The recreational area in the initial section consists of various elements for the recreation of the users such as children's games, kiosks, fountains, barbecues, tables and benches, trees, football field, etc., making this environment a great place to spend a day in the field.

It is currently in the process of preparing and revaluing tourism under the premise of providing an intervention and rehabilitation that is environmentally friendly, with its traditional character and respecting its current physionomy.

When he received the assignment, the Albacetean architect found it very difficult not to have a space of the size that Francisco de los Cobos asked for, so he solved it by building a vault on the River Cerezuelo; above the vault, the square of Santa Maria and on the square, the church, disproportionate by its enormous size, as they only lived a thousand inhabitants in the town, and yet almost cathedralicia. The project dated from 1535 and was a major engineering challenge for the media of the time.

It is said to be the only church in the world built on a river, and it is today, without a doubt, along with the vault on which it rises, the great tourist attraction in the city of Cazorla.

Location: To the west of the city centre, in the natural park of Sierra Magina.
Distance: 7 km.
Medium: By vehicle tourism and on foot.
Access route: By a lane that leaves directly from the city centre, until you reach a mountain road that access the enclave.

These more or less realistic but generally schematic manifestations reproduce human beings, animals and symbols, forming isolated scenes. The representations not only evoke and report part of daily life, but leave us witness to its complex v mysterious spirituality.

World Heritage Site

The natural park of Despeñacolos has different groups of rock paintings, of a schematic and eulin style, which gives this park an interesting cultural value, for the many coats and caves where these first inhabitants left their art. In 1998 it became part of the UNESCO catalogue as World Heritage Site.

Outdoor museums

These sites can be considered as authentic outdoor museums of incalculable value, whose preservation concerns each and every fellow citizen. When visiting them, we must remember that we contemplate figures made by the primitive man, not least human and intelligent, more than 4,000 years ago. It's all by law, Cultural Interest Property.

Visit the paintings

Visiting these places can be difficult and frustrating, not only because of their access; it can be dangerous, but because sometimes their conservation status can be at least poor; and it is recommended that they be visited with a specialist. For this purpose, before scheduling the visit, it is advisable to consult with someone familiar with the place (to advise and guide) or even to be accompanied by a responsible local guide (it is advisable to contact local authorities or associations).

The Abrigo e la Cave de los Muñecos, the Abrigo de Vacas del Retamoso and the Abrigo de Los Organos are highlighted.

These more or less realistic but generally schematic manifestations reproduce human beings, animals and symbols, forming isolated scenes. The representations not only evoke and report part of daily life, but leave us witness to its complex and mysterious spirituality.

World Heritage Site

Sierra Magina houses an interesting set of rock art, especially those related to the Municipality of Jimena, being a very interesting example of schematic rock paintings. In 1998 it became part of the UNESCO catalogue as World Heritage Site.

Outdoor museums

These sites can be considered as authentic outdoor museums of incalculable value, whose preservation concerns each and every fellow citizen. When visiting them, we must remember that we contemplate figures made by the primitive man, not least human and intelligent, more than 4,000 years ago. It's all by law, Cultural Interest Property.

Visit the paintings

Visiting these places can be difficult and frustrating, not only because of their access; it can be dangerous, but because sometimes their conservation status is the least poor; and it is recommended that they be visited with a specialist. For this purpose, before scheduling the visit, it is advisable to consult with someone familiar with the place (to advise and guide) or even to be accompanied by a responsible local guide (it is advisable to contact local authorities or associations).

The Abrigo de la Graja stands out.

World Heritage Site

In Aldeaquemada, as a sample of its valuable cultural heritage, there are different groups of rock paintings, of a schematic and eulin style; distributed by fleshlands and rocky coats of the municipal term. So much so that UNESCO, meeting in Kyoto (Japan) in 1998, agreed to catalogue the Levine Rupestre Art of the Spanish Mediterranean Arc as a World Heritage Site. Meeting in assembly, he gave this important name and included in the list the 19 deposits of Rupéstre Levino and Eschematic Art discovered in this municipality, cataloguing that has come to recognize and highlight the great importance of the cultural manifestations of the former inhabitants of these lands.

Outdoor museums

These deposits, unique for their subject matter, are the most important in Andalusia and can be considered as authentic outdoor museums, of incalculable value and whose preservation concerns each and every one of us. When visiting them, we must remember with all due respect that we contemplate figures made by the primitive man; but not for that less human and intelligent, more than 4,000 years ago. They are all by law Cultural Interest Goods.
These groups of rock paintings, located on most occasions on rock coats, were studied at the beginning of the 20th century by the Abate Brehuil and M. Cabré, who catalogued the vast majority of existing groups in the area.
Subsequently, thanks to the new and relevant discoveries of the chronist Carlos Sanchez- Battle, it has been possible to have an extended relationship and a full awareness of the great heritage value that, for Aldeaquemada, represents the whole of its cave paintings.

Visit the paintings

Visiting these places is difficult and can be frustrating, not only because of their access; dangerous sometimes, but because of their poor conservation status; they make them difficult to see if they are not specialized. For this reason, before scheduling a visit, you should consult with a local connoisseur and let yourself be accompanied by a responsible local guide.
The most representative coats, on which signposted routes have been developed; not yet operational until the final protection of the paintings, but which has been announced (the Ayto. provide guides) can be visited, are those of the Poyos de La Cimbarra, Cimbarillo del Prado de Rechesa, Cave de la Mina, Garganta de la Hoz, Prado del Azogue and Cave de Los Arcos. Although there are another series of awakened groups.