It is a shrimp-tower in spadna that dominates by its volume the rest of the temple, whose interior stands out by its funning decoration with geometric and vegetable elements that fill its walls to frescoes with scenes of the New Testament that close the vault in height. It is a building built of reddish stone of regular cut and seat, with a ship with high choir at the feet to which it is accessed through a staircase inserted into a volume attached on the west side; cruise and high presbytery on steps, behind which the shrimp is available.

It has a single body, with a small furnace in the center with a half-point arch, in which the Christ of the Humiliadero appears. Everything is decorated with motifs of chromed poly wood, in the upper furnace is the Virgin of Pilar.
The Humiliadero Christ arrived in Lopera in 1941 and is the work of the Valencian imaginary Amadeo Ruiz Olmos. The hermitage is kept almost closed all year round, the loperans and visitors who close to it, make their prayers through a small window. In 1761 the soldadesque of the Most Holy Christ of the Humiliadero is founded, it is characteristic of this soldadesque, the fluttering of flags during the processing of his Christ and the shooting of arrows. The fair and festivities of the Christos in honor of the Christ of the Veracruz and Christ of the Humilladero has been held since 1628. The processional cross of Christ is a replica, the original one is found in the sacristy of the parish, was donated by the Pelaez family.

Inside there is a figure of a Crucified Christ as well as a Cross Way that was donated by the marriage Mr José Martínez García and Mr María Velasco Czech in 1989. It was rebuilt in 1984.

The story of the Hermitage of Saint Lucia dates back to 1858, when after several years of collection of alms of devotees passing through Puerta de Arenas and stopping to pray before the Holy one, represented, in the beginning, in a picture placed on one of the walls of the rock and then by the first image placed on a small furnace, next to the tunnel, opened in 1840. Once enough donations were gathered, the first hermitage was raised. The blessing was attended by local authorities and more than 2000 devotees from all over the region. That first hermitage of popular architecture, very tasteful of the time, was deteriorating with the passage of time, and its restoration was necessary on several occasions. The first reform was made in 1956 for finding the hermitage in a ruinous state. In 1973, it had to be restored again, leaving its architecture, both outside and inside, very modified, completely losing its original appearance. The hermitage was designed for three bells and dome over the presbytery. The roof is covered by a rich wooden handicraft, as well as the Altar Mayor, where the image of Saint Lucia is located. The soletry and socket are made of quality materials and the interior is illuminated by two beautiful wrought iron lamps. The façade is surrounded by a strong stone socket, as well as its windows and main door. In the late 1990s, the "Sand Gate Recreation Area" was built that offers different activities; bird observation, botanical garden, hiking, road and recreational area.

During the civil war all the images of the hermitage were burned except for the image of the Virgin of Beautiful Love who only burned from waist down, an arm and something of the face. This image was rescued by Adolfo Calvo Peralta, City Council councillor and taken home. His heirs decided that the image would return to its place of origin, Lopera. The image was still burned so it had to be restored.

Behind the Palace is a house that was once a hermitage of St. John the Baptist: it retains the structure of the 17th's conventual gates, a small swordsman and, of course, remarkable paving as the tradition of Jabalfifth commands.