been restored by the team of archaeologists of the Andaluz Centre of Ibera Archaeology of the University of Jaén.

The third room is dedicated to two illustrious characters in the history of Arjona, El Rey Alhamar and Helvia Paulina, both born in the town, who have been very prominent in their respective Muslim and Roman periods respectively. This room is complemented by a Audiovisual Room, which is born with the aim of completing the activities scheduled by the museum for the visitor.

The visit begins by showing a magnificent press of wooden beam of 15 meters in length and a quintal of 2400 Kg. It is one of the most long beam presses preserved, and is also shown one of the few large copper boilers in Spain intended to heat the water from the charge in the second pressure of the capachos.

In a second room two hydraulic presses are displayed, a blood mill of conical stones, and two systems of continuous extraction of recent installation: one of three phases, of the first brought to Andalusia, and the current of two phases.

It was opened in 1999, and is included in the Andalusian Register of Museums and Museum Collections of the Council of Culture of the Junta de Andalucía.

The palace belongs to a property set listed as BIC. It was built by the Cárdenas- Valdivia lineage and the first documents that have been preserved date back to 1570. The splendid torre- cover that characterizes it was built around 1620, it is known to stand out over the defensive system of the nearby door of the wall. The typical Renaissance pillow, a curved fronton broken and finished in volts, is one of the heraldic shields (Cárdenas). On both sides we find atlants, and on these, two other shields. The five lions on the upper ledge carrying five shields are also visible. The interior of the house is articulated as the Renaissance Italian palaces, around a courtyard with four crunches, dating back to the 17th century. Finally, the cavalry stands out for a mural painting of a shield with two rampant lions and the family's lineage. The building also houses the Casa del Alfarero.

It was the first, and therefore oldest, to operate in Valdepeñas. It began to ground the day on August 15, 1540 and had two milling stones. Its owner, Juanín LeClerque, called it the Upper Mill of Santa Ana and also built a second mill, called the Bajo of Santa Ana, which also had two stones. Both mills were the only ones in Valdepeñas until the 18th century.

In 1787, the batan, used until then to cast wool, was transformed into a mill, and was built in the area of El Ejido de San Sebastián by Catherine González de Medina.

It is currently dedicated to the museum and divided into three sections: Portal, dedicated to the historical part; Molino, dedicated to the mill, its parts and operation; and Hoorno, which hosts a small sample of objects and techniques specific to the popular arts and customs of Valdepeñas and its region.