The mountain is surrounded by two convergent valleys: that of the Quibrajano River (where the Protected Species Recovery Centre is located) and the Hazadillas Canyon, with a recreational fit equipped with grills, tables, banks, recreational furniture, fountains, kiosk, etc., as well as other facilities.

This natural space is used as a place of leisure and leisure by the people of Jaén, given its proximity to the city.

At 1440 m high is the MONTE ARDAL, which can be accessed by the road that reaches San Bartolomé, to the crossing that is moving to the left. It is a classroom of nature located in a forest shelter, with views of the village, the surrounding mountains,... in addition to the shelter, there is also a recreation area, adapted don barbecues, tables, and covered by a porch.

In the Aznaitín, some plant endemisms typical of Sierra Magina are maintained. At its summit the municipal terms of Jimena, Torres and Albanchez de Mágina, whose populations are located at their feet, as do the prehistoric caves, where the former inhabitants left their mark for posterity. Not in vain the Aznaitin impregnated the pupil of Antonio Machado from the far Baeza and incorporated him into his poetry.

This is evident in the lack of materials and in the lack of furniture. Only the chapel with a Latin cross floor and a dome in which some frescoes are still preserved stand out.

The difficulties of the 17th century may have motivated the foundation of this monastery especially at a time when bad crops, hunger and bad weather caused the emergence of epidemics of the feared plague. The order of San Antonio Abad was dedicated to the healing of the sick and the fear of contagion caused these buildings to be far from the populations. Along with the plague, the economic crisis, the rise in prices, wars and in general the hardships led to an increase in the clergy and religious foundations in a context in which the Monarchy offered a contradictory vision that oscillated from splendor and misery or boom and decline.

It was the first, and therefore oldest, to operate in Valdepeñas. It began to ground the day on August 15, 1540 and had two milling stones. Its owner, Juanín LeClerque, called it the Upper Mill of Santa Ana and also built a second mill, called the Bajo of Santa Ana, which also had two stones. Both mills were the only ones in Valdepeñas until the 18th century.

In 1787, the batan, used until then to cast wool, was transformed into a mill, and was built in the area of El Ejido de San Sebastián by Catherine González de Medina.

It is currently dedicated to the museum and divided into three sections: Portal, dedicated to the historical part; Molino, dedicated to the mill, its parts and operation; and Hoorno, which hosts a small sample of objects and techniques specific to the popular arts and customs of Valdepeñas and its region.

Dated between 1950 / 1959. Electric flour mill with elevators and threads that carry wheat and flour from one machine to another. It has atrojes for the storage of wheat, atroje for the damp, alfanje, milling stay and machine stay. The chunks are built in tapial and spun, the function being to store the grain. The alfanje, built in brick and wood, is where you will find the set of milling stones. Inside is the gear that moves the stone. The stay of the milling is where the process of milling the grain is carried out. The machine stay is the second floor where you will find the trickle, the clean and the fender.

It consists of one wheel and two milling stones, the first to mould wheat and the second for other grain types; the network of acequias and canals that fed it is kept in use but only for the irrigation of the annexed gardens.

The mill is a hydraulic construction of at least Roman times that served for the grinding of cereal. The initial remains could be dated in the Roman era, but then much improved in the 16th century when it was bought by Francisco de los Cobos. The existing remains allow to contemplate several arches of the aqueduct, the water storage tank and hydraulic drive.