It is located at the exit of the village on the roads of Ubeda and Torreperogil.

It was ordered to be built by Felipe Martínez Garrido, a rich owner of Jamilena, in the 1910's. It is a voluminous building, whose cover and layout are inspired by the late Spanish-American baroque. Its architecture takes as main references some constructions made in the city of Andújar during the first third of the 20th century. Within it, several high-value canvases are kept, among them a 17th-century picture where the Franciscan San Francisco Solano is represented. This painting is the only canvas on this holy cordobis found in the province of Jaén.

In 1437 he was a priori of the Order of Calatrava after the conquest of Porcella in 1240 and Benedictine monastery. This Gothic church faithfully synthesizes the cistercian spirit of the order and integrates romanic, Gothic, baroque and neoclassical elements well different from each other. It consists of two ships in the form of "L," the main one with arqueria and capitals with plant motifs. Outside it exhibits a baroque cover and a bell tower with 18th century cover. It has been declared a Good of Cultural Interest since 2003.

Church that was from San Sebastián, presents a Latin cross plant covered with canyon vault. It also has a remarkable altarpiece with cookie tips and asymmetric composition, and baroque baroque shrimp in the rock, from the 18th century. The exterior is a simple baroque cover, crowned with a swordsman.

Data from the S. XVIII. It has a rectangular plant in which two spaces can be distinguished: one the presbyterium covered with a half-barrel vault and another second body covered with a half-orange vault on four half-point arches that open in double pilasters. Outside the cover is made up of an arch and on the roof a gola mould overlooks the outer set, which can only be seen on one side. It stands out for its reddish color and houses the image of Our Father Jesus Nazarene.

Outside the village on the way to Albanchez, at the foot of the saw, in Cánava, between palm trees, and with a strip and a fountain of seven years, the hermitage of Our Lady of the Remedies rises. It is a temple of small dimensions and harmonious architecture, a plant in the form of a Latin cross and shrimp for the patron, built in 1910.

The hermitage of the Virgin of Fuensanta, located in the heart of Sierra Magina, has always been an isolated place. It was even more so in past centuries when only roads and paths could be accessed. This, together with its sacred character, made this hermitage an ideal place for the withdrawal of those who in search of God, abandoned their social environment.

Built between 1593 and 1634. Inside it is a rectangular-floor ship, which has been restored in 1960, covered with a half-barrel vault with lunetes and articulated with five hornant chapels on each side. The presbyterium is covered with half orange on pechines and communicates with the shrimp by means of a half-point arc on double mends. The Camarín, with baroque bills, with 18th-century gypsies, stands out.The main façade was built between 1960 and 1965, while the southern cover, of Renaissance style, was from the 16th century. The image of the Virgin of Mercy, patron of Torreperogil, is an anonymous author and was sculpted in 1939, although it was restored in 1960.

It rises on an Arab fortress of the 13th century. It has been continuously reformed since the 15th century, when it was dedicated to Christian worship.

The present hermitage of the patron of Noalejo, the Virgin of Bethlehem, was raised at the beginning of the 20th century on another dating from the 17th century. It is formed by a rectangular ship with a small bell tower on its main façade that occupies three bells that were installed in its last remodeling.

The building has undergone several remodeling throughout its history. As a curiosity, Queen Elizabeth II prayed in this hermitage as she went to Granada.