It is characterized by its quadrangular plant and because it has neither protective walls nor stands. The public is located on the slopes of the mountain for free and free, and can meet more than a thousand people. There continue to be taurine celebrations between 6 and 8 October, coinciding with the holidays in honor of the Virgin of the Rosary.

It was designed by the architect Mr Angel Arbex, Commander of Engineers. It was opened on 10 September 1928 by the rejonador Antonio Cañero and the matadores Manuel Jiménez Chicuelo, "El Algabeño" and Vicente Barrera before eight bulls of the cattle-making of Veragua.

This monument marks the architectural explosion of the 1920s in Villanueva del Archbishop, since to it would be added the House of the Arches, the Old Casino of the Commercial Circle, etc.

The 3rd Category Square has a capacity for 6,000 spectators. It is one of the most important Taurino things in the province of Jaén and through which the first figures of the Toreo have passed, from Manolete to the brothers Rivera Ordóñez, the Cordobés, Fandi... witnessing great taurine evenings and other cultural events of the villa.

It was built on the grounds occupied by the Garden of the Convent of San Nicasio, reusing the materials of this and another ancient convent, which was that of San Antonio. It opened in 1857, being one of the first five built in our country. Traditionally, in Ubeda, the races were held in squares and streets, until the 19th century, when the bullfighting squares began to be built throughout Spain, adopting a certain similarity for their circular and progressive plant, with the Roman amphitheaters. This work is an exponent of the decimononic architecture in the city, with the incorporation of the use of cast iron, typical of this century, in the corrido balconage and rails with interesting outings of sticks and balconds. The square consists of two floors and a capacity of 5,000 spectators. There are two covers, that of the Great Gate, intellized and topped with a shield in which a taurino lance is represented, and that of the interior, which is from the 16th century, perhaps from the convent of San Nicasio. The first figures of the bullfighting have passed through this square. Here took the alternative one of the best bullfighters in the entire history of the country, "Lagartijo," on September 29, 1864. There are currently runs at the San Miguel Fair, between September 29 and October 4, as well as other musical and artistic events throughout the year.

The square has a capacity of 9,000 spectators. Circular with an alley of 1.30 meters high, it consists of three floors: lying, standing and gallery, to which they lead four stairs, one at each access door to the enclosure. Among its dependencies is cavalry, corrals, ten chickers, concierge, administration, bullfighting room, lockers, nursing and desolate.

Full of history and legend, in which memorable afternoons have been lived, the best priests and rejoners have tried luck in their course. But the one that remains recorded in the collective memory of the hobby and for which the Linares coso is worldwide known, was for the mortal capture of Manuel Rodríguez Sánchez "Manolete" on August 29, 1947, for the myura called Isero. Next to the ring door there is a ceramic and marble plate commemorative of that tragic afternoon of the Royal Fair and Fiestas of San Agustín.

The first run was held on 18 October 1960 with the unfinished work and was in charge of the bullfighters "Pedrés," Gregorio Sánchez and Victor Quesada. The official inauguration of the coso took place two years later with a sign formed by the swords Diego Puerta, Paco Camino and Palmeño. On October 18, 2010, coinciding with the celebration of the San Lucas Fair, it commemorated the 50th anniversary of the first walk in the square, with a cumshot by José Carlos Venegas, Enrique Ponce and El Juli. It has a capacity for more than 10,000 spectators and a restoration area in the lower area of the square.

This square was built in 1892 using neo-Mudejarianism as a style, both inside and on the outer gates, where horseshoe arches predominate. Some of the materials were reused from some churches and property abandoned after the deamortization, as well as from the remains of the first Plaza de Toros.

It consists of three floors: laying, stand, palches and second stand. It also has two cavalries, corrals for the cattle of ligia, covered poultry to verify the section and corraleta, six chickers, bulldozers room, chapel, nursing, administration, pallet of drag, butcher and ticket office.

The square offers the possibility of organizing events for incentives and congresses, concerts and shows.

Precisely, to the cloister of the said convent, Mr Gonzalo Messía Carrillo Fonseca, I Marqués de La Guardia, commissioned the execution of an exempt fountain, crowned by the Magdalena and dated 1577, which has been attributed to Francisco del Castillo "El Mozo," currently located in the courtyard of the Excel. Provincial Council of Jaén. Years earlier, and perhaps to commemorate the appointment as I Marqués de La Guardia, Gonzalo Messía ordered to raise a pilar-abrevadero at the entrance of the population, near the Dominican convent, to serve as a water supply to the neighbors and their animals. This beautiful space, threatened with splendid gardens, over time became a plateau made up of the source itself and a nobility house of silery built according to the date of 1814.

The pilar-abrevadero, in a landscape and built of silary stone, is formed by a wall articulated by two bodies and attic. In the first body there are five caños of bronze out of avenerated hornazas that pour abundant waters on a rectangular pillar, in the second a beautiful frame was carved with hanging cloth with the inscription allusive to the comitant and the date of execution: "This work command to do the Iltmo. Mr. Don Gonzalo Mexia Carrillo, my lord. Year 1566." Throughout this second body there is an internment supported at the ends in Ionian striated columns. In the center of the attic two canes, with the garruches of the Messia family, hold an oval shield on the mould with the crown of Marquis and the following inscription "Plaza de Isabel II Reina Constitucional," with which this place has been known since. In its origin the dogs held the shield with the weapons of Don Gonzalo Messia Carrillo; it is overcome with a fronton with a central relief flanked by fins and crowned with a Cross, to the ends and bearing the cross of Santiago have settled two lying lions (all very redone).

Although the tracist of this beautiful pillar is not known, the stylems incorporated in it, columns with alternating sticks, the scroll with cloth (similar to the carved ones in the City Palace of Ubeda), the molding of the inlet and the cut-off hides of the shield held by the canes point to a possible intervention by Andrés de Vandelvira. Professor Galera Andreu expresses himself in this respect: I do not believe that the public source is not at his hand, despite the reforms (...) to be highlighted by the small scale of the columns attached in an application to the reverse of what was done in the chapel of the Benavides in Baeza. The set was restored by the local workshop school in 1991.

If we look at it from the geological point of view, it is a sphere of sandstone / limestone, which is very eroded by having been buried along with strong water currents, which have contributed to forming an countless number of holes along its entire surface, giving it even more if that character of lunar appearance is there. Leaving aside its geological nature and approaching its symbolic nature, we can say that it is a ritual or sacred stone as we have previously called it, whose name within the archaeological argot is Betilo. This type was used by prehistoric sedentary communities near the Neolithic. Its value was ceremonial or ritual, as they were considered to be divinities associated with the fertility of the land or of the woman. This type of betils were usually placed around the primitive sanctuaries or houses / caves of the community leader and around it were held rituals.

In the case of our "Stone of the Desires," we find that at the top, it has an orifice of deep broth, the purpose of which was to bear the pagan divinities once they take human figure, or later for the Christian communities to place the cross, an unequivocal symbol of Christianity.
This sphere reached Arjona in 1995, a year of terrible drought, in which the fields of Arjona offered a desolate aspect. The same day that the stone arrives in Arjona, a great storm is unleashed that changes the look of these fields, which have been damaged by the terrible drought that has been in this town for months. It is curious how the power of this stone was quickly associated with rituals of Mediterranean cultures that have water as the main rite. That water that makes the earth fertile, that you water the fields and that gives life to the crops, offers us the enigmatic aspect of this stone, whose ancestral function for which it was created, was to symbolize the fertility of the earth, fertility that is achieved only by rain, in this case and thousands of years later the stone exercises that same symbolic power just after reaching its new destination, Arjona.

In the nights of San Juan there are numerous Arjoneros, who come to this stone to practice rituals specific to Mediterranean culture. But this stone not only works on the night of San Juan, from its location in or privileged place of the Plaza de Santa María, is available to the visitor and Arjonero any day of the year. For the visitor's wishes to be fulfilled, in Arjona we have devised a ritual to follow. This ritual consists of placing the 5 fingers of either of the two hands, in holes of similar size, once this ritual has been performed a desire is asked.
From here we want our "Stone of the Desires" to grant you health and happiness.